Finnish National Opera 23 March 2022 - Sibelius | GoComGo.com

Sibelius

Finnish National Opera, Main Stage, Helsinki, Finland
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7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 19:00
Intervals: 1
Duration: 2h 30min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

A dance through the national composer’s life.

Jorma Elo’s new ballet is about Jean Sibelius and his creativity, which inspires him to push forward. Nevertheless, his life wouldn’t be possible without Aino – her love, creativity and understanding. Though Jean is the main character, the story is both Aino’s and Jean’s. Their love is at the heart of the ballet, and the audience is shown each character’s point of view. Aino and Jean’s burning love and passion is a constant through the decades, in spite of the obstacles. It’s the driving force behind everything.

Jorma Elo’s keen interest in story-form classical ballets in recent years is apparent in the structure and movement language of Sibelius. The classical movement language is only disrupted in the few scenes that take place in the creative world of Aino and Jean’s minds. In those scenes the movement language, too, is fully inspired by the music. The Violin Concerto, for example, features more modern movement language.

Jorma Elo explored Sibelius’s work in depth to find the most suitable music for his ballet. Excerpts from several different pieces come together beautifully in a score that follows the composer’s life. Sibelius’s compositions for the stage, which are particularly fitting to the story, are complemented by pieces close to Elo’s heart, such as the Violin Concerto, Symphony No. 5, and Finlandia.

”To me, the Violin Concerto has always been Sibelius’s most important composition, and I’ve also used it in one of my most popular ballets. I never stop wondering why it affects me, the audience and the dancers so much. Symphony No. 5 also gives me goosebumps every time, and Finlandia brings tears to my eyes. It touches all Finns – particularly us who have lived abroad for a long time.”

Set and costume designer Robert Perdziola has found visual inspiration in the paintings of Aino Sibelius’s brother Eero Järnefelt and photos of early 20th century Helsinki. The classic beauty of the costumes, which reflects the fashions of the period, is juxtaposed with the abstract costumes illustrating Sibelius’s composition process. Perdziola, an American, has visited Finland and explored Finnish nature, which inspired both Elo and Sibelius. His sketches illustrate the essence of Finnishness, while also showing Ainola, the Järnefelts’ summer villa, Helsinki and other quintessentially Finnish locations from a fresh point of view.

Synopsis

Young Jean is reading a book with beautiful white swans on the cover. At his father’s funeral, Jean’s imagination carries him away from the sorrow.

Armas Järnefelt arrives at his family’s villa together with his friend Jean Sibelius. Jean feels uncomfortable in the company of the upper-class family, but there’s a mutual attraction between him and Armas’s sister, Aino. Aino’s sensitive, mentally disturbed sister, Elli, takes her own life in the forest. The shocked Aino leans on Jean in her grief. 

Aino and Jean get engaged. Aino’s father finally gives his blessing upon hearing about the success of Jean’s composition, Kullervo.

Sibelius travels to Vienna to study composition and takes part in an audition for an orchestra. He relishes the bohemian freedom of Vienna and spends his time partying and gambling, ending up at a brothel. As he returns to Finland, his angered wife, Aino, eventually forgives him and tells him she is pregnant.

Years later, Jean is composing his violin concerto. At the rehearsal of the world premiere, the musicians are laughing at his nerves. Later, crushed by negative reviews, Jean heads out drinking. Upon coming home, he finds Aino distraught: their daughter, Kirsti, has died of typhoid fever. The shared grief reignites Jean and Aino’s love.  

Jean is in Italy, still composing to provide for himself and his family. In his despair, he sees Kirsti in a nightmare and is overcome by guilt over the loss of his daughter. 

As the civil war breaks out, the family flees Helsinki, but during their escape, they are threatened by the red guard. Jean’s brother bribes the soldiers to let them go. Jean sees a flock of swans flying above and is inspired to compose.

Sibelius is rehearsing to conduct a concert and drinks to calm his nerves. At the concert, Aino is saddened by seeing her inebriated husband.

The Sibelius family is happy. Aino and Jean have found each other again, and Jean resists the temptation of debauchery. 

An old man now, Jean is one of Finland’s most famous people. At his birthday party, his mind is burdened by the grim events of the past. Aino and Jean’s children arrive with their frail families to cheer up the frail Jean. As Jean dies of a heart attack in Aino’s arms, Aino is overcome by memories.

Venue Info

Finnish National Opera - Helsinki
Location   Helsinginkatu 58 PL 176

The Finnish National Opera is a Finnish opera company based in Helsinki. Its home base is the Opera House on Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300-500 seats.

Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being The Barber of Seville in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom’s opera company had given 450 performances of a total of 26 operas, and the company had managed to demonstrate that opera can be sung in Finnish too. After the disbandment of the Finnish Opera, the opera audiences of Helsinki had to confine themselves to performances of visiting opera companies and occasional opera productions at the Finnish National Theatre.

The reincarnation of the Finnish opera institution took place about 30 years later. A group of notable social and cultural figures, led by the international star soprano Aino Ackté, founded the Domestic Opera in 1911. From the very beginning, the opera decided to engage both foreign and Finnish artists. A few years later the Domestic Opera was renamed the Finnish Opera in 1914. In 1956, the Finnish Opera was, in turn, taken over by the Foundation of the Finnish National Opera, and acquired its present name.

Between 1918 and 1993 the home of the opera was the Alexander Theater, which had been assigned to the company on a permanent basis. The home was inaugurated with an opening performance of Verdi’s Aida. When the first dedicated opera house in Finland was finally completed and inaugurated in 1993, the old opera house was given back its original name, the Alexander Theater, after the Tsar Alexander II.

The Finnish National Opera has some 30 permanently engaged solo singers, a professional choir of 60 singers and its own orchestra of 120 members. The Ballet has 90 dancers from 17 countries. All together, the opera has a staff of 735.

Past music directors and chief conductors have included Armas Järnefelt (1932–36), Tauno Pylkkänen (1960-1967), Okko Kamu (1996–2000), Muhai Tang (2003–2006), and Mikko Franck (2006-2013). With the 2013-2014 season, the Finnish mezzo-soprano Lilli Paasikivi became artistic director of the company, and the German conductor Michael Güttler became principal conductor with the company. The initial contracts for both Paasikivi and Güttler are for 3 years. Since 2008, Kenneth Greve has served as artistic director of Finnish National Ballet. His current contract is through 2018.

The Finnish National Opera stages four to six premieres a year, including a world premiere of at least one Finnish opera, such as Rasputin by Einojuhani Rautavaara. Some 20 different operas in 140 performances are found in the opera's schedule yearly. The Ballet arranges some 110 performances annually. The Finnish National Opera has some 250,000 visitors a year.

Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 19:00
Intervals: 1
Duration: 2h 30min
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