Staatsoper Unter den Linden (Berlin State Opera) 14 January 2022 - Hänsel und Gretel | GoComGo.com

Hänsel und Gretel

Staatsoper Unter den Linden (Berlin State Opera), Staatsoper Unter den Linden, Berlin, Germany
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Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 15min
Sung in: German
Titles in: English,German

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Overview

Who isn’t familiar with the fairy tale of the children who lose themselves in the forest, only to discover the gingerbread house of a witch who takes them captive and wants to eat them, cannibal-style?

In Engelbert Humperdinck’s opera version of the tale, the scene is set with the oppressive everyday reality of a family living on the breadline. The children of the poor broom-maker have spent the day playing and larking about rather than helping with the household chores, even accidentally wasting the only food that their mother can provide. She therefore sends Hänsel and Gretel out to pick berries in the forest. There, the siblings not only come across good-natured creatures, such as the Sandman, but they also meet the Witch of Ilsestein, who lures them into her cottage which is chock-full of tasty treats...

Thanks to Humperdinck’s imaginative arrangement of innocent childlike melodies, his evocation of the magical romance of nature, his poetic musical score, and great symphonic swells, familiar to us from Richard Wagner’s music dramas, "Hänsel und Gretel" assured Wagner’s former colleague his breakthrough as an operatic composer. He turned the original "Nursery Dedicatory Festival Drama", written by his sister Adelheid Wette, into a humorous tale which addresses the fears and fantasies of both adults and children with a great feeling for poetry, while its compositional depth ultimately outgrows the initial framework of a simple children’s opera.

History
Premiere of this production: 23 December 1893, Hoftheater in Weimar

Hansel and Gretel is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a Märchenoper (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "Abendsegen" ("Evening Benediction") from act 2.

Synopsis

Act 1

Scene 1: At home

Gretel stitches a stocking, and Hansel is making a broom. Gretel sings to herself as she works. Hänsel mocks her, singing to the same tune a song about how hungry he is. He wishes for mother to come home. Gretel tells him to be quiet and reminds him of what father always says: "When the need is greatest, God the Lord puts out His hand." Hansel complains that one cannot eat words, and Gretel cheers him up by telling him a secret: A neighbor has given mother a jug of milk, and tonight she will make a rice pudding for them to eat. Hansel, excited, tastes the cream on the top of the milk. Gretel scolds him and tells him he should get back to work. Hansel says that he does not want to work, he would rather dance. Gretel agrees, and they begin to dance around.

Scene 2

Mother enters, and she is furious when she finds that Hansel and Gretel have not been working. As she threatens to beat them with a stick, she knocks over the jug of milk. Mother sends Hansel and Gretel to the haunted Ilsenstein forest to look for strawberries. Alone, she expresses her sorrow that she is unable to feed her children, and asks God for help.

Scene 3

From far off, father sings about how hungry he is. He bursts into the house, roaring drunk, and kisses mother roughly. She pushes him away and scolds him for being drunk. He surprises her by taking from his pack a feast: Bacon, butter, flour, sausages, fourteen eggs, beans, onions, and a quarter pound of coffee. He explains to her that beyond the forest, it is almost time for a festival, and everyone is cleaning in preparation. He went from house to house and sold his brooms at the highest prices. As father and mother celebrate, he suddenly stops and asks where the children are. Mother changes the subject to the broken jug, and after she finishes telling him the story, he laughs, then asks again after the children. She tells him that they are in the Ilsenstein forest. Suddenly scared, father tells her that the forest is where the evil Gingerbread Witch (literally, "Nibbling Witch") dwells. She lures children with cakes and sweets, pushes them into her oven, where they turn to gingerbread, and then eats them. Father and mother rush to the forest to search for their children.

Act 2

Here there is a prelude which begins the act, called the "Witch-ride". Sometimes, the two acts are linked to each other, and the prelude is treated as an interlude.

Scene 1: In the forest. Sunset.

