Finnish National Opera 1 February 2023 - Carmen | GoComGo.com

Carmen

Finnish National Opera, Main Stage, Helsinki, Finland
All photos (8)
Select date and time
7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 19:00
Duration: 2h 40min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Though the ballet is danced to Georges Bizet’s music, those expecting an exact replica of the opera score will be surprised. Conductor Martin Yates has adapted the music to support the dramatic arc of the ballet, yet leaving the most famous themes in place. The music of the opera is complemented by other compositions by George Bizet, which share the same quintessentially Spanish sentiment.

British Liam Scarlett is Resident Choreographer at The Royal Ballet in London and Queensland Ballet’s Artistic Associate in Australia. He has created choreographies for several other prominent ballet groups, such as the English National Ballet, San Francisco Ballet, and American Ballet Theatre. Carmen, Scarlett’s first full-length ballet, saw its world premiere at the Norwegian National Ballet in 2015.

A production of the Norwegian National Ballet

Carmen is one of the world’s favourite operas, but how will it look on the ballet stage? British Liam Scarlett has created a touching and dramatic classical ballet, which drew full houses in the Norwegian National Ballet after its world premiere in 2015. Scarlett’s choreography is accompanied by the familiar music of Georges Bizet.

Oppressive setting in 1930s Spain

Like the opera, the story of Liam Scarlett’s ballet is set in a cigarette factory, but in 1930s Spain – just before the outbreak of the Civil War. It’s a world in which everyone must fend for themselves and do whatever is necessary survive.

British Liam Scarlett is Resident Choreographer at The Royal Ballet in London and Queensland Ballet’s Artistic Associate in Australia. He has created choreographies for several other prominent ballet groups, such as the English National Ballet, San Francisco Ballet, and American Ballet Theatre. Carmen, Scarlett’s first full-length ballet, saw its world premiere at the Norwegian National Ballet in 2015.

“I want the audience to empathise with both Carmen and Don José. I have attempted to make this into as great a love story as possible, even though it ends with a murder.”

– Choreographer Liam Scarlett

History
Premiere of this production: 21 February 1949, Shaftesbury Theatre, London

Carmen is a ballet created by Roland Petit and his company 'Les Ballets de Paris' at the Prince's Theatre in London on 21 February 1949, which has entered the repertory of ballet companies in France and around the world. This version is in five scenes and represents a striking admixture of classical ballet, Spanish-style movement, mime, and freshly invented dramatic dance action. It opened "scandalously and brilliantly, with the fabulously sexy Zizi Jeanmaire in the title role" in London and has been regularly performed ever since.

Synopsis

Micaëla has travelled from a nearby village to a cigarette factory to see her teenage sweetheart, Don José, in order to deliver a message from his mother. The women working at the factory are supervised by a guard, Zuniga. The atmosphere is tense. The monotony of factory labour is only interrupted by the changing of the guard. After Zuniga’s departure, Carmen entertains the guards and notices Don José, throwing a flower to him. Micaëla finally meets Don José and their old feelings are reignited. The encounter is interrupted by a scream from the factory: a fight has erupted between Carmen and the other women. She is taken away from the others and Don José is assigned to guard her. To get away, Carmen seduces Don José, who is arrested for his negligence.

Carmen and the other gypsies have taken refuge in a tavern. The famous bullfighter, Escamillo, arrives and seduces Carmen. The next day, Escamillo leaves and Don José arrives, declaring his love to Carmen. Carmen and Don José plan to run away together and get married. Don José travels to the gypsy camp to wait for Carmen, but before leaving to join him, Carmen runs into Escamillo. He promises her a perfect life by his side. Carmen writes in a letter to Don José that she doesn’t love him after all. Micaëla arrives at the tavern and she is trusted with delivering the letter to the gypsy camp. At the camp, Micaëla tries to talk Don José to follow her, but he professes his love for Carmen. Having read Carmen’s letter, Don José falls into despair.

At a party to celebrate Escamillo’s victorious bullfight and marriage, Carmen starts to doubt whether she should’ve ever got married. Don José still tries to convince Carmen to run away with him. Consumed by his passion, Don José stabs Carmen to death. Carmen dies in his arms.

