Erkel Theatre 5 February 2022 - La Fille mal gardée | GoComGo.com

La Fille mal gardée

Erkel Theatre, Main stage, Budapest, Hungary
All photos (9)
Select date and time
11 AM 7 PM
Request for Tickets
Important Info
Type: Ballet
City: Budapest, Hungary
Starts at: 19:00
Acts: 2
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

There are two reasons why this ballet, whose first version dates back to the eve of the French Revolution, is a unique one. First of all, it is one of the oldest stories that is still danced today, and since its world premiere it has been successfully staged by many different choreographers, with the 1960 version by the masterful Englishman Sir Frederick Ashton being one of the most outstanding examples. Second, while the great majority of ballets deal with dramatic events, this one presented the viewer with a much merrier dance spectacle – and not just any kind of dancing, either! Unfolding around a farm, Ashton's choreography couples its demanding dancing with an abundance of humour arising from the characters and comic situations.

“Not only is it exactingly entertaining, thanks to its renewed and splendid costumes and painstakingly and delicately designed sets it is a sight to delight the eyes as well." (Györgyi Pónyai, Ellenfény)

In 1959, the choreographer Frederick Ashton began creating a completely new version of La Fille mal gardée for the Royal Ballet of London. This production premiered on 28 January 1960, with the ballerina Nadia Nerina as Lise, David Blair as Colas, Stanley Holden as the Widow Simone, and Alexander Grant as Alen. Since its inception Ashton's staging has become a celebrated classic of the ballet repertory.

Ashton created what is considered to be among his most masterful choreography for his new version of La Fille mal gardée. He resurrected the Pas de ruban for Lise and Colas, in which the lovers perform a charming pas with intricate tricks using a pink satin ribbon. Ashton took this idea to an entirely new level with the Fanny Elssler pas de deux, devising a spectacular Grand adage for Lise, Colas and eight women with eight ribbons. Ashton also included Petipa's original mimed sequence known as When I'm Married, a passage that was performed by all of the great ballerinas of old when they danced the role of Lise. He was taught this passage by Tamara Karsavina, former Ballerina of the St. Petersburg Imperial Theatres and the Original Ballet Russe. She had in turn learned it from her teacher Pavel Gerdt, once the Imperial Ballet's leading male dancer who partnered all of the great ballerinas of the late 19th century and early 20th century in the role of Lise, including Virginia Zucchi.

Ashton's 1960 version of La Fille mal gardée has been staged for many companies throughout the world and has become the more or less "traditional" version, replacing the productions derived from the Petipa/Ivanov/Gorsky versions danced in Russia to the music of Hertel. Among such companies are the Bolshoi Ballet (2002), and American Ballet Theatre (2004). In spite of this, the famous La Fille mal gardée pas de deux, which is taken from the Petipa/Ivanov/Gorsky versions of the ballet, is still performed with regularity as a gala excerpt, and is often used by various young dancer on the ballet competition circuit.

History
Premiere of this production: 01 July 1789, Grand Théâtre de Bordeaux in Bordeaux, France

La Fille mal gardée is one of the oldest and most important works in the modern ballet repertory, having been kept alive throughout its long performance history by way of many revivals. The work has undergone many changes of title and has had no fewer than six scores, some of which were adaptations of older music.

Synopsis

Act I
Scene 1

In late 18th century France, the wealthy widow Mother Simone lives in a country homestead with her daughter, the beautiful Lise. The girl and the handsome young Colas have been in love with each other for a long time, but her mother has completely different plans... having set her eyes on the foolish Alain, son of Farmer Thomas, to be Lise's husband.

At dawn, the quiet farmyard is woken up by the cockerel, who departs for the field with the chickens in tow. Before her mother might notice, Lise slips out of the house and leaves a secret message for Colas, who is happy to discover this sign when he arrives a little later. The two lovers meet, but are separated by the strict Simone. After chasing Colas off, she puts Lise to work churning butter. But after Simone has left, Colas comes out of his hiding place in the barn. The task, of course, is swiftly forgotten as the lovers start to banter playfully. Lise's girlfriends also arrive, intending to take her with with them, but her mind is on other things. Ever suspicious and alert, Simone notices that the butter is not ready yet and rebukes her severely. Farmer Thomas arrives, together with Alain, in order to ask for Lise's hand in marriage on his son's behalf. While the awkward boy makes her laugh, she also makes it clear that she doesn't care for her suitor. Eventually, the small party heads off to the fields to see how the harvest is coming along.

Scene 2

In the fields. Having finished their work, the reapers – with Colas in the lead – launch into a merry celebration. Lise would be obliged to dance with Alain, but Colas steps in, and the girl makes it abundantly clear which one of them she actually likes. One of the reapers starts to pipe out a tune on a flute, and Alain starts to try to show off. His clumsiness is roundly ridiculed, and only his father is there to rescue him from an embarrassing situation. Colas now dances happily with Lise. At the company's urging, even Simone joins the young crowd in performing the famous clog dance. A sudden summer squall sends the company scattering.

Act II

Inside Simone's house. Mother and daughter return home soaked to the skin. They dry off and get to work at the spinning wheel. Simone hopes that the work will distract Lise from her thoughts, but she herself is soon overcome by sleep. After noticing Colas lurking outside, Lise attempts to pilfer her mother's key. Simone suddenly wakes up and, in order to keep herself from falling asleep again, produces a tambourine and starts to play it. Lise starts dancing to the music. Simone's fatigue, however, gets the better of her: her head slowly sags, and soon she is deep in slumber. Lise sneaks over to the door and, although she is unable to open it completely, she can still happily embrace her beloved.

