Berliner Philharmonie 11 September 2020 - Rundfunk-Sinfonieorchester Berlin II | GoComGo.com

Rundfunk-Sinfonieorchester Berlin II

Berliner Philharmonie, Main Hall (DOUBLE), Berlin, Germany
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8 PM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00

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Festival

Musikfest Berlin 2020

33 performances, nine world premieres

Musikfest Berlin 2020 will approach the beginning of the concert season with caution. Its new programme will follow the rules that protective measures from the COVID-19 pandemic have placed on public concerts. Many of the projects that have been prepared across Germany to mark this Beethoven year have fallen victim to the coronavirus crisis and have been postponed until next year.

Programme
Richard Strauss: Metamorphosen
Rebecca Saunders: White, for double bell trumpet solo (2015, rev. 2016)
Ludwig van Beethoven: Symphony no. 5 in C minor, Op.67
Overview

In their second contribution to Musikfest Berlin, Vladimir Jurowski and his Rundfunk-Sinfonieorchester Berlin will link Beethoven’s symphonic music with a solo concerto that Rebecca Saunders wrote especially for the exceptional trumpet player Marco Blaauw. These two works, separated by around 200 years, will be combined with Richard Strauss’ last orchestral work, written between March and April 1945, and with Beethoven’s Fifth. This combination lends the programme an historical depth that is practically inexhaustible.

Beethoven the constant star: Written 1945, at the end of the Second World War when the National Socialists were still in power, the “Metamorphoses” from 1945 are Richard Strauss’ final orchestral work. Strauss stares in disbelief at how war has barbarised humanity and, full of melancholy, quotes Beethoven’s funeral march from the “Eroica” to recall the destroyed culture of civil society. Rebecca Saunders’ composition “White” (2015 – 2016), written for her long-term collaborator the trumpeter Marco Blaauw, explores the sonic spectrum of the double bell trumpet. Less surprising than Saunders’ work allocation of the colour white to the bright timbre of the solo trumpet is its characterisation as the colour of anger and rage, manifesting itself musically in fast, furious and abruptly interrupted movements of sound. The composition transcends purity of pitch and rhythm to explore a receptive experience reminiscent of the monochrome paintings of Barnett Newmann, Yves Klein or Mark Rothko, whose means are also subordinate to their effect. The colour itself is less visible than its primal energy and physicality. Saunders plays with this effect of synaesthetic immersion in order to create potent contrasts through shifts of perspective and changes of rhythm. Like a solar power plant, Ludwig van Beethoven’s fateful 5th Symphony in C minor provides the irrepressible energy needed to defy all rejection and to continue to keep your gaze fixed firmly on the stars.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
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