Erkel Theatre 22 January 2022 - Manon Lescaut | GoComGo.com

Manon Lescaut

Erkel Theatre, Main stage, Budapest, Hungary
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7 PM
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Important Info
Type: Opera
City: Budapest, Hungary
Starts at: 19:00
Acts: 4
Duration: 2h 45min
Sung in: Italian
Titles in: Hungarian,English

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Overview

Puccini's imagination was captivated by the love story of Manon Lescaut and the Chevalier des Grieux, in which the protagonists defy social norms and the accepted moral law in order to be with each other, as a similar tale of passion had taken place in the composer's own life: his affair with Elvira Bonturi, a liaison that stirred enormous emotions in him but which, owing to the strictness of Italian law, could not become an official marriage, filled his life. More than one associate tried to talk him out of using the subject, not only because of his own personal proximity to it, but because of the tremendous success of Massenet's own Manon as well. Fortunately, however, Puccini could not be swayed, and his first nationwide success was born, which was soon conquering stages all over the world. 
The audience can see this work in a production directed by Máté Szabó.

History
Premiere of this production: 01 February 1893, Teatro Regio, Turin

Manon Lescaut is an opera in four acts by Giacomo Puccini, composed between 1890 and 1893. The story is based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. In 1884 an opera by Jules Massenet entitled Manon, and based on the same novel, was premiered and has also become popular.

Synopsis

Act 1 

In one of the squares of the French city of Amiens, the student and budding poet Edmondo and his companions are getting ready for their usual evening revelry. His friend des Grieux is not joining the young people in their fun. A vehicle arrives bearing interesting passengers: an older powerful lord named Geronte and a former soldier named Lescaut, who is escorting his beautiful younger sister, Manon, to a convent. Des Grieux immediately falls in love with the girl and starts up a conversation with her. Lescaut, however, wishes to obtain the support of Geronte, in exchange for which he is willing to offer up his sister. Instead of making the transaction, though, the old gentleman plans to abduct Manon. Edmondo, however, overhears Geronte and warns des Grieux, who ends up fleeing to Paris together with the girl. Lescaut reassures the old lord that this affair will not last long and that he will soon regain Manon for him. 

 Act 2

Lescaut has proved correct: Manon has abandoned the penniless des Grieux without so much as a farewell and is now living a sumptuous lifestyle in Geronte’s Paris home. She is bored, though, and thinks nostalgically about her time with the student. Geronte sends Manon a madrigal chorus as a gift. When he arrives with his old friends, Manon sings and dances for them. After the guests depart, Manon promises Geronte that she will join him soon, but suddenly des Grieux appears in her room: he has been searching for Manon. The lovers are reunited in blazing love. Geronte catches them and threatens them, before departing. Lescaut rushes in to warn them that Geronte intends to have Manon arrested, so they must flee. The girl attempts to gather up her jewellery to take with them, but this delay prevents them from escaping: they are arrested.

Intermezzo 

Through des Grieux’s thoughts, the story of Manon’s arrest and how she has been taken to Le Havre is revealed.  

Act 3

A prison in the port of Le Havre. It is dawn. Des Grieux is in the area around the prison waiting for an opportunity to speak with Manon. Lescaut bribes a guard, and the two young lovers are able to meet again, through the prison bars. Meanwhile, Lescaut organises a team to free Manon. This attempt to get her out also fails, and shots ring out. The people of the city gather to watch the loose women banished to America as they are called aboard the ship. The despairing des Grieux threatens the ship captain to let Manon go, but he is disarmed. The captain eventually takes pity on the lovers and allows des Grieux to stay on the ship as a sailor. 

Act 4

The desert. Des Grieux and Manon are nearly out of strength, and the latter collapses from thirst and exhaustion. Des Grieux leaves to find the water that will save Manon’s life. When he returns, the dying woman is able to tell him, with a final sigh, that she loves him.

Time: The second half of the eighteenth century.
Places: Amiens, Paris, Le Havre, New Orleans.
 

Act 1
Amiens: A large public square near the Paris Gate

Off the square is an Avenue on one side and an Inn on the other, with a balcony. It is evening, townspeople, soldiers and a crowd of male students and girls stroll through the avenue and square while others gather in groups. Some are seated at the tables outside the Inn, drinking and gambling.

Edmondo sings a song of youthful pleasure (Edmondo, chorus of students, girls and townspeople: Ave, sera gentile – Hail gentle evening). Des Grieux enters, and they greet him, but he is melancholic and does not join the others, singing cynically of love (des Grieux, Edmondo, chorus: L'amor?, L'amor? ...io non conosco! – Love?, Love?...I know nothing of that). They joke with him and provoke him to feign flirtation with the girls (des Grieux: Tra voi, belle, brune e bionde – Among you beauties, dark and fair); (Edmondo, chorus: Ma, bravo!).

