Komische Oper Berlin 4 December 2019 - Semele | GoComGo.com

Semele

Komische Oper Berlin, Berlin, Germany
All photos (4)
Wednesday 4 December 2019
7 PM
Request for Tickets
Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Revival

The god of gods, Jupiter, kidnaps and seduces the king’s daughter Semele whose ambition, stoked by Jupiter’s jealous wife, Juno, leads to ruin. In the end, love is not the only thing reduced to ashes.

Director Barrie Kosky depicts the gods as suffering human beings, bringing them close to the viewers. "A pessimistic, serious, yet touching and thoughtful interpretation. Closer to the baroque cult of death – a lament about the fragility of existence  – than to a (also baroque) celebration of joy and abundance." [BR Klassik]

Despite the splendid choirs typical of oratorios and the expressive arias which did not have to adhere to the rigid formula of opera seria, Handel’s contemporaries turned their noses up at the saucily erotic and more than a little humorous subject matter, which they deemed to be wholly inappropriate for an oratorio. Yet that all quickly changed. Today, Semele is one of the most popular works penned by Georg Friedrich Handel. Baroque specialist Konrad Junghänel, and artistic director Barrie Kosky discover the female will to power in the Ovidian myth.

 

 

History
Premiere of this production: 10 February 1744, Covent Garden Theatre, London

Semele is a 'musical drama', originally presented "after the manner of an oratorio", in three parts by George Frideric Handel. Based on a pre-existent opera libretto by William Congreve, the work is an opera in all but name but was first presented in concert form at Covent Garden theatre on 10 February 1744. The story comes from Ovid's Metamorphoses and concerns Semele, mother of Bacchus. Handel also referred to the work as 'The Story of Semele'.

Synopsis

Jupiter, King of the gods, takes the mortal Princess Semele to a secret hiding place on a mountain to be his mistress. When Jupiter's wife, Juno, hears of her husband's adultery she is enraged, and plots to ensure Semele's downfall. In disguise, Juno appeals to the girl's vanity and persuades her to insist on seeing her lover in his divine form. Jupiter reluctantly agrees but his thunderbolts burn and consume Semele. From her ashes, though, arise her unborn child by Jupiter—Bacchus, god of wine and ecstasy.

Act 1
Scene: Greece, in legendary antiquity

The scene is the temple of Juno. Near the altar is a golden image of the goddess

In the temple of Juno, Cadmus, King of Thebes, is preparing for the marriage of his daughter Semele to Athamas, Prince of Boeotia. Signs from the goddess indicate she approves of the match (Accompanied recitative: Behold! Auspicious flashes rise and chorus: Lucky omens bless our rites.) However, the bride has been inventing one excuse after the other to put off the wedding and her father and would-be bridegroom urge her to hesitate no longer (Duet: Daughter, hear! Hear and obey!) To herself, Semele reflects on her dilemma—she does not wish to marry Prince Athamas as she is in love with Jove himself and calls on him to assist her (Accompanied recitative: Ah me!What refuge now is left me?, arioso: O Jove! In pity teach me which to choose and aria: The morning lark). Athamas, observing her, takes her physical signs of emotional upheaval as evidence she is in love with him (Aria: Hymen, haste, thy torch prepare). Ino, Semele's sister, now appears, also in a state of distress as she is in love with Athamas (Quartet: Why dost thou thus untimely grieve?) Jupiter has heard Semele's prayer and his thunderbolts interrupt the proceedings and alarm the observers (Chorus: Avert these omens, all ye pow'rs). The priests of Juno order the wedding abandoned and everyone to leave the temple (Chorus: Cease, cease your vows), which all do except for Athamas, in despair at his wedding being cancelled, and Ino, hopelessly in love with him (Aria: Turn, hopeless lover). Athamas can see she is upset, without guessing why, and he can feel for her in her distress because he is upset too (Aria: Your tuneful voice my tale would tell). Athamas is astonished when she tells him bluntly that she loves him (Duet: You've undone me). Cadmus interrupts their confusion and describes the extraordinary event he has just witnessed: as they fled the temple Semele was suddenly carried off by an eagle (Accompanied recitative: Wing'd with our fears). The priests and augurs identify this eagle as Jupiter himself (Chorus: Hail Cadmus, hail!). As the act ends, Semele is seen enjoying her role as the god's new mistress (Aria: Endless pleasure, endless love).