The first scene is set in a street in Seville, where the dancing of a crowd is interrupted by a girl being chased by Carmen. Their fight is only stopped by the arrival of Don José, who assists Carmen's defeated opponent. As he is about to arrest Carmen he is struck by her allure and arranges an assignation for later. That evening in the tavern Don José enters and dances a zapateado to the music of the habanera. Carmen next appears and dances, ending at Don José's feet; he lifts her up and they go up to the bedroom. The customers dance and when Carmen and Don José return they join in before José wraps Carmen in his cape and they go off.

The third scene is in Carmen's bedroom. After a passionate duet, three of Carmen's friends come in and invite her to go outside. At night in the street, Carmen, Don José and the friends prepare to rob a passer-by. Using a dagger Carmen has given him, Don José stabs a man, and after the women have taken his purse, they all flee.

The final scene is set outside the bull-ring where girls await the arrival of their hero, the toreador. He enters and greets them but is fascinated by the indifference shown by Carmen. José enters and notices their looks. The toreador moves into the arena whereupon Don José threatens Carmen, and in a fight to the death he overcomes her. As she dies, hats are tossed from the bull-ring to land at his feet.

Venue Info

Finnish National Opera - Helsinki
Location   Helsinginkatu 58 PL 176

The Finnish National Opera is a Finnish opera company based in Helsinki. Its home base is the Opera House on Töölönlahti bay in Töölö, which opened in 1993, and is state-owned through Senate Properties. The Opera House features two auditoriums, the main auditorium with 1,350, seats and a smaller studio auditorium with 300-500 seats.

Regular opera performances began in Finland in 1873 with the founding of the Finnish Opera by Kaarlo Bergbom. Prior to that, opera had been performed in Finland sporadically by touring companies, and on occasion by Finnish amateurs, the first such production being The Barber of Seville in 1849. However, the Finnish Opera company soon plunged into a financial crisis and folded in 1879. During its six years of operation, Bergbom’s opera company had given 450 performances of a total of 26 operas, and the company had managed to demonstrate that opera can be sung in Finnish too. After the disbandment of the Finnish Opera, the opera audiences of Helsinki had to confine themselves to performances of visiting opera companies and occasional opera productions at the Finnish National Theatre.

The reincarnation of the Finnish opera institution took place about 30 years later. A group of notable social and cultural figures, led by the international star soprano Aino Ackté, founded the Domestic Opera in 1911. From the very beginning, the opera decided to engage both foreign and Finnish artists. A few years later the Domestic Opera was renamed the Finnish Opera in 1914. In 1956, the Finnish Opera was, in turn, taken over by the Foundation of the Finnish National Opera, and acquired its present name.

Between 1918 and 1993 the home of the opera was the Alexander Theater, which had been assigned to the company on a permanent basis. The home was inaugurated with an opening performance of Verdi’s Aida. When the first dedicated opera house in Finland was finally completed and inaugurated in 1993, the old opera house was given back its original name, the Alexander Theater, after the Tsar Alexander II.

The Finnish National Opera has some 30 permanently engaged solo singers, a professional choir of 60 singers and its own orchestra of 120 members. The Ballet has 90 dancers from 17 countries. All together, the opera has a staff of 735.

Past music directors and chief conductors have included Armas Järnefelt (1932–36), Tauno Pylkkänen (1960-1967), Okko Kamu (1996–2000), Muhai Tang (2003–2006), and Mikko Franck (2006-2013). With the 2013-2014 season, the Finnish mezzo-soprano Lilli Paasikivi became artistic director of the company, and the German conductor Michael Güttler became principal conductor with the company. The initial contracts for both Paasikivi and Güttler are for 3 years. Since 2008, Kenneth Greve has served as artistic director of Finnish National Ballet. His current contract is through 2018.

The Finnish National Opera stages four to six premieres a year, including a world premiere of at least one Finnish opera, such as Rasputin by Einojuhani Rautavaara. Some 20 different operas in 140 performances are found in the opera's schedule yearly. The Ballet arranges some 110 performances annually. The Finnish National Opera has some 250,000 visitors a year.

Important Info
Type: Ballet
City: Helsinki, Finland
Starts at: 19:00
Duration: 2h 40min
Top of page