Berliner Philharmonie 13 September 2020 - Berliner Philharmoniker I | GoComGo.com

Berliner Philharmoniker I

Berliner Philharmonie, Main Hall (DOUBLE), Berlin, Germany
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8 PM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00

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Festival

Musikfest Berlin 2020

33 performances, nine world premieres

Musikfest Berlin 2020 will approach the beginning of the concert season with caution. Its new programme will follow the rules that protective measures from the COVID-19 pandemic have placed on public concerts. Many of the projects that have been prepared across Germany to mark this Beethoven year have fallen victim to the coronavirus crisis and have been postponed until next year.

Programme
Ludwig van Beethoven: Symphony no. 6 in F major "Pastoral", Op.68
Alban Berg: Lyrische Suite
Overview

Alban Berg described his “Lyric Suite as” a “small monument to a great love”. In it, the composer musically encoded his passion for the married Hanna Fuchs, interweaving the tonal equivalents of the initials of them both, creating a highly personal piece of music. Beethoven’s symphony known as the “Pastoral” is also programme music, in which he expresses his love for nature – with bird calls, the splashing of streams and thunderstorms. A joyful homage to country life, conducted by Daniel Harding to mark the Beethoven anniversary year.

The “Pastoral Symphony” reveals a side of its composer Ludwig van Beethoven that was often forgotten in popular iconography. Beethoven, the lover of sound and colour: where elsewhere contrasts and conflicts would be portrayed firmly and in great detail, he expresses the ideas of the opening movement in shifting keys without changing them substantially. Beethoven the sonic researcher: in the second movement, the “scene by the brook” his orchestra sounds unlike it does anywhere else. And Beethoven, the lover of natural sound (birdsong) and human beings calling out in nature (the horns in the finale): sounds that he has heard supplement his own musical training. This lyrical symphony also contains its dramatic moments: these are particularly vivid in the thunderstorm of the penultimate movement.

Alban Berg could have called his “Lyric Suite” a symphony because it offers everything that belongs in such a work: depth, expression, great contrasts, formal perfection and a wealth of elaborate detail. He wrote it for a string quartet but then adapted movements two to four for a string orchestra. Others subsequently arranged the other sections for larger ensembles. Theodor W. Adorno, who knew of the autobiographical background to the work (Berg’s love for Hanna Fuchs-Robbetin), called it a “latent opera”, a kind of instrumental “Tristan”, and thought: “While the lyric nature of the suite is best served by a quartet, its drama comes to the fore with a body of strings: only then do the contours run into each other in excited complexity […]; only then […] does the outburst have its full catastrophic violence.” The tension of this confessional composition lies in the fact that something always remains of what is genuinely unfulfilled.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
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