A postillion horn is heard and the carriage from Arras pulls up at the Inn, as the crowd peers in to see who the passengers are (Chorus: Giunge il cocchio d'Arras! – Here comes the Arras coach!) Lescaut (Manon's brother), then an elderly treasurer-general, Geronte di Ravoir, descend from the coach, Geronte helping Manon, then the remainder of the passengers. The crowd comments (Chorus, Edmondo, Lescaut, des Grieux, Geronte: Discendono, vediam! – Look, they are getting down!) Edmondo and the students admire Manon (Chi non darebbe a quella donnina bella? – Who would not give to that beautiful young woman?). Des Grieux is also smitten (Dio, quanto è bella! – Dear God, such beauty!). The other passengers enter the Inn, while Lescaut signals Manon to wait for him. She sits, as des Grieux, who has been fixated on her, approaches her and declares his feelings for her (des Grieux, Manon,: Cortese damigella – Gentle lady), only to learn she is destined for a convent at the will of her father. He offers to help her, and when Lescaut calls her he begs her to meet him later; she reluctantly agrees. After Manon leaves, des Grieux sings of his feelings for her (des Grieux: Donna non vidi mai – Never before have I beheld a woman such as this). The students and girls, who have been observing the couple, comment mockingly on his good fortune (Edmondo, students: La tua ventura ci rassicura – Your good fortune encourages us).

Lescaut and Geronte descend and converse in the square about Manon's fate, observed by Edmondo. Geronte, who also is captivated by Manon, says she would be wasted in a convent. On hearing his fellow traveller's opinion, Lescaut begins to reconsider his task of escorting his sister to the convent. The students invite Lescaut to join in their card game. Geronte observes that Lescaut is preoccupied with the game and discloses his plan to abduct Manon and take her to Paris to the Innkeeper, offering him money for assistance and his silence. Edmondo overhears the plan and informs des Grieux (Edmondo: Cavaliere, te la fanno! – Sir, they are outwitting you!). He offers to help des Grieux, arranging for the card players to keep Lescaut occupied.

Manon slips out of the inn to meet des Grieux as promised (Manon: Vedete? Io son fedele alla parola mia – You see? I am faithful to my word). He declares his love for her and advises her of the plot to abduct her, while Edmondo arranges for the carriage Geronte has hired to take the couple to Paris. They leave together just as Geronte arrives, ready to execute his plans (Geronte: Di sedur la sorellina e il momento! – The moment to seduce the little sister has arrived). Geronte is taunted by Edmondo. Realising he has been tricked, Geronte urges Lescaut to follow the departed pair. The more pragmatic Lescaut advises him that the pair will soon run out of money, and then Manon will be his.

Act 2
A room in Geronte's house in Paris

Chevalier des Grieux's costume for act 2, designed by Adolfo Hohenstein for the world premiere
(Puccini omits the part of the novel in which Manon and des Grieux live together for a few months, and Manon leaves des Grieux when his money has run out.)

Manon is now Geronte's mistress. Manon and her hairdresser are in the room when Lescaut enters (Manon, Lescaut: Dispettosetto questo riccio!); (Lescaut: Sei splendida e lucente!). She tells him that Geronte is too old and wicked; he bores her. Manon is sad, and her thoughts turn to des Grieux (Manon: In quelle trine morbide); (Lescaut, Manon: Poiché tu vuoi saper).

Musicians hired by Geronte enter to amuse her (Madrigal: Sulla vetta tu del monte); (Manon, Lescaut: Paga costor). Geronte brings a dancing master; they dance a minuet, then she sings a gavotte (Dancing master, Geronte, Manon, chorus: Vi prego, signorina [minuet]); (Manon, Geronte, chorus: L'ora, o Tirsi, è vaga e bella). After dancing, Geronte and the musicians leave the house.

Dismayed that his sister is unhappy living with Geronte, Lescaut goes to find des Grieux. Des Grieux appears in Geronte's house (Manon, des Grieux: Oh, sarò la più bella! – This love's own magic spell). As des Grieux and Manon renew their vows of love, Geronte returns unexpectedly. He salutes the couple, reminding Manon of his many favors to her, including some precious jewels. She replies that she cannot love him (Geronte, des Grieux, Manon: Affè, madamigella).

Bowing low, he leaves them. Manon rejoices in their freedom (Manon: Ah! Ah! Liberi!); (des Grieux: "Ah, manon, mi tradisce il tuo folle pensiero). Lescaut urges them to leave the house at once, but Manon hesitates at the thought of leaving her jewels and pretty frocks. Again, Lescaut enters in breathless haste, making signs that they must depart immediately. Manon snatches up her jewels, and they go to the door. It has been locked by Geronte's order. Soldiers appear to arrest Manon who, in trying to escape, drops the jewels at Geronte's feet. She is dragged away and des Grieux is not permitted to follow her (des Grieux, Manon, Lescaut, sergeant, Geronte: Lescaut! – Tu qui?).

