Finnish National Opera 25 January 2020 - La Bayadère | GoComGo.com

La Bayadère

Finnish National Opera, Helsinki, Finland
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Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 14:00
Duration: 2h 50min

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Overview

A divinely beautiful love story

Nikiya is a temple dancer or bayadere who is in love with a warrior named Solor. He, however, ends up in an arranged marriage with the lovely Princess Gamzatti. She sees Nikiya as a threat, so Nikiya must die. But the wedding of Solor and Gamzatti ends in disaster, as the enraged gods intervene.

Solor’s hallucination of the dead Nikiya is hypnotically beautiful. It is worth seeing this ballet for this one scene, which is often performed as a separate number.

La Bayadère, one of the most splendid ballets of the 19th century, glorified the exotic Orient at a time when foreign travel was only available to the privileged few. The world renowned ballerina and choreographer Natalia Makarova’s production, which honours the original choreography, is the first version of La Bayadère to be seen in the Western world. Pier Luigi Samaritani’s magnificent sets and Anna Kontek’s opulent costumes carry the audience into a world of fairy tales – just like at the Imperial Ballet of St. Petersburg back in 1877.

“Elegantly simple and purely geometrical, the Kingdom of the Shades reveals the wonderful mastery of the young Petipa. This scene is especially difficult for the corps de ballet, because every move must be executed in precise unison.”

– Natalia Makarova, choreographer

History
Premiere of this production: 23 January 1877, Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia

La Bayadère (en. The Temple Dancer) is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya.

Synopsis

Solor, a warrior, asks Magdaveya the head fakir to set up a meeting with Nikiya, a temple dancer or bayadère. Nikiya’s beauty has also dazzled the High Brahmin, who confesses his love to Nikiya. She rejects him, because he is a man of God. The Brahmin is deeply hurt by Nikiya’s rejection.

Magdaveya conveys Solor’s message to Nikiya, and she agrees to meet him. The High Brahmin grows suspicious when he sees Nikiya with Magdaveya. Nikiya and Solor meet in the woods and pledge eternal love to one another. Infuriated, the High Brahmin invokes the gods to help him kill Solor.

The Rajah announces that he will reward Solor for his valour by giving him the hand of the Rajah’s daughter, Gamzatti, in marriage. Solor is unable to resist Gamzatti’s charms and the Rajah’s wishes despite having pledged his eternal love to Nikiya. The High Brahmin informs the Rajah of Nikiya and Solor’s love with hopes that the Rajah would have Solor put to death. The Rajah, however, decides that it is Nikiya who must die. Gamzatti overhears the conversation and attempts to bribe Nikiya to leave Solor. Nikiya refuses and in desperation attempts to stab the Princess. Gamzatti now agrees with her father: Nikiya must die.

A betrothal party is arranged for Gamzatti and Solor. The High Brahmin brings Nikiya to dance at the ceremony. Unable to accept the engagement, Nikiya expresses her sorrow in her dance. Nikiya receives a basket of flowers that she is told is from Solor. Actually, the basket was sent by the Rajah and Gamzatti, and hidden among the flowers is a venomous snake. The snake bites Nikiya. The High Brahmin offers her an antidote to the venom, but just as she is about to drink it, she sees the Rajah and Gamzatti lead Solor away. Nikiya chooses death.

Despondent and depressed by Nikiya’s death, Solor smokes opium and sees the dead Nikiya in a hallucination. She is in the Kingdom of the Shades, and her vision is multiplied by the corps de ballet. Solor reminisces about her dance of love by the sacred fire. As Solor prepares for his wedding to Gamzatti, the vision of Nikiya continues to confuse him.

A bronze idol dances in the shadow of the Great Buddha as the High Brahmin and other priests prepare for the wedding of Gamzatti and Solor. The bride and groom enter, but Solor is still haunted by Nikiya. A basket of flowers identical to the one given to Nikiya mysteriously appears, and Gamzatti, terrified and consumed by guilt, urges her father to complete the marriage ceremony. Solor is unable to pronounce the wedding vows. The enraged gods destroy the entire temple, burying everyone in it. Eternal love brings the spirits of Solor and Nikiya together.

Set in the Royal India of the past, La Bayadère is a story of eternal love, mystery, fate, vengeance, and justice.  The ballet relates the drama of a temple dancer (bayadère), Nikiya, who is loved by Solor, a noble warrior.  She is also loved by the High Brahmin, but does not love him in return, as she does Solor.

Act I

Scene I, Outside Temple in the Sacred Forest.