Act 2
Scene One

A pleasant country, the prospect terminated by a beautiful mountain adorn'd with woods and waterfalls. Juno and Iris descend in different machines. Juno in a chariot drawn by peacocks; Iris on a rainbow; they alight and meet.

Juno, suspicious of her husband's conduct, has sent her helper Iris to find out what she can. Iris reports that Jove has installed Semele as his mistress in a palace atop a mountain (Aria: There, from mortal cares retiring). The outraged Juno swears to have revenge (Accompanied recitative: Awake, Saturnia, from thy lethargy!). Iris warns her it will not be an easy task—the palace is guarded by dragons that never sleep (Accompanied recitative: With adamant the gates are barr'd). Juno decides that she and Iris will pay a visit to the god of sleep in his cave, in order to get magical assistance to put the dragons to sleep (Aria:Hence, Iris, hence away).

Scene Two

An apartment in the palace of Semele. She is sleeping, Loves and Zephyrs waiting.

Semele awakes and regrets that the dream she was having of being with her lover has ended (Aria: O sleep, why dost thou leave me?). When Jupiter enters, in the form of a young man, she tells him how difficult it is for her when he is absent. He explains that she is a mortal, unlike him, and needs to rest from their love-making from time to time. He attempts to assure her of his fidelity (Aria: Lay your doubts and fears aside). Semele sings of her passionate love for him (Aria: With fond desiring). The chorus of Loves and Zephyrs sing of lovers' joys (Chorus: How engaging, how endearing). Semele, however, is beginning to be unhappy that her lover is a god and she a mere mortal. This sign of an ambition to immortality from Semele worries Jupiter who decides he must distract her from such thoughts (Aria: I must with speed amuse her). The Loves and Zephyrs advise Semele to put aside worries and enjoy the delights of love while she can (Chorus: Now Love that everlasting boy invites). Jupiter has arranged for Semele's sister Ino to be magically transported to the palace, to keep her company, and promises that the gardens and environs will be paradise (Aria: Where'er you walk). He leaves, and Ino appears, describing the wondrous experience of being flown there by winged zephyrs (Aria: But hark, the heav'nly sphere turns round). The sisters sing of the joy they are experiencing, hearing the music of the spheres (Duet: Prepare then, ye immortal choir) and nymphs and swains declare that this part of the earth has become a heaven (Chorus: Bless the glad earth).

Act 3
Scene One

The Cave of Sleep. The God of Sleep lying on his bed.

Juno and Iris arrive and wake Somnus (Accompanied recitative:Somnus, awake), to his displeasure (Aria: Leave me, loathsome light). He only gets out of bed when he hears Juno mention the beautiful nymph Pasithea (Aria: More sweet is that name). Juno promises he will have the nymph if he will lend her magical aid to put the dragons that guard the palace where Semele is ensconced as her husband's mistress to sleep and transform her into the likeness of Semele's sister Ino. Somnus agrees (Duet: Obey my will).

Scene Two

An Apartment. Semele alone

Semele is still feeling rather unhappy about the discrepancy between herself and her lover (Aria: My racking thoughts). Juno, in the form of Semele's sister Ino, enters and feigns astonishment at Semele's increased beauty. She exclaims that Semele must have become a goddess herself and gives her a mirror (Behold in this mirror). Semele is enraptured by her own beauty (Aria: Myself I shall adore). "Ino" advises Semele to insist that Jupiter appear to her in his real, godlike form, and that will make her immortal herself (Accompanied recitative: Conjure him by his oath). Semele is very grateful for this advice (Aria: Thus let my thanks be paid). "Ino" leaves and Jupiter enters, eager to enjoy Semele (Aria: Come to my arms, my lovely fair) but she puts him off (Aria: I ever am granting). He swears to give her whatever she desires (Accompanied recitative: By that tremendous flood, I swear) and she makes him promise to appear to her in his godlike form (Accompanied recitative: Then cast off this human shape). He is alarmed and says that would harm her (Aria: Ah, take heed what you press), but she insists he keep his oath (Aria: No, no, I'll take no less) and leaves. Jupiter knows this will mean her destruction and mourns her impending doom (Accompanied recitative: Ah, whither is she gone). Juno triumphs in the success of her scheme (Aria: Above measure is the pleasure).