(Intermezzo: The journey to Le Havre.)

His various efforts to have Manon released and even to free her by force having failed, des Grieux follows her to Le Havre.

Act 3
A square near the harbor in Le Havre

At dawn Manon is with the other imprisoned courtesans (des Grieux, Lescaut, Manon: Ansia eterna, crudel). Lescaut has bribed a guard to let des Grieux speak with Manon. Talking to her through the bars, he learns that she is to be deported to Louisiana. A lamplighter passes, singing a song as he extinguishes the lights (Lamplighter, des Grieux, Manon: E Kate ripose al re); (des Grieux, Manon: Manon, disperato è il mio prego).

They attempt a rescue, but in vain. The guard appears, escorting a group of women, who are going on the same ship as Manon. She walks among them, pale and sad. The crowd makes brutal comments during the roll call of the courtesans (Chorus, Lescaut, des Grieux, Manon: All'armi! All'armi!), but Lescaut inspires pity for Manon (Sergeant, chorus, Lescaut, Manon, des Grieux: Rosetta! – Eh, che aria!).

Des Grieux, in despair at the idea of being separated from Manon forever, goes to her side. He tries to seize her but is pushed away by the sergeant. However, the captain of the ship sees his intense grief (des Grieux: Pazzo son!) and allows him to board the ship.

Act 4
A vast plain near the outskirts of the New Orleans territory

Having fled the jealous intrigues of New Orleans, the lovers make their way across a desert to seek refuge in a British settlement. Wandering in the desert, the ailing Manon is exhausted. She falls and cannot go any farther (des Grieux, Manon: Tutta su me ti posa); (des Grieux: Vedi, son io che piango); (Manon, des Grieux: Sei tu che piangi).

Des Grieux is alarmed by Manon's appearance and goes to look for water. While he is gone, Manon recalls her past and muses about her fatal beauty and her fate (Manon: Sola, perduta, abbandonata).

Des Grieux returns, having been unable to find water. Manon bids him a heart-rending farewell, however not before complaining about how her life has not been fair and that she is no longer beautiful. Before dying in his arms Manon asks des Grieux to tell her how beautiful she used to be, and how he must forgive her wrongdoings and faults before she dies, not listening to him repeat how much he loves her and will miss her. Overcome by grief at the death of his vain and selfish lover, des Grieux collapses across her body (Manon, des Grieux: Fra le tue braccia, amore).

Venue Info

Erkel Theatre - Budapest
Location   II. János Pál pápa tér 30

The Erkel Theatre is a theatre in Budapest, Hungary. Being the largest public building in the city for decades (and the largest theatre in the city), it was made part of the Hungarian State Opera House in 1951.

With the idea of bringing opera to the masses for cheap, originally named Népopera (The People's Opera), the theatre was planned and built by the Népopera JSC (funded largely by the Budapest city council). The council provided the plot for free, but in return it regulated the theatre's operation: among other requirements, it had to employ a permanent Hungarian company, and the language of the plays had to be Hungarian.

Designed by Dezső Jakab, Marcell Komor and Géza Márkus, the theatre was completed in 9 months. Equipped with modern machinery, including an organ, it had a 14 wide and 8.5 meter tall stage. The auditorium was similarly large, with a size of 40x10 meters. Intended for the working masses, the theatre was simplistic in style, except for a large mural made by Bertalan Pór. The premiere was held on 7 December 1911.

While it was home to a number of critically acclaimed and successful shows, including a season featuring the complete works of Richard Wagner, after a few years, the idea of an Opera house for the working class proved to be impossible to realize. After the start of World War I, The People's Opera was shut down in 1915. In 1917 Gábor Faludi modernized the building, reduced the number of seats to 2400, and changed the name to Városi Színház (City Theatre). For the next three decades, the theatre became home to a number of tenants and theatre companies, and with them, to a number of various genres and styles.

Between 1940 and 1945 the theatre was managed directly by the city council as an art center, showing guest plays by the Opera House and the National Theatre, along with various literary events and concerts. From 1946, the building operated as a movie theatre for two years.

From 1948 it got back its original function, and in 1951 the building was brought under the supervision of the state Opera House, and operated as its secondary stage until its 2007 closure. The theatre was renamed to Erkel Theatre in 1953 after the composer Ferenc Erkel. Significant renovations took place in 1961.

The theatre was closed between June 2007 and March 2013, when it reopened after renovations. It serves as a second scene for the Hungarian State Opera.

Important Info
Type: Opera
City: Budapest, Hungary
Starts at: 19:00
Acts: 4
Duration: 2h 45min
Sung in: Italian
Titles in: Hungarian,English
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