Bolshoi Theatre 8 February 2020 - Romeo and Juliet | GoComGo.com

Romeo and Juliet

Bolshoi Theatre, New Stage, Moscow, Russia
All photos (12)
Saturday 8 February 2020
12 PM
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Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 12:00

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Overview

Russian choreographer Alexei Ratmansky, who must be so glad he quit his perilous former job as Bolshoi Ballet artistic director, is a great advocate for real dancing. 

You might consider this a fundamental duty, but, alas, it is one nowadays not always honoured. With Ratmansky, even in the work for the corps de ballet, there’s none of the paint-by-numbers, filler-style choreography too often found in big, traditional story ballets. Whether it’s a ravishing romantic pas de deux full of soaring lifts or a geometrically complex ensemble number with dancers heading every which way in brilliantly resolving patterns, Ratmansky’s Romeo and Juliet is a choreographic delight, rich in detail, subtle in its musicality and always dramatically expressive.

With commendable fealty to Shakespeare’s tale of star-crossed lovers, Ratmansky does what a choreographer in his situation is supposed to do, which is to tell the basic story through the language of movement. It bespeaks a master craftsman that he does this without resort to gratuitous mime, and is able to access elements such as the thoughts and premonitions of principle characters with poetic imagery.

History
Premiere of this production: 30 November 1937, Mahen Theatre, Brno

Romeo and Juliet is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work.

Synopsis

Act I

Scene 1 

Morning in the Italian Renaissance city of Verona. Romeo, of the Montague family, greets the awakening day. As the city comes to life, Romeo is joined by two friends, Mercutio and Benvolio, and the market square is soon filled with people. The bitter enmity between the Montague and Capulet families emerges with the arrival of Tybalt, a Capulet. Innocuous teasing escalates into swordplay as Tybalt fights with Benvolio and Mercutio.
Lord and Lady Capulet and Lord and Lady Montague enter. There is a brief lull in the fighting but soon Capulet and Montague take up swords themselves. The Duke of Verona enters with his guards and intervenes, chastening all of the combatants. The crowd parts, revealing the bodies of two dead young men.

Scene 2
In her bedroom, Juliet, the daughter of Lord and Lady Capulet, plays affectionately with her Nurse as she prepares for a ball. Her mother enters and tells her of Paris, an aristocratic suitor, whom they expect Juliet to marry. Her father enters with Paris. Juliet is uncertain about the arrangement but she receives Paris graciously.

Scene 3
A lavish ball at the Capulet home. Juliet is being displayed by her father for the assembled guests. Disguised by masks, Romeo, Mercutio and Benvolio slip unannounced into the ball. When Romeo sees Juliet, he is immediately lovestruck. After Juliet dances with Paris, Romeo approaches her and professes his feelings. Juliet immediately falls in love. Tybalt, Juliet’s cousin, suspects the interloper and unmasks him, revealing his true identity. Enraged at Romeo’s effrontery, the hotheaded Tybalt demands revenge but he is stopped by Lord Capulet. As the guests depart, Tybalt warns Juliet to stay away from Romeo.

Scene 4
Later that night, Romeo waits beneath Juliet’s balcony. When she appears at her window he makes his presence known. Juliet comes down to him and, despite the danger of their situation which has now become all too clear to both, they pledge their love to each other.

Act II
     
Scene 1

In the market square, Romeo, delirious with love, is gently mocked by Mercutio and Benvolio. Juliet’s Nurse arrives, bearing a letter to Romeo from Juliet, agreeing to secretly marry him. Romeo is overjoyed.

Scene 2
As planned, Romeo and Juliet meet with Friar Laurence, who has offered to marry them despite the risk, in the hope that it might bring peace to the warring families. He performs the ceremony and the two young lovers are wed.