Scene Three

The scene discovers Semele under a canopy, leaning pensively, while a mournful symphony is playing. She looks up and sees Jupiter descending in a cloud; flashes of lightning issue from either side, and thunder is heard grumbling in the air.

Semele, granted her wish to see Jupiter in his true godlike form, is consumed by his thunderbolts, and as she dies she regrets her own foolishness and ambition (Accompanied recitative: Ah me! Too late I now repent). Watching this, the priests of Juno express their amazement (Chorus: Oh, terror and astonishment!). Athamas is now glad to accept Ino as his bride (Aria: Despair no more shall wound me). The god Apollo descends on a cloud and announces that the unborn child of Semele and Jupiter will arise from her ashes (Accompanied recitative: Apollo comes, to relieve your care). The child will be Bacchus, god of wine and ecstasy, a god "more mighty than love". All celebrate the fortunate outcome (Chorus: Happy, happy shall we be).

Venue Info

Komische Oper Berlin - Berlin
Location   Behrenstraße 55-57

The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals.

The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation.

The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as "Theater Unter den Linden" with Adolf Ferron's operetta Daphne and Gaul and Haßreiter's ballet Die Welt in Bild und Tanz.

The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,700 seats. Its directors went bankrupt in 1896 and the theatre was forced to close its doors.

On 3 September 1898 the theatre was reopened as Metropol-Theater with Julius Freund's revue Paradies der Frauen. It then grew to become one of Berlin's most famous and successful variety theatres. During the 1920s and early 1930s, it was leased by the brothers Alfred and Fritz Rotter. Under their management, it saw the premieres of two operettas by Franz Lehár - Friederike (opera) in 1928 and Das Land des Lächelns in 1929, both starring Richard Tauber. However, due to a decline of variety and music hall entertainment the theatre was again closed in 1933.

In 1934 the theatre was nationalised and renamed Staatliches Operettentheater. It operated as part of the Nazi Kraft durch Freude entertainment and leisure programmes. During World War II, the auditorium was damaged by Allied bombing on 7 May 1944. The façade, entrance hall, and auditorium ceiling murals were destroyed by bombs on 9 March 1945.

After the war, the theatre was in East Germany, being that the building was in the eastern part of Berlin. Following repair works and provisional rebuilding, the theatre reopened on 23 December 1947, as the Komische Oper with Johann Strauss's operetta Die Fledermaus.

The 1950s saw various further alterations and extensions. The theatre was completely rebuilt in 1965/1966 by Architektenkollektiv Kunz Nierade, adding functional extensions and giving the theatre a completely new exterior. The theatre reopened again on 4 December 1966, with Mozart's Don Giovanni. The auditorium underwent further restoration in 1986, and the stage technology was further modernised by 1989. Today the theatre seats 1,270.

In 1947, Walter Felsenstein founded and led the resident opera company, the Komische Oper, until his death in 1975. Götz Friedrich was an assistant to Felsenstein at the company. Joachim Herz became general director after Felsenstein's death and served until 1981. Subsequently, Harry Kupfer directed the company for 21 seasons, until 2002. The company specializes in German language productions of opera, operetta and musicals. In 2007 the company won, jointly with Oper Bremen, the "Opera house of the year" award by the German magazine Opernwelt. From 2002 to 2012, the company's chief director and Intendant was Andreas Homoki. In June 2008, the company announced the appointment of Barrie Kosky to succeed Homoki as its next Intendant, as of the 2012/2013 season. In October 2014, his contract with the company was extended through 2022. Since 2005, the company's managing director has been Susanne Moser.

From 1966 to 2004, the theatre was also home to a resident ballet company – first as the "Tanztheater der Komischen Oper", and then from 1999 as "BerlinBallett – Komische Oper". In 2004, due to budgetary problems, the separate ballet companies of Berlin's three opera houses were merged into a single company called the Staatsballett Berlin.

Past General Music Directors (GMD) of the company have included Kurt Masur, Rolf Reuter, Yakov Kreizberg, Kirill Petrenko, Carl St.Clair, and Patrick Lange. Since 2012, the GMD of the company is Henrik Nánási. Nánási is scheduled to conclude his tenure at the end of the 2017-2018 season. In May 2017, the company announced the appointment of Ainārs Rubiķis as its next GMD, effective with the 2018-2019 season, with an initial contract of 3 seasons.

Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:00
Top of page