Stanislavsky Music Theatre tickets 19 October 2025 - The Tale Of Tsar Saltan | GoComGo.com

The Tale Of Tsar Saltan

Stanislavsky Music Theatre, Moscow, Russia
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Important Info
Type: Opera
City: Moscow, Russia
Starts at: 12:00
Acts: 2
Intervals: 1
Duration: 2h 35min
Sung in: Russian

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Cast
Performers
Conductor: Arif Dadashev
Creators
Composer: Nikolai Rimsky-Korsakov
Poet: Alexander Pushkin
Director: Alexander Titel
Opera Company: Stanislavsky Theatre Opera
Librettist: Vladimir Belsky
Overview

The Stanislavsky Theatre, located in XIX century historical building just 750 metres (9-minute walk) from the Bolshoi, offers audiences the unique opportunity to enjoy one of the most beloved family productions in Moscow, Nikolai Rimsky-Korsakov’s opera The Tale of Tsar Saltan. The production features performers of remarkable distinction, many of whom have appeared on the stage of the Bolshoi Theatre and trained in the same world-renowned academies that shaped Russia’s most celebrated opera and ballet stars. Their artistry, combined with the inventive staging, ensures that this timeless fairy tale continues to enchant both children and adults, generation after generation. Opera at the Stanislavsky Theatre is the great and affordable alternative to the Bolshoi.

One of the most beloved family productions in Moscow, Nikolai Rimsky-Korsakov’s opera The Tale of Tsar Saltan has delighted audiences for generations. First staged at the Stanislavsky and Nemirovich-Danchenko Music Theatre in 1997, this vivid and imaginative production was created by director Alexander Titel together with designers Yuri Ustinov and Irina Akimova. The premiere was conducted by Ara Karapetyan.

Since then, The Tale of Tsar Saltan has remained a bestseller among parents and children alike. Adults come to hear the Theatre’s outstanding soloists – with even the smallest roles entrusted to top-tier artists – while young audiences are captivated by a handcrafted world of magic and wonder. On stage, members of the chorus and mime ensemble bring to life the characters of Tmutarakan and the island of Buyan: angels, fish, cows, trees, and even the city itself, all in playfully inventive costumes.

“This world, kind and warm, is born on an empty stage out of the imagination of the creators – and, just as importantly, our own. The game proposed to the audience and readily accepted by it immediately made the opera alive and light, bright and funny,” wrote critic Valery Kichin in Rossiyskaya Gazeta shortly after the premiere.

History
Premiere of this production: 03 November 1900, Solodovnikov Theatre, Moscow

The Tale of Tsar Saltan is an opera in four acts with a prologue (a total of seven scenes) by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on the poem of the same name by Aleksandr Pushkin. The opera was composed in 1899–1900 to coincide with Pushkin's centenary, and was first performed in 1900 in Moscow, Russia.

Synopsis

Time: Unspecified
Place: Partly in the city of Tmutarakan and partly on the island of Buyan

Prologue

On a wintry evening three sisters are sitting at spinning wheels. As Tsar Saltan overhears from outside the door, the oldest sister boasts that, if she were Tsaritsa (the bride of the Tsar), she would prepare a sumptuous feast; the middle sister would weave a grand linen; the youngest promises to bear, as son for the Tsar, a bogatyr (warrior-knight). Saltan enters, chooses the third sister to be his bride ("Zdravstvuy, krasnaya devitsa!" = "Greetings, beautiful girl!"), and takes her away. The old woman Babarikha devises a revenge for the two jealous older sisters ("Nu, tak slushat, ne meshat" = "Then listen well and don’t interrupt"): when the Tsar is away at war, a message will be sent to him that the child born to his Tsaritsa is not human, but a monster.

Act 1

Introduction — Saltan’s Departure

Scene

The Tsar has gone off to war. In his palace in Tmutarakan, the Tsaritsa has given birth to a son, to whom a chorus of nannies sings a lullaby ("Bayushki, bayushki!"). She is despondent: there is no reply from her husband to the news of the birth of their child. Her sisters are (with Babarikha) now part of the court: the older sister as Cook, and the middle sister as Weaver. (They have secretly replaced the message of the Tsaritsa to her husband with news of her son's birth with another message: it said that she has borne neither a daughter nor a son, neither a mouse nor a frog, but a kind of monster.) They try to entertain her, as does the skomorokh (jester) and the old man ("Gosudarynya, tsaritsa, matushka" = "Your highness, queen, mother"). But all this is to no avail. The young Tsarevich baby, who has been lulled to sleep during this scene, awakens and runs about, accompanied by his nurses, and the people wish God's blessings upon him. Then a messenger stumbles in, having been waylaid with drink by Babarikha. He sings "Gosudarynya moya, ne veli kaznit menya" ("Your highness, don’t punish me"), and his message from the Tsar is read by the scribes: the Tsaritsa and her progeny must be placed in a barrel and thrown into the sea. Reluctantly the people carry out the Tsar's command.

