Finnish National Opera 20 May 2022 - Triple Bill: Made in Finland | GoComGo.com

Triple Bill: Made in Finland

Finnish National Opera, Main Stage, Helsinki, Finland
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7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: Helsinki, Finland
Starts at: 19:00
Intervals: 1
Duration: 1h 45min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

In the Finnish National Ballet’s centenary year, Triple Bill showcases three internationally acclaimed Finnish choreographers. The new works by Kenneth Kvarnström, Johanna Nuutinen and Tero Saarinen all share the same lighting designer, Joonas Tikkanen. The costumes are by Erika Turunen and Kenneth Kvarnström. This evening is truly Made in Finland!

Kvarnström

Kenneth Kvarnström is an experienced choreographer with an illustrious career in Finland and Sweden. He founded his own dance group in 1987. In addition to his achievements as a choreographer, he has also worked as the director of the Helsinki City Theatre dance group and the prestigious Dansens Hus in Stockholm. His previous production seen at the Finnish National Ballet was Hohto/Shine in 2009. 

Kvarnström’s latest production is like a tapestry woven differently every time. The dancers themselves can determine their entrance and exit from the choreography, making each performance unique depending on their choices. The musical score is Boléro by Maurice Ravel, which Kvarnström had also used in another choreography 15 years ago. This time, however, he tackles the music from a different choreographic standpoint. A continuously changing visual experience, a combination of paintings, lights, and projections, serves as the backdrop for the dancing.

“For a long time, I have pondered what the concept of performing arts means to me… It is an expression and a phenomenon that inspires me. Performing arts mix several ways of expression and combine them into an entity that escapes definition.”
– Kenneth Kvarnström

Nuutinen

Johanna Nuutinen has created cinema and stage productions at the crossroads of visual and performing arts since 2011. Her work has been performed at more than 40 international film festivals and several dance festivals in Finland and abroad. She has also created commissioned works for both the Finnish National Ballet and the West Australian Ballet. Before embarking on a freelance career in 2017, she was a dancer at the Finnish National Ballet.<

In Johanna Nuutinen’s choreography, the world surges over the audience in a riptide of overwhelming, shattering stimulation. The concept of happiness as constantly increasing consumption has worn out both itself and humanity. Nuutinen pulls the audience through chaos into the eye of the storm, where all-encompassing peace is finally found. Lauri Porra’s newly composed score and Tuomas Norvio’s sound design create a powerful framework for a highly affecting experience. 

“Will we only see the clarity of the moment in the chaos when we take the time to face both ourselves and each other?”
– Johanna Nuutinen

Saarinen

During his impressive international career as a dancer and choreographer, Tero Saarinen has created more than 40 world premieres. These include choreographies for the Tero Saarinen Company, which he founded 25 years ago, and other dance groups worldwide. Saarinen’s previous choreography for the Finnish National Ballet was Kullervo, a full-length creation.

In his new work to the Cello Concerto of Esa-Pekka Salonen, dance, sound and light are wedged together in the interface between chaos and order, defenselessness and safety, and the experience of the transience of existence. It continues Saarinen and Salonen’s collaboration, which started with Saarinen’s choreography Morphed, seen on the Main Stage of the Opera House during the Helsinki Festival in 2014. The costumes are also by Saarinen’s trusted collaboration partner, Erika Turunen. Turunen has designed the costumes for many of Saarinen’s works over more than 20 years.

“As soon as I heard it, Esa-Pekka Salonen’s Cello Concerto made my imagination run wild and challenged my thinking towards creating a group production of a larger scale.”
– Tero Saarinen

Venue Info

Finnish National Opera - Helsinki
Location   Helsinginkatu 58 PL 176

The Finnish National Opera is a Finnish opera company based in Helsinki. Its home base is the Opera House on Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300-500 seats.

Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being The Barber of Seville in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom’s opera company had given 450 performances of a total of 26 operas, and the company had managed to demonstrate that opera can be sung in Finnish too. After the disbandment of the Finnish Opera, the opera audiences of Helsinki had to confine themselves to performances of visiting opera companies and occasional opera productions at the Finnish National Theatre.

The reincarnation of the Finnish opera institution took place about 30 years later. A group of notable social and cultural figures, led by the international star soprano Aino Ackté, founded the Domestic Opera in 1911. From the very beginning, the opera decided to engage both foreign and Finnish artists. A few years later the Domestic Opera was renamed the Finnish Opera in 1914. In 1956, the Finnish Opera was, in turn, taken over by the Foundation of the Finnish National Opera, and acquired its present name.

Between 1918 and 1993 the home of the opera was the Alexander Theater, which had been assigned to the company on a permanent basis. The home was inaugurated with an opening performance of Verdi’s Aida. When the first dedicated opera house in Finland was finally completed and inaugurated in 1993, the old opera house was given back its original name, the Alexander Theater, after the Tsar Alexander II.

The Finnish National Opera has some 30 permanently engaged solo singers, a professional choir of 60 singers and its own orchestra of 120 members. The Ballet has 90 dancers from 17 countries. All together, the opera has a staff of 735.

Past music directors and chief conductors have included Armas Järnefelt (1932–36), Tauno Pylkkänen (1960-1967), Okko Kamu (1996–2000), Muhai Tang (2003–2006), and Mikko Franck (2006-2013). With the 2013-2014 season, the Finnish mezzo-soprano Lilli Paasikivi became artistic director of the company, and the German conductor Michael Güttler became principal conductor with the company. The initial contracts for both Paasikivi and Güttler are for 3 years. Since 2008, Kenneth Greve has served as artistic director of Finnish National Ballet. His current contract is through 2018.

The Finnish National Opera stages four to six premieres a year, including a world premiere of at least one Finnish opera, such as Rasputin by Einojuhani Rautavaara. Some 20 different operas in 140 performances are found in the opera's schedule yearly. The Ballet arranges some 110 performances annually. The Finnish National Opera has some 250,000 visitors a year.

Important Info
Type: Modern Ballet
City: Helsinki, Finland
Starts at: 19:00
Intervals: 1
Duration: 1h 45min
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