The High Brahmin, priests, and temple dancers are celebrating the Indian Ritual of Fire.  Nikiya, the most beautiful of the bayadères, has been chosen to be consecrated the lead temple dancer.  The High Brahmin declares his love for Nikiya, but is rejected by her.  Nikiya meets secretly with Solor later that evening.  They dance together and swear eternal love over the Sacred Fire, but are discovered by the jealous High Brahmin, who vows to kill Solor.

Scene II, A Room in the Palace.

The Rajah has decided to reward Solor’s valor and decrees that the warrior will marry his daughter, Gamzatti.  Gamzatti falls in love with Solor’s portrait, and when they meet, he is overwhelmed by her beauty.  Even though he has sworn eternal love to Nikiya, he cannot defy the wishes of the Rajah and agrees to marry Gamzatti.  The High Brahmin informs the Rajah of Nikiya and Solor’s secret love, hoping that the Rajah will do away with Solor.  Instead, the Rajah decides to kill Nikiya.

This conversation is overhead by Gamzatti, who summons Nikiya to her rooms and attempts to bribe Nikiya to give up Solor.  Refusing, Nikiya frantically attempts to kill  Gamzatti.  Nikiya flees and Gamzatti swears to destroy her.

Scene III, The Garden of the Palace.

At the betrothal of Solor and Gamzatti, Nikiya is commanded to dance.  Gamzatti presents her with a basket of flowers that Nikiya believes to be from Solor, and which conceals a deadly snake.  Nikiya is bitten, and when Solor leaves with Gamzatti, she refuses the proffered antidote and dies.

Act II. The Tent of Solor.

Solor, grief‑stricken and under the influence of opium, dreams of being reunited with Nikiya in the Kingdom of the Shades.  Awakening, he realizes that he must prepare to marry Gamzatti.

Act III. The Temple.

The vision of Nikiya remains with Solor as the wedding ceremony begins at the Sacred Temple.  As Solor and Gamzatti say their vows and are blessed by the High Brahmin, the vengeance of the gods is unleashed, and the temple and all the celebrants are destroyed.  Nikiya and Solor are once again united in eternal love.

Venue Info

Finnish National Opera - Helsinki
Location   Helsinginkatu 58 PL 176

The Finnish National Opera is a Finnish opera company based in Helsinki. Its home base is the Opera House on Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300-500 seats.

Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being The Barber of Seville in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom’s opera company had given 450 performances of a total of 26 operas, and the company had managed to demonstrate that opera can be sung in Finnish too. After the disbandment of the Finnish Opera, the opera audiences of Helsinki had to confine themselves to performances of visiting opera companies and occasional opera productions at the Finnish National Theatre.

The reincarnation of the Finnish opera institution took place about 30 years later. A group of notable social and cultural figures, led by the international star soprano Aino Ackté, founded the Domestic Opera in 1911. From the very beginning, the opera decided to engage both foreign and Finnish artists. A few years later the Domestic Opera was renamed the Finnish Opera in 1914. In 1956, the Finnish Opera was, in turn, taken over by the Foundation of the Finnish National Opera, and acquired its present name.

Between 1918 and 1993 the home of the opera was the Alexander Theater, which had been assigned to the company on a permanent basis. The home was inaugurated with an opening performance of Verdi’s Aida. When the first dedicated opera house in Finland was finally completed and inaugurated in 1993, the old opera house was given back its original name, the Alexander Theater, after the Tsar Alexander II.

The Finnish National Opera has some 30 permanently engaged solo singers, a professional choir of 60 singers and its own orchestra of 120 members. The Ballet has 90 dancers from 17 countries. All together, the opera has a staff of 735.

Past music directors and chief conductors have included Armas Järnefelt (1932–36), Tauno Pylkkänen (1960-1967), Okko Kamu (1996–2000), Muhai Tang (2003–2006), and Mikko Franck (2006-2013). With the 2013-2014 season, the Finnish mezzo-soprano Lilli Paasikivi became artistic director of the company, and the German conductor Michael Güttler became principal conductor with the company. The initial contracts for both Paasikivi and Güttler are for 3 years. Since 2008, Kenneth Greve has served as artistic director of Finnish National Ballet. His current contract is through 2018.

The Finnish National Opera stages four to six premieres a year, including a world premiere of at least one Finnish opera, such as Rasputin by Einojuhani Rautavaara. Some 20 different operas in 140 performances are found in the opera's schedule yearly. The Ballet arranges some 110 performances annually. The Finnish National Opera has some 250,000 visitors a year.

Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 14:00
Duration: 2h 50min
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