Hungarian State Opera House 2 February 2023 - Un ballo in maschera | GoComGo.com

Un ballo in maschera

Hungarian State Opera House, Opera House, Budapest, Hungary
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7 PM

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If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Budapest, Hungary
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 3h 30min
Sung in: Italian
Titles in: English,Russian

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

World premiere: 17 February 1859, Teatro Apollo, Rome
Russian premiere, premiere at the Bolshoi (Kamenny) Theatre: 17 November 1861, Imperial Italian Opera Company
Premiere at the State Academic Theatre of Opera and Ballet (Mariinsky Theatre): 25 March 1927 (performed in Russian)
Premiere of this production:
31 January 2001 – Teatro Regio, Parma, Verdi Festival
13 May 2001 – Mariinsky Theatre

History
Premiere of this production: 17 February 1859, Teatro Apollo, Rome

Un ballo in maschera (A Masked Ball) is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, Gustave III, ou Le bal masqué.

Synopsis

Act I
The Governor of Boston, Riccardo Earl of Warwick, receives his courtiers. He looks down the list of those invited to the ball and sees the name of Amelia, with whom he has long been secretly in love. The trouble is that Amelia is married – to his secretary Renato, who is also his best friend. Suddenly Renato himself appears to warn the Earl of a plot and to reveal the names of the traitors. Despite Renato’s insistence, Riccardo refuses to listen to anything about conspirators. At that moment Oscar, Riccardo’s faithful page, announces the arrival of the chief judge, who wishes to obtain the Governor’s signature on an order to banish the sorceress Ulrica from the city. Seizing the opportunity, the page intervenes on the sorceress’ behalf, going into raptures about her gift of prophecy. Riccardo is amused by all this, and suggests that everybody disguise themselves and visit the fortune-teller.
Ulrica’s hut. Among those awaiting prophecies is Earl Riccardo, dressed as a fisherman. Amelia also arrives to seek the sorceress’ help in getting rid of her secret and forbidden love – her love for Earl Riccardo. Ulrica orders Amelia to go to the place where death sentences are carried out and gather a magic herb that will make her forget. After Amelia has left, Riccardo asks Ulrica to read his palm. The sorceress looks at his palm, then suddenly stops, looks sad, and refuses to tell him what she sees. Finally, at the Earl’s insistence, Ulrica reveals that he will soon die – not in battle, but at the hand of a friend – the one who is the first to shake his hand.
Everyone is horror-struck, but Riccardo refuses to believe the prophecy. He holds out his hand, but nobody wants to shake it. At that moment Renato enters, greets the Earl and shakes his hand to the delight of his friends and the disappointment of the conspirators, because no one believes that the devoted Renato could possibly murder the Earl. Riccardo nevertheless pays Ulrica for her fortune-telling. The choir sings the Earl’s praises.

Act II
Midnight. In wasteland outside the city Amelia wanders in search of a magic herb and unexpectedly meets Riccardo, who has followed her. In tears, Amelia begs him to leave. She no longer has the strength to suppress her feelings for him. However, just at the moment when they are declaring their love for one another, Renato appears. Terrified, Amelia covers her face with a veil. Renato warns Riccardo that Samuel and Tom want to kill him. Riccardo has to go away, leaving his beloved with her husband, who has not recognised her. But before he departs, Riccardo makes Renato swear that he will escort the lady back to the city, not attempting to find out who she is. Renato swears he will, and intends to hide her in a safe place. However, the conspirators Tom and Samuel prevent Renato from carrying out his intention. They have sought out Renato, knowing that their plans have been exposed, and now want to learn the identity of his mysterious companion. Renato tries to protect the lady, but in vain. When the conspirators start threatening Renato with death, Amelia lifts her veil herself. In astonishment Tom and Samuel subject the Governor’s secretary to ridicule. Renato, who is filled with hate and desire for revenge, invites the conspirators to visit him the next day and returns to the city with Amelia.

