Staatsoper Unter den Linden (Berlin State Opera) tickets 3 April 2025 - Die Ausflüge des Herrn Brouček (The Excursions of Mr. Brouček) | GoComGo.com

Die Ausflüge des Herrn Brouček (The Excursions of Mr. Brouček)

Staatsoper Unter den Linden (Berlin State Opera), Staatsoper Unter den Linden, Berlin, Germany
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7:30 PM
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US$ 103

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:30
Acts: 2
Sung in: Czech
Titles in: German,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Soprano: Lucy Crowe (Málinka)
Conductor: Sir Simon Rattle
Tenor: Aleš Briscein (Mazal)
Bass: Carles Pachón (Würfl)
Choir: Choir of the Staatsoper Unter den Linden
Baritone: Gyula Orendt (Sakristán)
Tenor: Peter Hoare (Matěj Brouček)
Orchestra: Staatskapelle Berlin
Creators
Composer: Leoš Janáček
Director: Robert Carsen
Writer: Svatopluk Čech
Overview

Conducted by Simon Rattle, this new production of this rarely performed work by Canadian director Robert Carsen will bring the eventful history of the city of Prague back to life.

In his satirical opera The Excursions of Mr. Brouček, Leoš Janáček was able to continue developing his advanced musical language and to enrich it with complex comedy.

At his local Prague bar, the landlord Brouček has a reputation for being a petty philistine. He himself is tired of dealing with insolvent renters and dreams of getting away from all the daily hassle. When one night he has had one beer too many, his wish comes true in a miraculous way with two fantastic excursions: first, Brouček lands on the moon inhabited by a strange, overly intellectual society of artists. Then he finds himself in medieval Prague, stuck between the fronts of a battle between the confessions, and is about to go to war on the side of the Hussites.

Coproduction with the Nationaltheater Brünn and Teatro Real Madrid

History
Premiere of this production: 23 April 1920, National Theatre, Prague

The Excursions of Mr. Brouček to the Moon and to the 15th Century (Výlety páně Broučkovy) is the complete title of Leoš Janáček’s fifth opera, based on two Svatopluk Čech novels, Pravý výlet pana Broučka do Měsíce (1888) (The True Excursion of Mr. Brouček to the Moon) and Nový epochální výlet pana Broučka, tentokráte do XV. století (1889) ('‘The Epoch-making Excursion of Mr. Brouček, this time to the 15th Century'’). The librettists for Part 1 were František Gellner, Viktor Dyk, František Sarafínský Procházka and others, while Part 2 was written by F. S. Procházka.

Synopsis

Part 1: The Excursions of Mr. Brouček to the Moon
Scene 1
Mr. Matěj Brouček is a rather unkempt drunken landlord in late 19th-century Prague. On a moonlit night in 1888, Mr. Brouček stumbles down Vikárka street after a drinking binge at the Hradčany tavern. In his impaired state, he encounters Málinka. She is upset and dramatically suicidal after discovering that her lover, Mazál (who happens to be one of Brouček's tenants) has been cheating on her. In an ill-advised attempt to calm Málinka, Brouček agrees to marry her. He quickly realizes the error in this and retracts his offer, leaving Málinka to return to her bohemian lover. Brouček decides he has had enough of this stress and dreams of a more relaxed life on the Moon.

Scene 2
Brouček is quickly disillusioned by what he finds in his lunar paradise. He "lands" in the middle of an avant-garde colony of lunar artists and intellectuals, whom the uncultured Brouček clearly despises. He finds himself in the home of an avant-garde artist, Blankytny (a parallel character to Mazál). Blankytny sings a heartfelt ode of platonic love to the lunar maiden, Etherea. This signals the arrival of Etherea and her ‘sisters’ who commence with a song preaching the benefits of a healthy lifestyle. Ironically, Brouček catches the eye of the maiden, who becomes instantly infatuated with the exotic stranger. She whisks him away aboard mythical Pegasus, leaving behind Blankytny in disbelief and despair.

Scene 3
Etherea and Brouček land in the Lunar Temple of the Arts, where a group of inhabitants has gathered. They are immediately startled and frightened at the sight of Brouček, but soon see him as the latest vogue. The locals proceed to present Brouček with the latest in lunar art and treat him to a "meal" of sniffing flowers. Brouček is not at all pleased with this display of art, nor is he nourished by the fragrances. He is soon caught sneaking a bite of pork sausage; the crowd quickly turns on him, and he is forced into a furious escape aboard Pegasus. As he flees, the lunar artists sing praises to art.

Scene 4
As the Moon scene transforms back into the tavern courtyard in Prague, Mazál and Málinka are returning home, and the artists are enjoying a final drink. A young waiter laughs at the drunken Brouček who is being carried off in a barrel. Málinka is apparently recovered from her turmoil, as she and Mazál sing a duet of their love for each other.

Part 2: The Excursions of Mr. Brouček to the 15th Century
Scene 1
Set in the Castle of Wenceslas IV, Mr. Brouček and his fellow drinkers debate the particulars of the medieval tunnels that were believed to exist beneath the city of Prague. Once again, an inebriated Brouček staggers toward his home and is interrupted. He finds himself somehow in one of these dark tunnels, where he encounters apparitions from the past. One of these ghostly figures is Svatopluk Čech, the author of the Brouček stories and a famous Czech poet. Čech expresses his regret over the decline of moral values in the Czech nation. He sings about the loss of true heroes and yearns for a rebirth of his nation. Ironically, Čech's lament is directed toward Brouček himself and toward the satirical nature of this very opera.

