Finnish National Opera 3 December 2022 - The Nutcracker and the Mouse King | GoComGo.com

The Nutcracker and the Mouse King

Finnish National Opera, Main Stage, Helsinki, Finland
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2 PM 6 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 18:00
Intervals: 1
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Magic that never loses its charm. The enchanting family favourite is back in the repertoire! The beloved ballet classic, The Nutcracker and the Mouse King, is a cherished tradition for friends and families alike. Tchaikovsky’s familiar music, the magical sets, and the spectacular costumes whisk the audience miles away from the everyday worries.

The story begins when Klaara, who lives in the wintery Finnish town of Porvoo, is taken on a fairy-tale journey on Christmas night. She meets the army of mice, exotic visitors from faraway lands, and a prince turned into a nutcracker by a spell. The exciting plot twists of this ballet will grip visitors of all ages.

A heart-warming fairy-tale ballet to lighten the dark days of winter, The Nutcracker and the Mouse King is a choreography by Toer van Schayk and Wayne Eagling based on the Christmas classic, and one of the most successful Dutch theatre productions of all time.

Toer van Schayk also designed the sets and costumes for this Nutcracker production, transporting the audience to a world of merriment and magic. His staging is both a visual and technical tour de force in the history of Dutch National Ballet. The skaters on the Amsterdam canal, the living room that swells in Clara's dream and the walls that transform into a snow-dusted forest are all scenes sure to awaken and delight in the child in everyone.

“As I walked down the cobblestone streets of Porvoo, looking at the classic wood houses and the boats on the river, I came up with the notion of a wealthy shipowner as the father of little Klaara.”
– Choreographer, costume and set designer Toer van Schayk

History
Premiere of this production: 06 December 1892, Imperial Mariinsky Theatre, Saint Petersburg

The Nutcracker (Balet-feyeriya) is a two-act ballet, originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's story "The Nutcracker and the Mouse King".

Synopsis

Klaara, her younger brother Pekka and her older sister Liisa are getting ready for the Christmas feast. Families with their children arrive at the house where they live. The last people to arrive are old Mr Drosselmeier and his young nephew, a naval cadet. Drosselmeier, an eccentric and rather mysterious old man with a passion for clocks and all kinds of mechanical objects, holds the children in thrall with his conjuring tricks.

The room is full of friends and cousins of Klaara. Father Christmas comes in with the Christmas goat. At first the children are frightened but are delighted when they are given all kinds of presents. Drosselmeier and his nephew bring in a magic lantern. Using lantern sides Drosselmeier tells the story of the young Princess who rejects the Mouse King’s offer of a marriage because she has promised her heart to a handsome Prince. The Mouse King fights a duel with the Prince and the Prince is transformed into a wooden doll, a Nutcracker.

The story makes a deep impression on Klaara. She feels sorry for the Nutcracker doll and is immediately enchanted by him, but her heart is also won over by Drosselmeier’s nephew and, in her imagination, she identifies him with the bewitched Prince.

It is time for the children to go to bed. Klaara returns to the drawing room where she encounters the nephew who has forgotten his hat. In a romantic gesture she gives him her hair-ribbon as a keepsake. He is surprised, quite unaware that he had captured the young girl’s heart.

Klaara is put to bed and she dreams that the Mouse King appears in her room. Klaara jumps out of her bed and runs through the dark house in the drawing room to save the Nutcracker.

The room fills up with gruesome mice who chase after her. From the cupboard, which is gradually changing into a fort, the Nutcracker emerges. He, too, has grown much bigger and at first strikes fear into the mice.

There ensues a duel between the Nutcracker and the Mouse King. The Nutcracker falls wounded. Pekka returns accompanied by mounted hussars, but to no avail: the Mouse King is too strong, the hussars cannot lift their heavy sabres and the mice and rats chase everyone away. Pekka and his soldiers are taken prisoners, leaving Klaara and the Nutcracker behind in despair.

Klaara dreams that the chains fall away and that a great love springs up between her and the Nutcracker. Once again she binds him up with a ribbon and puts him to bed. He then rises up and changes into a Prince with the same features as Drosselmeier’s nephew.

The Snow temporarily pushes the mice to the background. Drosselmeier appears with his magic lantern. Drosselmeier leads Klaara and the Nutcracker into the magic lantern.

Drosselmeier, Klaara and the Nutcracker arrive deep inside the magic lantern – this is Drosselmeier’s kingdom. Suddenly, however, the Mouse King and his rats fight their way into the magic lantern. Drosselmeier frightens them. Another duel takes place and the Nutcracker succeeds at last in killing the Mouse King. The mice all disappear and the spell is broken: the Nutcracker finally turns into the Prince for good.

The magic lantern brings Klaara and the Prince into strange countries. Klaara wakes up and Pekka comes in. Miraculously, they have had the same dream. They realize for the first time how much they care for each other.

Plot 

Below is a synopsis based on the original 1892 libretto by Marius Petipa. The story varies from production to production, though most follow the basic outline. The names of the characters also vary. In the original E. T. A. Hoffmann story, the young heroine is called Marie Stahlbaum and Clara (Klärchen) is her doll's name. In the adaptation by Dumas on which Petipa based his libretto, her name is Marie Silberhaus. In still other productions, such as Baryshnikov's, Clara is Clara Stahlbaum rather than Clara Silberhaus.

