Berliner Philharmonie 1 September 2019 - Alexander Melnikov | GoComGo.com

Alexander Melnikov

Berliner Philharmonie, Chamber Music Hall, Berlin, Germany
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11 AM
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Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 11:00
Duration:

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Festival

Musikfest Berlin 2019

From 30 August to 19 September 2019, the concert season in Berlin will be launched by Musikfest Berlin, hosted by Berliner Festspiele in cooperation with the Foundation Berliner Philharmoniker. Over 21 days, 26 events at the Philharmonie, its Chamber Music Hall and at Konzerthaus Berlin will present 65 works by around 25 composers, featuring 22 instrumental and vocal ensembles and more than 50 soloists from the international music scene.

Programme
Alexander Melnikov
Gioachino Rossini: Late piano works
Gioachino Rossini: Quartettino La passeggiata (uit Péchés de Vieillesse Boek 1:Album italiano)
Hector Berlioz: Symphony Fantastique op. 14a (transcription: Liszt)
Overview

Composer Wolfgang Rihm described Giocchino Rossini’s late piano works as “pieces that sound as if they came from the moon”. In a matinée, the pianist Alexander Melnikov will follow their traces and combine them with a version of the “Symphonie fantastique” adapted for the piano by Franz Liszt.

Hector Berlioz is the guiding spirit of the programme of Musikfest Berlin 2019. His reception history is felt even in those instances where he is not present as a composer. In this matinée, Alexander Melnikov will welcome him with works by his good friends. Berlioz held Rossini’s operas in high esteem and he shot his caustic, at time venomous, verbal arrows at all those whom he caught interfering with Rossini’s scores by abridging, retouching or treating them with slovenliness. He would have delighted in the piano pieces which his revered colleague wrote after the end of his opera career. Eric Satie, Charles Ives and Richard Strauss anticipate these accounts of life, experience and demise in one – with the same cheerfully mischievous expression with which Vladimir Horovitz would look at the audience after he made a mistake.

The second salute comes from Franz Liszt, who greatly contributed to Berlioz’ recognition in Germany during his time as the court’s Kapellmeister in Weimar. Long before, he had committed the “Symphonie fantastique” into the performance spectrum of his own two hands. This was something quite different from the piano scores for two or four hands, which were the usual piano format in which orchestra works were published to complement the orchestra scores. Liszt demonstrated the great art of suggestions, which, according to the words of Robert Schumann, “turns a piano into an orchestra of lamenting and loudly rejoicing [and here we should add dance-like and elated, natural and infernal] voices.”

Venue Info

Berliner Philharmonie - Berlin
Location   Herbert-von-Karajan-Str. 1

The Berliner Philharmonie is a concert hall in Berlin, Germany and home to the Berlin Philharmonic Orchestra. The Philharmonie lies on the south edge of the city's Tiergarten and just west of the former Berlin Wall. The Philharmonie is on Herbert-von-Karajan-Straße, named for the orchestra's longest-serving principal conductor. The building forms part of the Kulturforum complex of cultural institutions close to Potsdamer Platz.

The Philharmonie consists of two venues, the Grand Hall (Großer Saal) with 2,440 seats and the Chamber Music Hall (Kammermusiksaal) with 1,180 seats. Though conceived together, the smaller hall was opened in the 1980s, some twenty years after the main building.

Hans Scharoun designed the building, which was constructed over the years 1960–1963. It opened on 15 October 1963 with Herbert von Karajan conducting Beethoven's 9th Symphony. It was built to replace the old Philharmonie, destroyed by British bombers on 30 January 1944, the eleventh anniversary of Hitler becoming Chancellor. The hall is a singular building, asymmetrical and tentlike, with the main concert hall in the shape of a pentagon. The height of the rows of seats increases irregularly with distance from the stage. The stage is at the centre of the hall, surrounded by seating on all sides. The so-called vineyard-style seating arrangement (with terraces rising around a central orchestral platform) was pioneered by this building, and became a model for other concert halls, including the Sydney Opera House (1973), Denver's Boettcher Concert Hall (1978), the Gewandhaus in Leipzig (1981), Walt Disney Concert Hall in Los Angeles (2003), and the Philharmonie de Paris (2014).

Jazz pianist Dave Brubeck and his quartet recorded three live performances at the hall; Dave Brubeck in Berlin (1964), Live at the Berlin Philharmonie (1970), and We're All Together Again for the First Time (1973). Miles Davis's 1969 live performance at the hall has also been released on DVD.

On 20 May 2008 a fire broke out at the hall. A quarter of the roof suffered considerable damage as firefighters cut openings to reach the flames beneath the roof. The hall interior sustained water damage but was otherwise "generally unharmed". Firefighters limited damage using foam. The cause of the fire was attributed to welding work, and no serious damage was caused either to the structure or interior of the building. Performances resumed, as scheduled, on 1 June 2008 with a concert by the San Francisco Symphony Youth Orchestra.

The main organ was built by Karl Schuke, Berlin, in 1965, and renovated in 1992, 2012 and 2016. It has four manuals and 91 stops. The pipes of the choir organs and the Tuba 16' and Tuba 8' stops are not assigned to any group and can be played from all four manuals and the pedals.

Important Info
Type: Classical Concert
City: Berlin, Germany
Starts at: 11:00
Duration:
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