Finnish National Opera 21 August 2021 - Sleeping Beauty | GoComGo.com

Sleeping Beauty

Finnish National Opera, Main Stage, Helsinki, Finland
All photos (9)
Select date and time
6 PM
Request for Tickets
Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 18:00
Intervals: 1
Duration: 2h 25min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The family favourite returns to the repertoire. Sleeping Beauty is one of the most beloved ballets of all time.

The familiar story about the bewitched princess Aurora, the good and evil fairies, and the adventurous prince truly comes into its own as a ballet. The stunning costumes and sets evoke a richly colourful fairy-tale world, which will enthrall the entire audience from young children to adults. Sleeping Beauty is an ideal first experience of ballet for a child.

History
Premiere of this production: 03 January 1890, Mariinsky Theatre in St. Petersburg

The Sleeping Beauty is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois dormant. The choreographer of the original production was Marius Petipa.

Synopsis

The birth of Princess Aurora is celebrated at the court of a faraway kingdom. Three fairies have been invited to be godmothers: Volante, the fairy of courage, Grazia, the fairy of joy, and Syrene, the fairy of love. As the fairies are giving their christening gifts to the princess, the fairy of fear, Carabosse, barges in. The King and Queen have forgotten to invite her. The enraged Carabosse bestows a curse upon the Princess: one day she will prick her finger on a rose thorn and die! Syrene is yet to give her gift, however, and utters a counterspell. The Princess won’t die, but she’ll fall asleep for a hundred years and finally awake to the kiss of a prince.

The Princess celebrates her 16th birthday. She meets four princes who have come to ask for her hand in marriage. An elderly woman also appears and gives her a rose. The court is horrified, but there is no time to take the rose off the Princess before she pricks her finger on it. The old woman is revealed as Carabosse, and the princess falls asleep.

A hundred years later, Prince Desiré is out hunting, and a golden deer leads him to Syrene. Syrene tells the Prince about Aurora and shows him the way to the castle where he has to fight Carabosse. In the end, the Prince finds Aurora and she and her court are awakened by his kiss.

Aurora and Desiré’s wedding is attended by a multitude of fairy tale characters, from Little Red Riding Hood to Puss in Boots and the Blue Bird. Love has conquered the entire count.

Time: Baroque
Place: Europe

Prologue (The Christening)

King Florestan XXIV and his Queen have welcomed their first child, Princess Aurora, and declare a grand christening ceremony to honor her. Six fairies are invited to the ceremony to bestow gifts on the child. Each fairy brings a gift of a virtue or positive trait, such as beauty, courage, sweetness, musical talent, and mischief. The most powerful fairy, the Lilac Fairy, arrives with her entourage, but before she can bestow her gift, the evil fairy Carabosse arrives with her minions. Carabosse furiously asks the King and Queen why she had not received an invitation to the christening. The blame falls on Catalabutte, the Master of Ceremonies who was in charge of the guest list. Carabosse gleefully tears his wig off and beats him with her staff, before placing a curse upon the baby princess as revenge: Aurora will indeed grow up to be a beautiful, healthy, delightful young lady, but on her sixteenth birthday she will prick her finger on a Spindle and die. The King and Queen are horrified and beg Carabosse for mercy, but she shows none. However, the Lilac Fairy intervenes. Though she does not have enough power to completely undo the curse, she alters it, allowing the spindle to cause a peaceful 100-year sleep for the princess, rather than death. At the end of those 100 years, she will be woken by the kiss of a handsome prince. Relieved that Aurora's life will ultimately be spared, the court is set at ease.

Act I (The Spell)

It is the day of Princess Aurora's sixteenth birthday. Celebrations are underway, though the King is still unsettled by Carabosse's omen. The master of ceremonies discovers several peasant ladies frolicking about with knitting needles and alerts the King, who initially sentences the women to a harsh punishment. The Queen gently persuades him to spare the innocent citizens, and he agrees. An elaborate waltz is performed and Princess Aurora arrives. She is introduced to four suitors by her doting parents. Aurora and the suitors perform the famous Rose Adagio. Presently, a cloaked stranger appears and offers a gift to the princess: a spindle. Having never seen one before, Aurora curiously examines the strange object as her parents desperately try to intervene. As predicted, she pricks her finger. While initially appearing to recover quickly, she falls into a swoon and collapses. The cloaked stranger reveals herself to be Carabosse, who believes that her curse still stands and that the princess is dead. Once again, the Lilac Fairy quells the hubbub and reminds the King and Queen that Aurora is merely asleep. The princess is carried off to bed, and the Lilac Fairy casts a spell of slumber over the entire kingdom, which will only be broken when Aurora awakens. A thick layer of thorny plants grows over the palace, hiding it from view.

