Finnish National Opera 10 December 2021 - La Traviata | GoComGo.com

La Traviata

Finnish National Opera, Main Stage, Helsinki, Finland
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7 PM
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Important Info
Type: Opera
City: Helsinki, Finland
Starts at: 19:00
Intervals: 1
Duration: 2h 35min
Sung in: Italian
Titles in: Finnish,Swedish,English

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Overview

La Traviata is a cornucopia of compelling melodies and elegant orchestration that underpin both the wistfulness of farewell and raucous parties in Paris.

This romantic story of young love overshadowed by illness is the most popular Verdi opera ever performed at the FNOB. The current production has been in the repertoire since 1988, with almost 200 performances. And there is no end in sight, thanks in part to the shining white 19th-century style set but above all to the immortal music of Verdi.

Alfredo’s family does not approve of him consorting with a woman of bad reputation, and Violetta is obliged to forsake her love. Finally the young lovers are reunited, but by then death is already claiming Violetta.

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

Finnish National Opera - Helsinki
Location   Helsinginkatu 58 PL 176

The Finnish National Opera is a Finnish opera company based in Helsinki. Its home base is the Opera House on Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300-500 seats.

Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being The Barber of Seville in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom’s opera company had given 450 performances of a total of 26 operas, and the company had managed to demonstrate that opera can be sung in Finnish too. After the disbandment of the Finnish Opera, the opera audiences of Helsinki had to confine themselves to performances of visiting opera companies and occasional opera productions at the Finnish National Theatre.

The reincarnation of the Finnish opera institution took place about 30 years later. A group of notable social and cultural figures, led by the international star soprano Aino Ackté, founded the Domestic Opera in 1911. From the very beginning, the opera decided to engage both foreign and Finnish artists. A few years later the Domestic Opera was renamed the Finnish Opera in 1914. In 1956, the Finnish Opera was, in turn, taken over by the Foundation of the Finnish National Opera, and acquired its present name.

Between 1918 and 1993 the home of the opera was the Alexander Theater, which had been assigned to the company on a permanent basis. The home was inaugurated with an opening performance of Verdi’s Aida. When the first dedicated opera house in Finland was finally completed and inaugurated in 1993, the old opera house was given back its original name, the Alexander Theater, after the Tsar Alexander II.

The Finnish National Opera has some 30 permanently engaged solo singers, a professional choir of 60 singers and its own orchestra of 120 members. The Ballet has 90 dancers from 17 countries. All together, the opera has a staff of 735.

Past music directors and chief conductors have included Armas Järnefelt (1932–36), Tauno Pylkkänen (1960-1967), Okko Kamu (1996–2000), Muhai Tang (2003–2006), and Mikko Franck (2006-2013). With the 2013-2014 season, the Finnish mezzo-soprano Lilli Paasikivi became artistic director of the company, and the German conductor Michael Güttler became principal conductor with the company. The initial contracts for both Paasikivi and Güttler are for 3 years. Since 2008, Kenneth Greve has served as artistic director of Finnish National Ballet. His current contract is through 2018.

The Finnish National Opera stages four to six premieres a year, including a world premiere of at least one Finnish opera, such as Rasputin by Einojuhani Rautavaara. Some 20 different operas in 140 performances are found in the opera's schedule yearly. The Ballet arranges some 110 performances annually. The Finnish National Opera has some 250,000 visitors a year.

Important Info
Type: Opera
City: Helsinki, Finland
Starts at: 19:00
Intervals: 1
Duration: 2h 35min
Sung in: Italian
Titles in: Finnish,Swedish,English
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