Chiostro della Biblioteca Classense 1 July 2019 - Quartetto Echos | GoComGo.com

Quartetto Echos

Chiostro della Biblioteca Classense, Ravenna, Italy
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9:30 PM
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Important Info
Type: Classical Concert
City: Ravenna, Italy
Starts at: 21:30
Duration:

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Festival

Ravenna Festival 2019

Ravenna is located on north central Italy, in Emilia-Romagna County. The city holds two music and opera festivals. The first and the longer one  takes place between mid June till mid July and the second  the shorter one is held in November.

Programme
Anton Webern: Langsamer Satz
Leoš Janáček: Quartet no. 2 “Lettres intimes”
Giuseppe Verdi: Nabucco
Wolfgang Amadeus Mozart: String Quartet no. 19 in C major "Dissonance", K465
Overview

in collaboration with Scuola di Musica di Fiesole, Accademia Europea del Quartetto – European Chamber Music Academy

Relationships, thin threads and sometimes hidden ties between individuals and musical styles: this seems to be the path chosen by the young musicians of Quartetto Echos, born in 2013 at the Turin Conservatory and soon awarded the Abbiati “Piero Farulli” Prize (2017). Mozart’s “Dissonance” Quartet (whose nickname is due to the harmonic boldness of the initial Adagio) is dedicated to Haydn: like a father with a child, the composer “confided [it] to the protection and guidance of a very celebrated Man […] and great friend”. Langsamer Satz, instead, composed by 22-year-old Webern before he became a master of the Second Vienna School, was influenced by Brahms’s melodism. As for Janacek’s mature Quartet “Intimate Letters”, it was intended to reflect the character of the author’s relationship with Kamila-Stösslová as revealed in their correspondence.

History
Premiere of this production: 09 March 1842, Teatro alla Scala, Milan

Nabucco (short for Nabucodonosor) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself.

Synopsis

ACT I - Jerusalem

Nabucco, King of Babylon, has laid siege to the city of Jerusalem. Zaccariah, the High Priest, encourages the Hebrew people to take refuge in Salomon’s temple and assures them that it is still possible to negotiate for peace since the enemy’s daughter, Fenena, has been captured. Zaccariah assigns her to Ismael, nephew of Jerusalem’s king.

What the High Priest does not know, however, is that Fenena and Ismael have known each other for some time and are in love. Ismael had been Ambassador to Babylon and Fenena had saved him. In the same way, now, the young man is trying to free his beloved, but she is blocked by a group of Babylonian warriors dressed up as Hebrews and led by Abigail, Nabucco’s other daughter, a woman set on deception and with a lust for power. She, too, loves Ismael, but love for her is, above all, a political question, something to be used in exchange for her love. She accuses the young man of betrayal and reminds him that she has already offered him the kingdom of Babylon in exchange for his love. Notwithstanding, she is willing to renounce her revenge if Ismael leaves Fenena. He refuses saying he does not fear death but asks only for mercy on his people.

In the meantime, there is mayhem outside. Other Hebrews have taken refuge in the temple and when Nabucco raids it, Zaccariah makes an extreme attempt to save his people: he threatens to kill Fenena but Ismael blocks him and hands the young girl over to her father. At this, Nabucco gives orders to destroy the temple.

 

ACT II-A Cruel Fate

Inside the Palace at Babylon, Abigail finds the document which reveals that she is not Nabucco’s daughter, but an adopted slave. The High Priest of Belo tells Abigail that Fenena, who has been nominated her guardian by her father, is freeing the Hebrew prisoners and explains this is why the Babylonians are in revolt. He adds that he has worked out a plan: he has sent out rumours that Nabucco has died in battle so that the people acclaim her, Abigail, queen. In her obsession for power, Abigail is willing to do anything in order to take possession of the throne.

Zaccariah, having been taken prisoner by the Assyrians, enters another room of the palace followed by a Levite who bears the tablets of the Law. The priest prays. The Levites curse Ismael because he has betrayed them, but Anna, Zaccariah’s sister, defends him saying that, since Fenena has converted to the God of Israel, he has saved a Hebrew. The situation now becomes critical: Abigail enters and expects to take possession of the crown.

 

ACT III – The Prophecy

In the hanging gardens of the Palace of Babylon, Abigail lets the people worship her and she receives all the honours of the authorities of the kingdom. The High Priest tells her that the moment to eliminate all the Hebrews has arrived, starting with Fenena who has abjured the Belo cult.

Nabucco arrives, clearly confused. Abigail seizes this opportunity to intimidate him and make him sign the death warrant for the Hebrews. In a moment of lucidity, though, the King remembers that even Fenena has chosen to be a Hebrew. At this, Abigail rejoices perfidly. Nabucco now regains his memory and orders the woman to prostrate herself before him, after all, she is only the daughter of slaves. This is exactly where Abigail has wanted to lead him: she produces the document which proves her low origins and rips it up, enjoying every moment of her triumph. Then she has Nabucco arrested. At this point, Nabucco pleads with her to save, at least, Fenena, thereby recuperating through paternal love, the loftiness of spirit he had lost when he had compared himself to God. Abigail is delighted to see her adopted father humiliated and defeated.