Gretel weaves a crown of flowers as she sings to herself. Hansel searches for strawberries. As Gretel finishes her crown, Hansel fills his basket. Gretel tries to put the crown on Hansel, but, saying that boys do not play with things like these, he puts it on her head instead. He tells her that she looks like the Queen of the Wood, and she says that if that's so, then he should give her a bouquet, too. He offers her the strawberries. They hear a cuckoo calling, and they begin to eat the strawberries. As the basket empties, they fight for the remaining strawberries, and finally, Hansel grabs the basket and dumps the leftovers in his mouth. Gretel scolds him and tells him that mother will be upset. She tries to look for more, but it is too dark for her to see. Hansel tries to find the way back, but he cannot. As the forest darkens, Hansel and Gretel become scared, and think they see something coming closer. Hansel calls out, "Who's there?" and a chorus of echoes calls back, "He's there!" Gretel calls, "Is someone there?" and the echoes reply, "There!" Hansel tries to comfort Gretel, but as a little man walks out of the forest, she screams.

Scene 2

The Sandman, who has just walked out of the forest, tells the children that he loves them dearly, and that he has come to put them to sleep. He puts grains of sand into their eyes, and as he leaves they can barely keep their eyes open. Gretel reminds Hansel to say their evening prayer, and after they pray, they fall asleep on the forest floor.

Scene 3

Traumpantomime. Fourteen angels come out and arrange themselves around the children to protect them as they sleep. They are presented with a gift. The forest is filled with light as the curtain falls.

Act 3

Scene 1: In the forest.

The Dew Fairy comes to wake the children. She sprinkles dew on them, sings of how wonderful it is to be alive in the morning with the beauty of the forest surrounding her, and leaves as the children stir. Gretel wakes first, and wakes the sleepy Hansel. They tell each other of their mutual dream, of angels protecting them as they slept.

Scene 2

Suddenly they notice behind them a glorious gingerbread house. The roof is slated with cakes, the windows are of licorice, and the walls are decorated with cookies. On the left side is an oven, on the right side is a cage, and around it is a fence of gingerbread children. Unable to resist temptation, they take a little bit of the house and nibble on it.

Scene 3

As the children nibble, a voice calls out, "Nibbling, nibbling, little mouse! Who's nibbling on my little house?" Hansel and Gretel decide that the voice must have been the wind, and they begin to eat the house. As Hansel breaks off another piece of the house, the voice again calls out, "Nibbling, nibbling, little mouse! Who's nibbling on my little house?" Hansel and Gretel ignore the voice, and continue eating. The witch comes out of the house and catches Hansel with a rope. As Hansel tries to escape, the witch explains that she is Rosine Leckermaul (literally, "Rosina Tastymuzzle"), and that she likes nothing better than to feed children sweets. Hansel and Gretel are suspicious of the witch, so Hansel frees himself from the rope and he and Gretel begin to run away.

The witch takes out her wand and calls out, "Stop!" Hansel and Gretel are frozen to the spot where they stand. Using the wand, the witch leads Hansel to the cage. The witch leaves him stiff and slow of movement. She tells Gretel to be reasonable, and then the witch goes inside to fetch raisins and almonds with which to fatten Hansel. Hansel whispers to Gretel to pretend to obey the witch. The witch returns, and waving her wand, says, "Hocus pocus, holderbush! Loosen, rigid muscles, hush!" Using the wand, the witch forces Gretel to dance, then tells her to go into the house and set the table. Hansel pretends to be asleep, and the witch, overcome with excitement, describes how she plans to cook and eat Gretel.

The witch wakes up Hansel and has him show her his finger. He puts out a bone instead, and she feels it instead. Disappointed that he is so thin, the witch calls for Gretel to bring out raisins and almonds. As the witch tries to feed Hansel, Gretel steals the wand from the witch's pocket. Waving it towards Hansel, Gretel whispers, "Hocus pocus, holderbush! Loosen rigid muscles, hush!" As the witch turns around and wonders at the noise, Hansel discovers that he can move freely again.

The witch tells Gretel to peek inside the oven to see if the gingerbread is done. Hansel softly calls out to her to be careful. Gretel pretends that she does not know what the witch means. The witch tells her to lift herself a little bit and bend her head forward. Gretel says that she is "a goose" and doesn't understand, then asks the witch to demonstrate. The witch, frustrated, opens the oven and leans forward. Hansel springs out of the cage, and he and Gretel shove the witch into the oven. They dance. The oven begins to crackle and the flames burn fiercely, and with a loud crash it explodes.

Scene 4

Around Hansel and Gretel, the gingerbread children have turned back into humans. They are asleep and unable to move, but they sing to Hansel and Gretel, asking to be touched. Hansel is afraid, but Gretel strokes one on the cheek, and he wakes up, but is still unable to move. Hansel and Gretel touch all the children, then Hansel takes the witch's wand and, waving it, calls out the magic words, freeing the children from the spell.

