Berliner Philharmonie 6 September 2019 - Pierre-Laurent Aimard: Piano Evening | GoComGo.com

Pierre-Laurent Aimard: Piano Evening

Berliner Philharmonie, Chamber Music Hall, Berlin, Germany
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8 PM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
Duration:

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Festival

Musikfest Berlin 2019

From 30 August to 19 September 2019, the concert season in Berlin will be launched by Musikfest Berlin, hosted by Berliner Festspiele in cooperation with the Foundation Berliner Philharmoniker. Over 21 days, 26 events at the Philharmonie, its Chamber Music Hall and at Konzerthaus Berlin will present 65 works by around 25 composers, featuring 22 instrumental and vocal ensembles and more than 50 soloists from the international music scene.

Programme
Pierre-Laurent Aimard: Piano Evening
Ludwig van Beethoven: Piano Sonata no. 29 in B flat major "Hammerklavier", Op.106
Helmut Lachenmann : Serynade
Overview

In his second piano recital, Pierre-Laurent Aimard will present a technically and musically challenging programme: Beethoven’s “Hammerklaviersonata” requires an extraordinary mastery by the pianist and Lachenmann’s multi-layered “Serynade” presents an additional demand for a virtuoso pedal technique.

What is greatness in music? Before we talk about spiritual greatness, let us establish this: The art of music also has a physical size – width, height, circumference, time, density, weight, appearance and expression. When Ludwig van Beethoven announced his B Major Sonata op. 106 as a great one, his greatest, even (before a single note had been written down), he meant everything: No other sonata from his pen is longer, more compact in sound, fingering or compositional technique, no other is more comprehensive in the sense of the genres it contains – symphony, aria, choir, dance, fugue. And yet, it is conceived, explored and taxed entirely from the perspective of the piano: piano sound and piano playing that tests all limits, even the suggestive ones. Written between the final symphonies, it aspires to their public relevance and resonance – but as a piano work, as a statement of the individual.

If Beethoven was interested in the entrance of the piano sound, in “Serynade”, Helmut Lachenmann was interested in how to maintain it, because the sound of the piano volatilises all too soon. It can continue to hold if the musician silently presses keys that corresponds to its overtone spectrum before it is actually played itself; the result are delicate, colourful fields of resonance. You can operate the sustaining pedal which can suspend all or certain intended dampers: The impulse sequences will become blurred, or individual sounds are elevated like sculptures. You can repeat notes or sounds at higher or lower velocity. The “Serynade” demands excellent technique of both hands and pedals – and in the sixth of its seven parts, the entire piece’s culmination – it also demands a virtuoso sensitivity for the inner life of the instrument.

By the way, both great works contain very personal dedications. The one letter in Lachenmann’s work title that diverges from the usual term is the first letter in his wife’s name: Yukiko Sugawara, to whom he dedicated this piece. The first bar of Beethoven’s ovational “Hammerklavier-Sonata” is accompanied with the singing of “Vivat, vivat, Rodolfo”. The composer dedicated his opus 106 to the Archduke Rudolf of Habsburg.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
Duration:
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