Act I

Scene 1: The Stahlbaum Home

It is Christmas Eve. Family and friends have gathered in the parlor to decorate the beautiful Christmas tree in preparation for the party. Once the tree is finished, the children are sent for. They stand in awe of the tree sparkling with candles and decorations.

The party begins. A march is played. Presents are given out to the children. Suddenly, as the owl-topped grandmother clock strikes eight, a mysterious figure enters the room. It is Drosselmeyer, a local councilman, magician, and Clara's godfather. He is also a talented toymaker who has brought with him gifts for the children, including four lifelike dolls who dance to the delight of all. He then has them put away for safekeeping.

Clara and Fritz are sad to see the dolls being taken away, but Drosselmeyer has yet another toy for them: a wooden nutcracker carved in the shape of a little man. The other children ignore it, but Clara immediately takes a liking to it. Fritz, however, breaks it, and Clara is heartbroken.

During the night, after everyone else has gone to bed, Clara returns to the parlor to check on her beloved nutcracker. As she reaches the little bed, the clock strikes midnight and she looks up to see Drosselmeyer perched atop it. Suddenly, mice begin to fill the room and the Christmas tree begins to grow to dizzying heights. The nutcracker also grows to life size. Clara finds herself in the midst of a battle between an army of gingerbread soldiers and the mice, led by their king. They begin to eat the soldiers.

The nutcracker appears to lead the soldiers, who are joined by tin soldiers, and by dolls who serve as doctors to carry away the wounded. As the Mouse King advances on the still-wounded nutcracker, Clara throws her slipper at him, distracting him long enough for the nutcracker to stab him.

Scene 2: A Pine Forest

The mice retreat and the nutcracker is transformed into a handsome Prince. He leads Clara through the moonlit night to a pine forest in which the snowflakes dance around them, beckoning them on to his kingdom as the first act ends.

Act II

Scene 1: The Land of Sweets

Clara and the Prince travel to the beautiful Land of Sweets, ruled by the Sugar Plum Fairy in the Prince's place until his return. He recounts for her how he had been saved from the Mouse King by Clara and transformed back into himself. In honor of the young heroine, a celebration of sweets from around the world is produced: chocolate from Spain, coffee from Arabia, tea from China, and candy canes from Russia all dance for their amusement; Danish shepherdesses perform on their flutes; Mother Ginger has her children, the Polichinelles, emerge from under her enormous hoop skirt to dance; a string of beautiful flowers perform a waltz. To conclude the night, the Sugar Plum Fairy and her Cavalier perform a dance.

A final waltz is performed by all the sweets, after which the Sugar Plum Fairy ushers Clara and the Prince down from their throne. He bows to her, she kisses Clara goodbye, and leads them to a reindeer drawn sleigh. It takes off as they wave goodbye to all the subjects who wave back.

In the original libretto, the ballet's apotheosis "represents a large beehive with flying bees, closely guarding their riches". Just like Swan Lake, there have been various alternative endings created in productions subsequent to the original.

Venue Info

Finnish National Opera - Helsinki
Location   Helsinginkatu 58 PL 176

The Finnish National Opera is a Finnish opera company based in Helsinki. Its home base is the Opera House on Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300-500 seats.

Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being The Barber of Seville in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom’s opera company had given 450 performances of a total of 26 operas, and the company had managed to demonstrate that opera can be sung in Finnish too. After the disbandment of the Finnish Opera, the opera audiences of Helsinki had to confine themselves to performances of visiting opera companies and occasional opera productions at the Finnish National Theatre.

The reincarnation of the Finnish opera institution took place about 30 years later. A group of notable social and cultural figures, led by the international star soprano Aino Ackté, founded the Domestic Opera in 1911. From the very beginning, the opera decided to engage both foreign and Finnish artists. A few years later the Domestic Opera was renamed the Finnish Opera in 1914. In 1956, the Finnish Opera was, in turn, taken over by the Foundation of the Finnish National Opera, and acquired its present name.

Between 1918 and 1993 the home of the opera was the Alexander Theater, which had been assigned to the company on a permanent basis. The home was inaugurated with an opening performance of Verdi’s Aida. When the first dedicated opera house in Finland was finally completed and inaugurated in 1993, the old opera house was given back its original name, the Alexander Theater, after the Tsar Alexander II.

The Finnish National Opera has some 30 permanently engaged solo singers, a professional choir of 60 singers and its own orchestra of 120 members. The Ballet has 90 dancers from 17 countries. All together, the opera has a staff of 735.

Past music directors and chief conductors have included Armas Järnefelt (1932–36), Tauno Pylkkänen (1960-1967), Okko Kamu (1996–2000), Muhai Tang (2003–2006), and Mikko Franck (2006-2013). With the 2013-2014 season, the Finnish mezzo-soprano Lilli Paasikivi became artistic director of the company, and the German conductor Michael Güttler became principal conductor with the company. The initial contracts for both Paasikivi and Güttler are for 3 years. Since 2008, Kenneth Greve has served as artistic director of Finnish National Ballet. His current contract is through 2018.

The Finnish National Opera stages four to six premieres a year, including a world premiere of at least one Finnish opera, such as Rasputin by Einojuhani Rautavaara. Some 20 different operas in 140 performances are found in the opera's schedule yearly. The Ballet arranges some 110 performances annually. The Finnish National Opera has some 250,000 visitors a year.

Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 18:00
Intervals: 1
Duration: 2h 20min
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