Scene 5

Father is heard in the distance, calling for Hansel and Gretel. He and mother enter and embrace Hansel and Gretel. Meanwhile, the gingerbread children pull out from the ruins of the oven the witch, who has turned into gingerbread. Father gathers Hansel, Gretel and the other children around and tells them to look at this miracle. He explains that this is heaven's punishment for evil deeds and reminds them, "When the need is greatest, God the Lord puts out His hand."

Venue Info

Staatsoper Unter den Linden (Berlin State Opera) - Berlin
Location   Unter den Linden 7

The Staatsoper Unter den Linden is one of the oldest and largest musical theaters in Germany. Founded in 1742 as the Royal Court Opera (German: Königliche Hofoper) under Frederick II. Located in Berlin, on the main street Unter den Linden.

King Frederick II of Prussia shortly after his accession to the throne commissioned the original building on the site. Construction work began in July 1741 with what was designed by Georg Wenzeslaus von Knobelsdorff to be the first part of a "Forum Fredericianum" on present-day Bebelplatz. Although not entirely completed, the Court Opera (Hofoper) was inaugurated with a performance of Carl Heinrich Graun's Cesare e Cleopatra on December 7, 1742. This event marked the beginning of the successful, 250-year co-operation between the Staatsoper and the Staatskapelle Berlin, the state orchestra, whose roots trace back to the 16th century.

In 1821, the Berlin Opera—hosted at the Schauspielhaus Berlin—gave the premiere of Weber's Der Freischütz. In 1842, Wilhelm Taubert instituted the tradition of regular symphonic concerts. In the same year, Giacomo Meyerbeer succeeded Gaspare Spontini as General Music Director. Felix Mendelssohn also conducted symphonic concerts for a year.

On August 18, 1843 the Linden Opera was destroyed by fire. The reconstruction of the building was supervised by architect Carl Ferdinand Langhans, and the Königliches Opernhaus (Royal Opera House) was inaugurated the following autumn by a performance of Meyerbeer's Ein Feldlager in Schlesien. In 1849, Otto Nicolai's Die lustigen Weiber von Windsor was premiered at the Royal Opera House, conducted by the composer.

1945: The Lindenoper was once again destroyed on February 3. The concerts were relocated to the Admiralspalast and the Schauspielhaus. On 18 February, Karajan conducted his last symphonic concert with the Staatskapelle in the Beethoven hall.

The second rebuilding took a long time. From 1945, the opera company played in the former Admiralspalast (today's Metropoltheater). From 1949, the company served as the state opera of East Germany. It moved back to its original home after the rebuilding in freely adapted baroque forms was finally completed in 1955. The newly rebuilt opera house was opened, again, with Wagner's Die Meistersinger von Nürnberg. The capacity is now about 1,300. After the Berlin Wall was built in 1961, the Opera was somewhat isolated, but still maintained a comprehensive repertoire that featured the classic and romantic period together with contemporary ballet and operas.

After reunification, the Linden Opera rejoined the operatic world. Important works that had already performed in the past were rediscovered and discussed anew within the framework of a "Berlin Dramaturgy". Baroque Opera in particular was at the center of attention, with Graun's Cleopatra e Cesare, Keiser's Croesus, Florian Leopold Gassmann's L'opera seria and Scarlatti's Griselda. These works were performed by Belgian conductor René Jacobs together with the Akademie für Alte Musik Berlin and the Freiburger Barockorchester on period instruments. In the 1990s, the opera was officially renamed Staatsoper Unter den Linden.

In 1992, the Argentine-Israeli conductor Daniel Barenboim was appointed Music Director. In 2000, the orchestra (according to its official website) elected Barenboim "conductor for life." During the 2002 Festtage, he led a Wagner cycle in ten parts, a production created in collaboration with director Harry Kupfer.

Since 2009, the Berlin State Opera has been undergoing considerable renovation work led by German architect HG Merz. The roof of the opera building was raised and the proscenium prolonged to improve the acoustics. Other renovation and extension works include the director's building, the below-ground connection building and the depot building. The latter will house the new rehearsal center.

The house was reopened in 2017 with premieres of Humperdinck's Hänsel und Gretel and Monteverdi's L'incoronazione di Poppea on one weekend.

Important Info
Type: Opera
City: Berlin, Germany
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 15min
Sung in: German
Titles in: English,German
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