Berliner Philharmonie 26 October 2019 - A “late night” with Edgard Varèse and François-Xavier Roth | GoComGo.com

A “late night” with Edgard Varèse and François-Xavier Roth

Berliner Philharmonie, Berlin, Germany
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10 PM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 22:00
Duration:

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Programme
Edgard Varèse: Density 21.5 for Solo Flute
Edgard Varèse: Hyperprism for Winds and Percussion Instruments
Edgard Varèse: Intégrales for Small Wind Orchestra and Percussion
Edgard Varèse: Ionisation for 13 Percussionists
Edgard Varèse: Octandre for seven Winds and Double Bass
Edgard Varèse: Offrandes, 2 Pieces for Soprano and Chamber Orchestra
Edgard Varèse: Poème électronique for Audio Tape
Overview

Most of Edgard Varèse’s works are witty miniatures. But at the time of their creation nearly a hundred years ago, they embodied a tangible revolution – with new forms of composition and a hitherto unknown fusion of sound and music. This is shown, for example, by the famous Ionization in which percussion, pianos and sirens create a mysterious nocturnal scene. In this Late Night concert, François-Xavier Roth presents original works by the French composer.

Sound visions in the late evening: “Imagine the projection of a geometrical figure on a plane with both figure and plane moving through space, each with its own arbitrary and varying speeds of translation and rotation.” Edgard Varèse was fascinated by a composed spatial movement of sounds – as he was by using different noise values that were achieved primarily by percussion instruments and went down in music history as “the liberation of sound”. All this is clearly evident in works such as HyperprismIntégrales and Ionisation.

Besides these works, at this Late Night members of the Berliner Philharmoniker and François-Xavier Roth will also dedicate themselves to Edgard Varèse’s Octandre, in which the composer, full of vitality, turned his back on the traditional string sound, which for him represented the 18th and 19th century, with four individual woodwind players, three brass players and a double bass. In Offrandes, on the other hand, the soprano voice is surrounded by orchestral atmospheres, with a palette of sounds ranging from the softest pianissimo to a sudden eruption.

21.5 is the density of platinum, and it gave Density 21.5 for flute its title: Varèse composed the work for the flutist Georges Barrère, who had requested a short solo with which he wanted to present his new platinum instrument in 1936 at a New York gala concert. Varèse reached the ultimate “liberation of sound” in his last works for electronics, including in his Poème électronique for electronic tape, which was heard by several million people during the 1958 Brussels World’s Fair in Le Corbusier’s Philips Pavilion.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 22:00
Duration:
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