In the meantime, on the shores of the Euphrates the Hebrews, chained and forced to work hard, think nostalgically about their lost homeland. Once more, Zaccariah consoles his people, urging them to have faith and prophesying their liberation. Babylon will fall, he says.

 

ACT IV – The Fallen Idol

Nabucco wakes up from a nightmare. Cries from outside are heard: the crowd weeps as Fenena is taken to the scaffold. He is powerless to do anything, he is a prisoner. He kneels down and asks for pardon for his arrogance from the God of the Hebrews and promises to convert. Divine grace restores his mental faculties. Having regained lucidity and the strength to react, he asks for a sword, grips it and orders the warriors who have remained faithful to him to follow him. The moment for the liberation of the Assyrian people has come and with it, Fenena’s salvation.

We hear a funeral march coming from the hanging gardens and the Hebrews condemned to death, are brought in. Zaccariah comforts Fenena. When Nabucco bursts onto the scene, the statue of the god Belo falls and the prisoners are freed. Nabucco urges them to build a new temple on top of the ruins of the temple he destroyed in Jerusalem. Abigail, on seeing her plan disintegrate, poisons herself and in her death-throes, asks Fenena and Jehovah to forgive her.ness from Fenena. Zaccariah blesses the King, redeemed by his new faith.

Time: 587 BC
Place: Jerusalem and Babylon

Act 1: Jerusalem

'Thus saith the Lord, Behold, I shall deliver this city into the hand of the King of Babylon, and he will burn it with fire' (Jeremiah 21:10)
Interior of the Temple of Solomon

The Israelites pray as the Babylonian army advances on their city ("Gli arredi festivi giù cadano infranti" / "Throw down and destroy all festive decorations"). The High Priest Zaccaria tells the people not to despair but to trust in God ("D'Egitto là su i lidi" / "On the shores of Egypt He saved the life of Moses"). The presence of a hostage, Fenena, younger daughter of Nabucco, King of Babylon, may yet secure peace ("Come notte a sol fulgente" / "Like darkness before the sun"). Zaccaria entrusts Fenena to Ismaele, nephew of the King of Jerusalem and a former envoy to Babylon. Left alone, Fenena and Ismaele recall how they fell in love when Ismaele was held prisoner by the Babylonians, and how Fenena helped him to escape to Israel. Nabucco's supposed elder daughter, Abigaille, enters the temple with Babylonian soldiers in disguise. She, too, loves Ismaele. Discovering the lovers, she threatens Ismaele: if he does not give up Fenena, Abigaille will accuse her of treason. If Ismaele returns Abigaille's love, however, Abigaille will petition Nabucco on the Israelites' behalf. Ismaele tells Abigaille that he cannot love her and she vows revenge. Nabucco enters with his warriors ("Viva Nabucco" / "Long live Nabucco"). Zaccaria defies him, threatening to kill Fenena if Nabucco attacks the temple. Ismaele intervenes to save Fenena, which removes any impediment from Nabucco destroying the temple. He orders this, while Zaccaria and the Israelites curse Ismaele as a traitor.

Act 2: The Impious One

'Behold, the whirlwind of the Lord goeth forth, it shall fall upon the head of the wicked' (Jeremiah 30:23)
Scene 1: Royal apartments in Babylon

Nabucco has appointed Fenena regent and guardian of the Israelite prisoners, while he continues the battle against the Israelites. Abigaille has discovered a document that proves she is not Nabucco's real daughter, but the daughter of slaves. She reflects bitterly on Nabucco's refusal to allow her to play a role in the war with the Israelites and recalls past happiness ("Anch'io dischiuso un giorno" / "I too once opened my heart to happiness"). The High Priest of Bel informs Abigaille that Fenena has released the Israelite captives. He plans for Abigaille to become ruler of Babylon, and with this intention has spread the rumour that Nabucco has died in battle. Abigaille determines to seize the throne ("Salgo già del trono aurato" / "I already ascend the golden throne").

Scene 2: A room in the palace

Zaccaria reads over the Tablets of Law ("Vieni, o Levita" / "Come, oh Levite!"), then goes to summon Fenena. A group of Levites accuse Ismaele of treachery. Zaccaria returns with Fenena and his sister Anna. Anna tells the Levites that Fenena has converted to Judaism, and urges them to forgive Ismaele. Abdallo, a soldier, announces the death of Nabucco and warns of the rebellion instigated by Abigaille. Abigaille enters with the High Priest of Bel and demands the crown from Fenena. Unexpectedly, Nabucco himself enters; pushing through the crowd, he seizes the crown and declares himself not only king of the Babylonians but also their god. The high priest Zaccaria curses him and warns of divine vengeance; an incensed Nabucco in turn orders the death of the Israelites. Fenena reveals to him that she has embraced the Jewish religion and will share the Israelites' fate. Nabucco is furious and repeats his conviction that he is now divine ("Non son più re, son dio" / "I am no longer King! I am God!"). There is a crash of thunder and Nabucco promptly loses his senses. The crown falls from his head and is picked up by Abigaille, who pronounces herself ruler of the Babylonians.

