Berliner Philharmonie 9 September 2019 - Georg Nigl & Olga Pashchenko | GoComGo.com

Georg Nigl & Olga Pashchenko

Berliner Philharmonie, Chamber Music Hall, Berlin, Germany
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8 PM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
Duration:

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Festival

Musikfest Berlin 2019

From 30 August to 19 September 2019, the concert season in Berlin will be launched by Musikfest Berlin, hosted by Berliner Festspiele in cooperation with the Foundation Berliner Philharmoniker. Over 21 days, 26 events at the Philharmonie, its Chamber Music Hall and at Konzerthaus Berlin will present 65 works by around 25 composers, featuring 22 instrumental and vocal ensembles and more than 50 soloists from the international music scene.

Programme
Georg Nigl & Olga Pashchenko
Franz Schubert: Die Taubenpost (Siedl), D.965a
Franz Schubert: Der Wanderer an den Mond (Seidl), D.870
Franz Schubert: Das Zügenglöcklein (Seidl), D.871
Franz Schubert: Im Freien (Seidl), D.880
Franz Schubert: Die Sommernacht (Klopstock), D.289
Franz Schubert: Abendstern (Mayrhofer), D.806
Franz Schubert: Fischerweise (Schlechta), D.881
Franz Schubert: Die Forelle (Schubart), D.550
Ludwig van Beethoven: An die ferne Geliebte, Op.98
Wolfgang Rihm: Vermischter Traum
Franz Schubert: Der Winterabend (Leitner), D.938
Franz Schubert: Die Sterne (Wie blitzen die Sterne) (Leitner), D.939
Franz Schubert: An die Musik, in D major, D.547
Franz Schubert: Abschied, D.957g
Overview

Lieder Recital

There is always a suspenseful dialogue between lyrics and music in Wolfgang Rihm’s lieder. Georg Nigl and Olg Pashchenko will frame the composer’s new work with Beethoven’s lied cycle “An die ferne Geliebte” and late Schubert-lieder.

Wolfgang Rihm always preserved an immediate, unbroken relationship with singing. Even in works that did not involve human voices, he liked the music “to sing”. Vocal works from lied via choir pieces and oratory works to grand operas take pride of place in his oeuvre. The lied cycle “Vermischter Traum”, commissioned by Berliner Festspiele / Musikfest Berlin and dedicated to Georg Nigl, was the first work Rihm wrote after a severe illness, probably even before the ordeal of convalescence was quite over. He chose verses by the Baroque poet Andreas Gryphius, who wrote during the catastrophe of the Thirty Years’ War. He took them as a challenge to ask questions and to concentrate – on the essential, the truly moving, regardless of whether he found it in heaven, on earth or on the brink of the abyss.

In Rihm’s lieder, words and music are always engaged in a dialogue; they query and doubt, carry each other and correspond like two individuals who have something to sing and to say to each other. Georg Nigl and Olga Pashchenko encompass this new work with Beethoven’s most advance lied cycle, which was also regarded as a confession, and with lieder by Franz Schubert that look outwards – to where the circumstances’ constraints lose their power.

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 20:00
Duration:
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