Act 2

Introduction — Militrisa and Gvidon Afloat In the Barrel

Scene

The Tsaritsa and her son Gvidon have landed on the island of Buyan, and broken out of the barrel in which they were trapped. Gvidon, who has grown remarkably rapidly into a young man, is searching for sustenance. While doing this, he rescues a swan from being killed by a kite. in gratitude, the Swan-Bird sings to him ("Ty, tsarevich, moy spasitel" = "You, Prince, my Saviour"). The Tsaritsa explains Gvidon's early history to her son, and the Swan-Bird causes the city of Ledenets (Russian: Леденец, "lollipop") to arise magically on the island. Gvidon is hailed by its inhabitants as its Prince.

Act 3

Scene 1

By the shore of Buyan, the merchant ships have left, and Gvidon laments having being separated from his father ("Veter po moryu gulyayet" = "The wind blows over the sea"). The Swan-Bird will help him by changing him into a bumblebee. He will be able to fly over the sea, as a stowaway on Saltan's ship, to visit him (incognito) in Tmutarakan.

Interlude — Flight of the Bumblebee

Scene 2

The sailors arrive at Tmutarakan from their visit to Buyan. The sailors tell Tsar Saltan of the wonders of Gvidon's island (the magically appearing city itself, a magic squirrel, and the thirty-three bogatyrs from the sea). The two older sisters are concerned that the Tsar will become interested in visiting the island, and they try to dissuade him. In retaliation the bumble-bee Gvidon stings each of them in the brow. Babarikha then tries to trump the sailors, by speaking of a fabulous Princess on the sea, at which point Gvidon stings her in the eye and blinds her. Saltan decides to visit the island, but, in view of the havoc caused by the bumblebee, forbids that breed of insect from ever entering the palace again.

Act 4

Scene 1

Gvidon, again by the seashore of Buyan, longs for a bride ("V sinem more zvyozdy bleshchut" = "Over the blue sea stars shine"). The Swan-Bird appears, and Gvidon tells her of the Princess that he heard about at Tmutarakan. The Swan-Bird transforms herself into that very Princess. His mother and a chorus of maidens enter, and bless the prospect of their wedding.

Orchestral interlude — Three Wonders

Scene 2

Gvidon, with his mother hidden, awaits the arrival of Saltan. When the ship arrives with the Tsar and his retinue, Gvidon greets him, and questions him as to whether or not he will have a son to carry on his work. The Saltan does not yet know that Gvidon is his son ("Akh, moguchiy knyaz Gvidon" = "Ah, mighty Prince Gvidon"), and expresses regret for his rash treatment of his wife many years earlier. Although Gvidon tries to cheer him up with the three wonders, it becomes clear that only the presence of Militrisa can assuage Saltan's guilt. The Princess-Swan (Lyebyed) appears and reveals the Tsar's long-lost wife. The older sisters beg forgiveness, which in his happiness Saltan grants. Everyone then joins in a celebration of the upcoming wedding of Gvidon and the Princess-Swan.

Venue Info

Stanislavsky Music Theatre - Moscow
Location   B. Dmitrovka, 17

The Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre is a music theatre in Moscow.

The Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre was founded in 1941 when two companies directed by the legendary reformers of twentieth-century theatre — Konstantin Stanislavski and Vladimir Nemirovich-Danchenko — merged: the Stanislavsky Opera Theatre (established at the end of 1918 as an Opera Studio of the Bolshoi Theatre) and the Nemirovich-Danchenko Music Theatre (set up in 1919 as a Studio of the Moscow Art Theatre).

The new theatre followed the artistic principles of its founders, who applied the system of the Moscow Art Theatre to opera and ballet. Both Stanislavsky and Nemirovich-Danchenko rejected the current conception of opera as "costume concert". They wanted to bring it closer to drama and comedy, revealing the main idea of the plot through psychologically motivated action. The ballet company entered the Theatre as a part of Nemirovich-Danchenko's troupe. It was the former company of the Moscow Art Ballet, established in 1929 by Victorina Krieger, the valued ballerina of the Bolshoi Theatre. She was Artistic Director and one of the principal dancers of the Moscow Art Ballet. Soon after Stanislavsky's death, Nemirovich-Danchenko took charge of all the companies (Vsevolod Meyerhold invited by Stanislavsky to work for his theatre, was arrested in 1939, and no other stage director could prove equal to Nemirovich-Danchenko). Then the theatre was given its present name.

Important Info
Type: Opera
City: Moscow, Russia
Starts at: 12:00
Acts: 2
Intervals: 1
Duration: 2h 35min
Sung in: Russian
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