Erkel Theatre 16 January 2022 - La Fille du régiment | GoComGo.com

La Fille du régiment

Erkel Theatre, Main stage, Budapest, Hungary
All photos (7)
Select date and time
7 PM
Request for Tickets
Important Info
Type: Opera
City: Budapest, Hungary
Starts at: 19:00
Acts: 2
Duration: 2h 20min
Sung in: French
Titles in: Hungarian,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Since being orphaned as a small child, the young and plucky Marie has grown up in the French army. Unaware of her aristocratic origins, she falls in love with a handsome peasant lad. Will she really marry him out of love? Set during the Napoleonic Wars, La fille du régiment was one of Gaetano Donizetti’s most successful operas during its own era, and singing the title role was the dream of every coloratura soprano throughout the entire 19th century. In 1838, tired of his constant struggles with the Italian censors, Donizetti moved to Paris. There, the great Italian bel canto composer wrote his first French-language comic opera, modeling it much more on the unique features of the French opéra comique style and its composers. Donizetti’s opera is a candid love letter to France – and the country reciprocated his affection, staging it every 14 July, on Bastille Day.

History
Premiere of this production: 11 February 1840, Salle de la Bourse, Paris

La fille du régiment (The Daughter of the Regiment) is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. La fille du régiment quickly became a popular success partly because of the famous aria "Ah! mes amis, quel jour de fête!", which requires of the tenor no fewer than eight high Cs – a frequently sung ninth is not written. La figlia del reggimento, a slightly different Italian-language version (in translation by Calisto Bassi), was adapted to the tastes of the Italian public.

Synopsis

Act 1

War is raging in the Tyrols and the Marquise of Berkenfield, who is traveling in the area, is alarmed to the point of needing smelling salts to be administered by her faithful steward, Hortensius. While a chorus of villagers express their fear, the Marquise does the same: Pour une femme de mon nom / "For a lady of my family, what a time, alas, is war-time". As the French can be seen to be moving away, all express their relief. Suddenly, and provoking the fear of the remaining women who scatter, Sergeant Sulpice of the Twenty-First Regiment of the French army arrives and assures everyone that the regiment will restore order.

Marie, the vivandière (canteen girl) of the Regiment, enters, and Sulpice is happy to see her: (duet: Sulpice and Marie: Mais, qui vient? Tiens, Marie, notre fille / "But who is this? Well, well, if it isn't our daughter Marie"). Then, as he questions her about a young man she has been seen with, she identifies him as Tonio, a Tyrolean. At that moment, Tonio is brought in as a prisoner, because he has been seen prowling around the camp. Marie saves him from the soldiers, who demand that he must die, by explaining that he had saved her life when she nearly fell while mountain-climbing. All toast Tonio, who pledges allegiance to France, and Marie is encouraged to sing the regimental song: (aria: Chacun le sait, chacun le dit / "Everyone knows it, everyone says it"). Sulpice leads the soldiers off, taking Tonio with them, but he runs back to join her. She quickly tells him that he must gain the approval of her "fathers": the soldiers of the Regiment, who found her on the battlefield as an abandoned baby, and adopted her. He proclaims his love for her (aria, then love duet with Marie: Depuis l'instant où, dans mes bras / "Ever since that moment when you fell and / I caught you, all trembling in my arms..."), and then the couple express their love for each other.

At that point, Sulpice returns, surprising the young couple, who leave. The Marquise arrives with Hortensius, initially afraid of the soldier, but is calmed by him. The Marquise explains that they are trying to return to her castle and asks for an escort. When hearing the name Berkenfield, Sulpice immediately recognizes it from a letter found with Marie as an infant. It is discovered that Marie is actually the Marquise's long-lost niece. Marie returns and is surprised to be introduced to her aunt. The Marquise commands that Marie accompany her and that she will be taught to be a proper lady. Marie bids farewell to her beloved regiment just as Tonio enters announcing that he has enlisted in their ranks: (aria: Ah! mes amis, quel jour de fête / "Ah, my friends, what an exciting day"). When he proclaims his love for Marie, the soldiers are horrified, but agree to his pleading for her hand. However, they tell him that she is about to leave with her aunt: (Marie, aria: Il faut partir / "I must leave you!"). In a choral finale in which all join, she leaves with the Marquise and Tonio is enraged.

