The Église de Verbier hosts morning, afternoon and evening concerts. It is the Verbier Festival’s primary venue for solo, chamber music and vocal recitals.
Leonidas Kavakos and Mao Fujita
Select date and time
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
Born from a meeting in Verbier, the two virtuosos come together in a program of great elegance, where their rapport and the intensity of their playing can be fully expressed.
Wracked by the death of his beloved mother, Mozart’s ‘Sonata in E’ (the only one he composed in minor) foreshadows the fever of Beethoven in the first movement and the melancholy of Schubert in the second.
The mood is more serene in Brahms’s first Sonata, made up of melodic movements that glide gently along the score – a gesture reminiscent of the figuration of the Rhine in the ‘Tetralogy’.
Similar undulations can be found in the introduction to Schubert’s Fantasia, which conceals astonishing complexity beneath its nursery rhyme-like appearance. This blossoms into playful episodes, with the composer giving free rein to the evocative power of his writing.