Act 3: The Prophecy

'Therefore the wild beasts of the desert with the wild beasts of the islands shall dwell there, and the owls shall dwell therein'. (Jeremiah 50:39)
Scene 1: The Hanging Gardens of Babylon

Abigaille is now Queen of Babylon. The High Priest of Bel presents her with the death warrant for the Israelites, as well as for Fenena. Nabucco, still insane, tries to reclaim the throne without success. Though his consent to the death warrant is no longer necessary, Abigaille tricks him into signing it. When Nabucco learns that he has consigned his (true) daughter to death, he is overcome with grief and anger. He tells Abigaille that he is not in fact her father and searches for the document evidencing her true origins as a slave. Abigaille mocks him, produces the document and tears it up. Realizing his powerlessness, Nabucco pleads for Fenena's life ("Oh di qual onta aggravasi questo mio crin canuto" / "Oh, what shame must my old head suffer"). Abigaille is unmoved and orders Nabucco to leave her.

Scene 2: The banks of the River Euphrates

The Israelites long for their homeland ("Va, pensiero, sull'ali dorate" / "Fly, thought, on golden wings"). The high priest Zaccaria once again exhorts them to have faith: God will destroy Babylon. The Israelites are inspired by his words.

Act 4: The Broken Idol

'Bel is confounded, Merodach is broken to pieces; her idols are confounded, her images are broken in pieces.' (Jeremiah 50:2)
Scene 1: The royal apartments, Babylon

Nabucco awakens, still confused and raving. He sees Fenena in chains being taken to her death. In despair, he prays to the God of the Hebrews. He asks for forgiveness, and promises to rebuild the temple in Jerusalem and convert to Judaism if his prayers are answered ("Dio di Giuda" / "God of Judah!"). Miraculously, his strength and reason are immediately restored. Abdallo and loyal soldiers enter to release him. Nabucco resolves to rescue Fenena and the Israelites as well as to punish the traitors.

Scene 2: The Hanging Gardens of Babylon

Fenena and the Israelite prisoners are led in to be sacrificed ("Va! La palma del martirio" / "Go, win the palm of martyrdom"). Fenena serenely prepares for death. Nabucco rushes in with Abdallo and other soldiers. He declares that he will rebuild the Temple of Jerusalem and worship the God of the Israelites, ordering the destruction of the idol of Bel. At his word, the idol falls to the ground of its own accord and shatters into pieces. Nabucco tells the Israelites that they are now free and all join in praise of Jehovah. Abigaille enters, supported by soldiers. She has poisoned herself. She begs forgiveness of Fenena, prays for God's mercy and dies. Zaccaria proclaims Nabucco the servant of God and king of kings.

Venue Info

Chiostro della Biblioteca Classense - Ravenna
Location   Via Alfredo Baccarini, 3

Here is one of the largest and most majestic monuments of the Camaldolese Order: a complex whose construction works continued for no less than three hundred years, starting in 1515, when the monks left Classe after the destructions of the Franco-Spanish War of 1512 (with the tremendous “battle of Ravenna”).

The Classense Library, filled with an extraordinarily rich collection (eight hundred thousand books, 750 manuscript volumes, precious codexes and maps), is also a truly architectural and artistic gem. The Aula Magna stands out above everything else, adorned with statues, stuccos, and finely carved wooden bookcases; decorated with frescoes and paintings by Francesco Mancini, commissioned by Abbot Pietro Canneti between the seventeenth and eighteenth centuries. Then the large refectory, the old sacristy (Sala Muratori), and the monumental cloisters. The first cloister, perhaps a bit dark, has a Baroque façade by Giuseppe Antonio Soratini and 24 columns. The second, elegant and impressive, was designed by Tuscan architect Giulio Morelli, and built between 1611 and 1620. It has 32 Istrian stone pillars. In the middle there’s a cistern designed in the early eighteenth century by Domenico Barbiani and surrounded by large trees. Quintessentially, the library is a place for reading and studying, hence of utmost silence. However, there were exceptions as early as the late seventeenth century; a booklet printed in Ravenna, precisely in 1677, mentioned of at least two “concerts” held in the library, the first entitled “Gli amori di Antioco e di Stratonica (The Loves of Antiochus and Stratonica); the second “La virtù trionfante” (The Triumphant Virtue) by D. Andrea Rossini of Venice. The Cloisters “debuted” at the Festival in 2004, hosting the melologue “Francesca da Rimini”, text by Nevio Spadoni and music by Luigi Ceccarelli. They have become a regular and much appreciated venue for many chamber music events and small but prized ensembles.

Important Info
Type: Classical Concert
City: Ravenna, Italy
Starts at: 21:30
Duration:
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