Act III
Renato’s house. The deceived husband is ready to kill his wife there and then, but, heeding Amelia’s entreaties, he allows her to see her son for the last time. Left in solitude, Renato comes to his senses. His gaze rests on a portrait of Riccardo Earl of Warwick, and he decides that it would be better to kill him.
Tom and Samuel enter. Renato declares his readiness to join their plot. In order to convince the conspirators, he is prepared to swear on his son’s life. Amelia is forced to draw lots to establish who is to kill Earl Riccardo. The lot falls to Renato. Oscar arrives with an invitation to a masked ball to be held that evening. Renato decides that this will be the appropriate moment for retribution – the mask will help him carry out the murder. Meanwhile, Earl Riccardo is taking the decision to part with Amelia forever. He wishes to send her and her husband to England. A sense of foreboding is replaced by the desire to see her again. Oscar the page passes Riccardo an anonymous letter which states that somebody will try to kill him at the ball. But Riccardo pays no attention to the warning: all he wants is to see Amelia once more. A hall in the Governor’s palace. The masked ball is in full swing. Renato, learning from Oscar what costume the Earl is wearing, seeks him out among the guests and finds him at the very moment when he is declaring his love for Amelia for the last time and saying goodbye to her. Renato stabs his friend with a dagger and attempts to hide, but the Governor’s guests catch the murderer and tear off his mask.
Dying, Riccardo begs them to release his friend and tells him of the innocent nature of his love for Amelia, and that he had parted with her forever.

Venue Info

Hungarian State Opera House - Budapest
Location   Andrássy út 22

The Hungarian State Opera House (Hungarian: Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. The Hungarian State Opera House is the main opera house of the country and the second largest opera house in Budapest and in Hungary. Today, the opera house is home to the Budapest Opera Ball, a society event dating back to 1886. The Theatre was designed by Miklós Ybl, a major figure of 19th-century Hungarian architecture.

Construction began in 1875, funded by the city of Budapest and by Emperor Franz Joseph I of Austria-Hungary, and the new house opened to the public on the 27 September 1884. Before the closure of the "Népszínház" in Budapest, it was the third largest opera building in the city; today it is the second largest opera house in Budapest and in Hungary.

Touring groups had performed operas in the city from the early 19th century, but as Legány notes, "a new epoch began after 1835 when part of the Kasa National Opera and Theatrical Troupe arrived in Buda". They took over the Castle Theatre and, in 1835, were joined by another part of the troupe, after which performances of operas were given under conductor Ferenc Erkel. By 1837 they had established themselves at the Magyar Színház (Hungarian Theatre) and by 1840, it had become the "Nemzeti Színház" (National Theatre). Upon its completion, the opera section moved into the Hungarian Royal Opera House, with performances quickly gaining a reputation for excellence in a repertory of about 45 to 50 operas and about 130 annual performances. 

Many important artists were guests here including the composer Gustav Mahler, who was director in Budapest from 1888 to 1891 and Otto Klemperer, who was music director for three years from 1947 to 1950.

It is a richly decorated building and is considered one of the architect's masterpieces. It was built in neo-Renaissance style, with elements of Baroque. Ornamentation includes paintings and sculptures by leading figures of Hungarian art including Bertalan Székely, Mór Than, and Károly Lotz. Although in size and capacity it is not among the greatest, in beauty and the quality of acoustics the Budapest Opera House is considered to be amongst the finest opera houses in the world.

The auditorium holds 1,261 people. It is horseshoe-shaped and – according to measurements done in the 1970s by a group of international engineers – has the third best acoustics in Europe after La Scala in Milan and the Palais Garnier in Paris. Although many opera houses have been built since the Budapest Opera House is still among the best in terms of acoustics.

In front of the building are statues of Ferenc Erkel and Franz Liszt. Liszt is the best-known Hungarian composer. Erkel composed the Hungarian national anthem, and was the first music director of the Opera House; he was also the founder of the Budapest Philharmonic Orchestra.

Each year the season lasts from September to the end of June and, in addition to opera performances, the House is home to the Hungarian National Ballet.

There are guided tours of the building in six languages (English, German, Spanish, French, Italian, and Hungarian) almost every day.

Important Info
Type: Opera
City: Budapest, Hungary
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 3h 30min
Sung in: Italian
Titles in: English,Russian
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