The reapers bring in the wheat, waking Simone with their racket. Colas also steals in and hides among the sheaves of wheat. The youngsters invite Simone to drink a glass of wine with them. The older woman joins the company, but locks poor Lise inside the house. Believing she is alone, Lise daydreams about what her life will be like when she has a family and children of her own. When Colas suddenly emerges from her hiding place, Lise is frightened at first, but soon the two young lovers are uninhibitedly confessing their feelings to each other. When Simone returns, Lise quickly hides the lad in the bedroom. The suspicious mother senses that the two young lovers have been together, but her search for Colas is fruitless – she is unable to find him anywhere.

However, to make sure, she locks Lise in the bedroom... At this point, Alain and his father arrive, with the notary in tow, to conclude the marriage contract. After it has been signed, Simone hands the key to the bedroom over to Alain. After some awkward hesitation, the boy opens the door to reveal – to everyone's astonishment – Lise and Colas in each other's arms! On bended knee, the lovers beg Simone for her forgiveness and blessing. Thomas and Alain depart in a rage. Urged on by the notary and the village youths, Simone finally gives in and consents to the marriage, amidst general rejoicing.

Márton Karczag

Lise and Colas are in love and want to marry. However, the Widow Simone wants Lise to marry the dimwitted, but extremely rich, Alain, and has arranged (with Alain's father Thomas) for a marriage contract between Lise and Alain. The Widow Simone does her best to keep Lise and Colas apart, but is unsuccessful in her attempts to do so.

At harvest time the Widow Simone and Lise are taken to the field for a picnic lunch by Thomas and Alain. The farm workers join in a ribbon dance around a maypole, and the girls also join in a clog dance with the Widow Simone. There is a thunderstorm and everyone rushes for shelter. Alain is carried away on the wind by his open umbrella.

The Widow Simone and Lise return to their home. The widow wants Lise to sit down at the spinning wheel and spin, but Lise spins while she is up dancing, nearly strangling the widow. After a while, the widow wants Lise to dance, and Lise shows signs of unhappiness, but obliges. The widow takes a tambourine to play in time with Lise's dancing. When the widow is asleep, Lise tries to steal the key from the widow's pocket, to prevent the widow from locking her in, but is unsuccessful. The crops are brought in by the farm workers, and the widow then leaves the house (after locking the door behind her to prevent Lise from leaving the house). Lise thinks about Colas and mimes being the mother of a large number of children. To her embarrassment, Colas suddenly rises from the stacked crops. At the sound of the Widow Simone's returning to the house, Lise and Colas look around desperately for a place where he can hide. Not finding anywhere suitable in the living room, Lise takes Colas to her room, and she returns to the living room just before Widow Simone enters the house. The Widow Simone orders Lise to go to her room and put on her wedding dress for her forthcoming marriage to Alain. The horrified Lise tries to remain where she is, but the Widow Simone pushes Lise into her room and locks the door.

Thomas arrives with his son Alain (who is still clutching his umbrella). They are accompanied by a notary who is to act as witness to the marriage. The farm workers (friends of both Lise and Colas) also arrive. The Widow Simone gives Alain the key to Lise's room. When Alain unlocks the door to Lise's room, Lise appears in her wedding dress, accompanied by Colas. Thomas and Alain take offence, and the enraged Thomas tears up the marriage contract. Thomas, Alain and the notary leave the house in dudgeon. Lise and Colas then beg the Widow Simone to look favourably upon their suit. Love conquers all and the widow relents. Joyfully celebrating the happy outcome for Lise and Colas, everyone leaves, and the house is left quiet and empty, until Alain returns for his umbrella which he had accidentally left behind. So Alain is also happy with the love of his life – his umbrella.

Venue Info

Erkel Theatre - Budapest
Location   II. János Pál pápa tér 30

The Erkel Theatre is a theatre in Budapest, Hungary. Being the largest public building in the city for decades (and the largest theatre in the city), it was made part of the Hungarian State Opera House in 1951.

With the idea of bringing opera to the masses for cheap, originally named Népopera (The People's Opera), the theatre was planned and built by the Népopera JSC (funded largely by the Budapest city council). The council provided the plot for free, but in return it regulated the theatre's operation: among other requirements, it had to employ a permanent Hungarian company, and the language of the plays had to be Hungarian.

Designed by Dezső Jakab, Marcell Komor and Géza Márkus, the theatre was completed in 9 months. Equipped with modern machinery, including an organ, it had a 14 wide and 8.5 meter tall stage. The auditorium was similarly large, with a size of 40x10 meters. Intended for the working masses, the theatre was simplistic in style, except for a large mural made by Bertalan Pór. The premiere was held on 7 December 1911.

While it was home to a number of critically acclaimed and successful shows, including a season featuring the complete works of Richard Wagner, after a few years, the idea of an Opera house for the working class proved to be impossible to realize. After the start of World War I, The People's Opera was shut down in 1915. In 1917 Gábor Faludi modernized the building, reduced the number of seats to 2400, and changed the name to Városi Színház (City Theatre). For the next three decades, the theatre became home to a number of tenants and theatre companies, and with them, to a number of various genres and styles.

Between 1940 and 1945 the theatre was managed directly by the city council as an art center, showing guest plays by the Opera House and the National Theatre, along with various literary events and concerts. From 1946, the building operated as a movie theatre for two years.

From 1948 it got back its original function, and in 1951 the building was brought under the supervision of the state Opera House, and operated as its secondary stage until its 2007 closure. The theatre was renamed to Erkel Theatre in 1953 after the composer Ferenc Erkel. Significant renovations took place in 1961.

The theatre was closed between June 2007 and March 2013, when it reopened after renovations. It serves as a second scene for the Hungarian State Opera.

Important Info
Type: Ballet
City: Budapest, Hungary
Starts at: 19:00
Acts: 2
Duration: 2h 20min
Top of page