Act 2

Marie has been living in the Marquise's castle for several months. In a conversation with Sulpice, the Marquise describes how she has sought to modify most of Marie's military manners and make her into a lady of fashion, suitable to be married to her nephew, the Duke of Crakenthorp. Although reluctant, Marie has agreed and Sulpice is asked to encourage her. Marie enters and is asked to play the piano, but appears to prefer more martial music when encouraged by Sulpice and sings the regimental song. The Marquise sits down at the piano and attempts to work through the piece with Marie who becomes more and more distracted and, along with Sulpice, takes up the regimental song.

Marie is left alone: (aria: Par le rang et par l'opulence / "They have tried in vain to dazzle me"). As she is almost reconciled to her fate, she hears martial music and is joyously happy (cabaletta: Oh! transport! oh! douce ivresse / "Oh bliss! oh ectasy!"), and the Regiment arrives. With it is Tonio, now an officer. The soldiers express their joy at seeing Marie, and Marie, Tonio and Sulpice are joyfully reunited (trio, Marie, Sulpice, Tonio: Tous les trois réunis / "We three are reunited"). Tonio mentions he has just learned a secret, via his uncle the burgermeister, that he cannot reveal.

The Marquise enters, horrified to see soldiers. Tonio asks for Marie's hand, explaining that he risked his life for her (aria, Tonio: Pour me rapprocher de Marie, je m'enrôlai, pauvre soldat / "In order to woo Marie, I enlisted in the ranks"), but she dismisses him scornfully. Tonio reveals that he knows that the Marquise never had a niece. She orders him to leave and Marie to return to her chambers; after they leave, the Marquise confesses the truth to Sulpice: Marie is her own illegitimate daughter. In the circumstances, Sulpice promises that Marie will agree to her mother's wishes.

The Duchess of Crakenthorp, her son the groom-to-be, and the wedding entourage arrive at the Marquise's castle. Marie enters with Sulpice, who has given her the news that the Marquise is her mother. Marie embraces her and decides she must obey. But at the last minute the soldiers of the Regiment storm in (chorus: soldiers, then Tonio: Au secours de notre fille / "Our daughter needs our help") and reveal that Marie was a canteen girl. The wedding guests are offended by that fact, but are then impressed when Marie sings of her debt to the soldiers (aria, Marie: Quand le destin, au milieu de la guerre / "When fate, in the confusion of war, threw me, a baby, into their arms"). The Marquise is deeply moved, admits she is Marie's mother, and gives her consent to Marie and Tonio, amid universal rejoicing (final chorus: Salut à la France! / "Hurrah for France! For happy times!").

Venue Info

Erkel Theatre - Budapest
Location   II. János Pál pápa tér 30

The Erkel Theatre is a theatre in Budapest, Hungary. Being the largest public building in the city for decades (and the largest theatre in the city), it was made part of the Hungarian State Opera House in 1951.

With the idea of bringing opera to the masses for cheap, originally named Népopera (The People's Opera), the theatre was planned and built by the Népopera JSC (funded largely by the Budapest city council). The council provided the plot for free, but in return it regulated the theatre's operation: among other requirements, it had to employ a permanent Hungarian company, and the language of the plays had to be Hungarian.

Designed by Dezső Jakab, Marcell Komor and Géza Márkus, the theatre was completed in 9 months. Equipped with modern machinery, including an organ, it had a 14 wide and 8.5 meter tall stage. The auditorium was similarly large, with a size of 40x10 meters. Intended for the working masses, the theatre was simplistic in style, except for a large mural made by Bertalan Pór. The premiere was held on 7 December 1911.

While it was home to a number of critically acclaimed and successful shows, including a season featuring the complete works of Richard Wagner, after a few years, the idea of an Opera house for the working class proved to be impossible to realize. After the start of World War I, The People's Opera was shut down in 1915. In 1917 Gábor Faludi modernized the building, reduced the number of seats to 2400, and changed the name to Városi Színház (City Theatre). For the next three decades, the theatre became home to a number of tenants and theatre companies, and with them, to a number of various genres and styles.

Between 1940 and 1945 the theatre was managed directly by the city council as an art center, showing guest plays by the Opera House and the National Theatre, along with various literary events and concerts. From 1946, the building operated as a movie theatre for two years.

From 1948 it got back its original function, and in 1951 the building was brought under the supervision of the state Opera House, and operated as its secondary stage until its 2007 closure. The theatre was renamed to Erkel Theatre in 1953 after the composer Ferenc Erkel. Significant renovations took place in 1961.

The theatre was closed between June 2007 and March 2013, when it reopened after renovations. It serves as a second scene for the Hungarian State Opera.

Important Info
Type: Opera
City: Budapest, Hungary
Starts at: 19:00
Acts: 2
Duration: 2h 20min
Sung in: French
Titles in: Hungarian,English
Top of page