Scene 3
In the market square, Mercutio and Benvolio encounter Tybalt. Mercutio taunts Tybalt. Romeo enters. Tybalt challenges Romeo to a swordfight but Romeo refuses. Mercutio is less reluctant and, after an exchange of insults, he and Tybalt cross swords and fight. Romeo seeks to intervene and stop them but inadvertently abets Mercutio’s death. A griefstricken and guiltridden Romeo takes up a sword and fights Tybalt, killing him. Lord and Lady Capulet enter, distraught to find Tybalt dead. The Duke arrives and as his guards bear away the bodies of Tybalt and Mercutio, he angrily banishes Romeo, who flees.

Act III
    
Scene 1

Juliet’s bedroom at dawn. Romeo, although banished, has stayed for his wedding night with Juliet. But now, however sorrowfully, Romeo must depart, before they are discovered. After Romeo has gone, Juliet’s parents enter with Paris and tell her that she is to marry him the following day. Juliet protests but her father brutally silences her. In despair, Juliet rushes off to seek help from Friar Laurence.

Scene 2
In his cell, Friar Laurence gives Juliet a vial containing a sleeping draught that will simulate death. He will send word of the plan to Romeo, who will return to rescue her from the family vault when she has awakened.

Scene 3
Juliet returns to her bedroom, where she pretends to bow to her parents’ will and marry Paris. Left alone, however, she takes the sleeping draught and falls into a death-like slumber on her bed. In the morning, Lord and Lady Capulet, Paris, the Nurse and several bridesmaids arrive to wake Juliet. The Nurse tries to rouse her but when she doesn’t respond, everyone believes she is dead.

Scene 4
In the Capulet vault, Juliet lies still in her death-like sleep. Romeo enters, but not having received Friar Laurence’s message, believes Juliet is really dead. In despair, he drinks a lethal poison to join her in death. Before he dies, though, he sees Juliet awaken and he realizes the cruel extent of what has happened. When Romeo is dead, Juliet takes his knife and kills herself. The Montagues and Lord Capulet, the Duke, Friar Laurence and others enter to discover the terrible scene. Realizing the part their enmity has played in the tragedy, the Capulets and Montague are reconciled in their sorrow.

Venue Info

Bolshoi Theatre - Moscow
Location   Teatralnaya Square 1

The Bolshoi Theatre is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Small Theatre) in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others).

The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a world-famous leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil.

The main building of the theatre, rebuilt and renovated several times during its history, is a landmark of Moscow and Russia (its iconic neoclassical façade is depicted on the Russian 100-ruble banknote). On 28 October 2011, the Bolshoi re-opened after an extensive six-year renovation. The official cost of the renovation is 21 billion rubles ($688 million). However, other Russian authorities and other people connected to it claimed much more public money was spent. The renovation included restoring acoustics to the original quality (which had been lost during the Soviet Era), as well as restoring the original Imperial decor of the Bolshoi.

The company was founded on 28 March [O.S. 17 March] 1776, when Catherine II granted Prince Peter Ouroussoff a licence to organise theatrical performances, balls and other forms of entertainment. Ouroussoff set up the theatre in collaboration with English tightrope walker Michael Maddox. Initially, it held performances in a private home, but it acquired the Petrovka Theatre and on 30 December 1780, it began producing plays and operas, thus establishing what would become the Bolshoi Theatre. Fire destroyed the Petrovka Theatre on 8 October 1805, and the New Arbat Imperial Theatre replaced it on 13 April 1808, however it also succumbed to fire during the French invasion of Moscow in 1812.

The first instance of the theatre was built between 1821 and 1824, designed and supervised to completion by architect Joseph Bové based upon an initial competition-winning design created by Petersburg-based Russian architect Andrei Mikhailov that was deemed too costly to complete. Bové also concurrently designed the nearby Maly Theatre and the surrounding Theater Square, The new building opened on 18 January 1825 as the Bolshoi Petrovsky Theatre with a performance of Fernando Sor's ballet, Cendrillon. Initially, it presented only Russian works, but foreign composers entered the repertoire around 1840.

Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 12:00
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