Scene 2
Mr. Brouček is transported back in time and finds himself in the Old Town Square in 1420. This is a tumultuous period in 15th-century Prague, when the Czech people, led by Jan Žižka, were under siege by the German armies of the Holy Roman Empire. Brouček is quickly confronted by Hussite rebels, who accuse him of being a German spy, due to his poor Czech grammar laden with German expressions. Brouček somehow convinces the rebels that he is on their side and is allowed to join them.

Scene 3
Brouček is brought to the house of Domšik, a sacristan, and his daughter Kunka. Brouček now finds himself in the midst of an impending battle for the future of the Czech nation, signified by the powerful singing of battle hymns by the gathered masses. The rebels ask Brouček to assist in the defense of Prague, to which he is characteristically averse. As the battle begins, our hero flees the scene.

Scene 4
In Old Town Square, the people of Prague celebrate their hard-fought victory but lament the death of Domšik. Brouček is found in hiding and accused of treason. He is appropriately sentenced to death by burning...in a beer barrel.

Scene 5
Back in 1888 Prague, just outside the Vikárka Inn (Home of the Hradčany Tavern), Mr. Würfl, the landlord of the Inn and the maker of the infamous pork sausage from the Moon, hears moans coming from the cellar. He discovers Mr. Brouček in a beer barrel, visibly relieved to be alive and back home. Our shameless hero boasts to Würfl that he single-handedly liberated the city of Prague.

Venue Info

Staatsoper Unter den Linden (Berlin State Opera) - Berlin
Location   Unter den Linden 7

The Staatsoper Unter den Linden is one of the oldest and largest musical theaters in Germany. Founded in 1742 as the Royal Court Opera (German: Königliche Hofoper) under Frederick II. Located in Berlin, on the main street Unter den Linden.

King Frederick II of Prussia shortly after his accession to the throne commissioned the original building on the site. Construction work began in July 1741 with what was designed by Georg Wenzeslaus von Knobelsdorff to be the first part of a "Forum Fredericianum" on present-day Bebelplatz. Although not entirely completed, the Court Opera (Hofoper) was inaugurated with a performance of Carl Heinrich Graun's Cesare e Cleopatra on December 7, 1742. This event marked the beginning of the successful, 250-year co-operation between the Staatsoper and the Staatskapelle Berlin, the state orchestra, whose roots trace back to the 16th century.

In 1821, the Berlin Opera—hosted at the Schauspielhaus Berlin—gave the premiere of Weber's Der Freischütz. In 1842, Wilhelm Taubert instituted the tradition of regular symphonic concerts. In the same year, Giacomo Meyerbeer succeeded Gaspare Spontini as General Music Director. Felix Mendelssohn also conducted symphonic concerts for a year.

On August 18, 1843 the Linden Opera was destroyed by fire. The reconstruction of the building was supervised by architect Carl Ferdinand Langhans, and the Königliches Opernhaus (Royal Opera House) was inaugurated the following autumn by a performance of Meyerbeer's Ein Feldlager in Schlesien. In 1849, Otto Nicolai's Die lustigen Weiber von Windsor was premiered at the Royal Opera House, conducted by the composer.

1945: The Lindenoper was once again destroyed on February 3. The concerts were relocated to the Admiralspalast and the Schauspielhaus. On 18 February, Karajan conducted his last symphonic concert with the Staatskapelle in the Beethoven hall.

The second rebuilding took a long time. From 1945, the opera company played in the former Admiralspalast (today's Metropoltheater). From 1949, the company served as the state opera of East Germany. It moved back to its original home after the rebuilding in freely adapted baroque forms was finally completed in 1955. The newly rebuilt opera house was opened, again, with Wagner's Die Meistersinger von Nürnberg. The capacity is now about 1,300. After the Berlin Wall was built in 1961, the Opera was somewhat isolated, but still maintained a comprehensive repertoire that featured the classic and romantic period together with contemporary ballet and operas.

After reunification, the Linden Opera rejoined the operatic world. Important works that had already performed in the past were rediscovered and discussed anew within the framework of a "Berlin Dramaturgy". Baroque Opera in particular was at the center of attention, with Graun's Cleopatra e Cesare, Keiser's Croesus, Florian Leopold Gassmann's L'opera seria and Scarlatti's Griselda. These works were performed by Belgian conductor René Jacobs together with the Akademie für Alte Musik Berlin and the Freiburger Barockorchester on period instruments. In the 1990s, the opera was officially renamed Staatsoper Unter den Linden.

In 1992, the Argentine-Israeli conductor Daniel Barenboim was appointed Music Director. In 2000, the orchestra (according to its official website) elected Barenboim "conductor for life." During the 2002 Festtage, he led a Wagner cycle in ten parts, a production created in collaboration with director Harry Kupfer.

Since 2009, the Berlin State Opera has been undergoing considerable renovation work led by German architect HG Merz. The roof of the opera building was raised and the proscenium prolonged to improve the acoustics. Other renovation and extension works include the director's building, the below-ground connection building and the depot building. The latter will house the new rehearsal center.

The house was reopened in 2017 with premieres of Humperdinck's Hänsel und Gretel and Monteverdi's L'incoronazione di Poppea on one weekend.

Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:30
Acts: 2
Sung in: Czech
Titles in: German,English
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