Act II (The Vision)

One hundred years later, Prince Désiré is attending a hunting party. Though his companions are lighthearted, the prince is unhappy and eventually asks to be left alone. On his own in the forest, he is met by the Lilac Fairy, who has chosen him to awaken Aurora. She shows him a vision of the beautiful princess, and the prince is immediately smitten. The Lilac Fairy explains the situation, and Désiré begs to be taken to the princess. The Lilac Fairy takes him to the hidden castle. Carabosse makes one last attempt to cement her vengeful curse, but the Lilac Fairy and the prince manage to defeat her together at last. Once inside the castle, Désiré awakens Aurora with a kiss. The rest of the court wakes as well, and the King and Queen heartily approve when the prince proposes marriage and the princess accepts.

Act III (The Wedding)

The royal wedding is underway. Guests include the Jewel Fairies: Diamond, Gold, Silver and Sapphire, and of course the Lilac Fairy. Fairytale characters are in attendance, including Puss in Boots and The White Cat, Princess Florine and the Bluebird, and others. Aurora and Désiré perform a grand Pas de Deux, and the entire ensemble dances. The prince and princess are married, with the Lilac Fairy blessing the union.

Structure

Titles of all of the numbers listed here come from Marius Petipa's original scenario, as well as the original libretto and programs of the first production of 1890. Major changes which were made to the score for Petipa's original production are mentioned, and help explain why the score is often heard in different versions in theatres today.

All libretti and programs of works performed on the stages of the Imperial Theatres were titled in French, which was the official language of the Emperor's Court, as well as the language in which balletic terminology is derived.

Prologue — Le baptême de la Princesse Aurore

Venue Info

Finnish National Opera - Helsinki
Location   Helsinginkatu 58 PL 176

The Finnish National Opera is a Finnish opera company based in Helsinki. Its home base is the Opera House on Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300-500 seats.

Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being The Barber of Seville in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom’s opera company had given 450 performances of a total of 26 operas, and the company had managed to demonstrate that opera can be sung in Finnish too. After the disbandment of the Finnish Opera, the opera audiences of Helsinki had to confine themselves to performances of visiting opera companies and occasional opera productions at the Finnish National Theatre.

The reincarnation of the Finnish opera institution took place about 30 years later. A group of notable social and cultural figures, led by the international star soprano Aino Ackté, founded the Domestic Opera in 1911. From the very beginning, the opera decided to engage both foreign and Finnish artists. A few years later the Domestic Opera was renamed the Finnish Opera in 1914. In 1956, the Finnish Opera was, in turn, taken over by the Foundation of the Finnish National Opera, and acquired its present name.

Between 1918 and 1993 the home of the opera was the Alexander Theater, which had been assigned to the company on a permanent basis. The home was inaugurated with an opening performance of Verdi’s Aida. When the first dedicated opera house in Finland was finally completed and inaugurated in 1993, the old opera house was given back its original name, the Alexander Theater, after the Tsar Alexander II.

The Finnish National Opera has some 30 permanently engaged solo singers, a professional choir of 60 singers and its own orchestra of 120 members. The Ballet has 90 dancers from 17 countries. All together, the opera has a staff of 735.

Past music directors and chief conductors have included Armas Järnefelt (1932–36), Tauno Pylkkänen (1960-1967), Okko Kamu (1996–2000), Muhai Tang (2003–2006), and Mikko Franck (2006-2013). With the 2013-2014 season, the Finnish mezzo-soprano Lilli Paasikivi became artistic director of the company, and the German conductor Michael Güttler became principal conductor with the company. The initial contracts for both Paasikivi and Güttler are for 3 years. Since 2008, Kenneth Greve has served as artistic director of Finnish National Ballet. His current contract is through 2018.

The Finnish National Opera stages four to six premieres a year, including a world premiere of at least one Finnish opera, such as Rasputin by Einojuhani Rautavaara. Some 20 different operas in 140 performances are found in the opera's schedule yearly. The Ballet arranges some 110 performances annually. The Finnish National Opera has some 250,000 visitors a year.

Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 18:00
Intervals: 1
Duration: 2h 25min
Top of page