Bavarian State Opera 14 July 2019 - Karl V | GoComGo.com

Karl V

Bavarian State Opera, Munich, Germany
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Important Info
Type: Opera
City: Munich, Germany
Starts at: 18:00
Acts: 2
Intervals: 1
Duration:
Sung in: German
Titles in: English,German

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Festival

Munich Opera Festival 2019

The Munich Opera Festival (Münchner Opernfestspiele) - one of the oldest theater festivals in the world - started in 1875. It enjoys immense popularity not only in Europe, but also among fans of opera music from all continents. More than 80 thousand tickets are sold annually for the events of the festival, which lasts five weeks. The main events take place at the Bavarian National Theater; artistic direction of the festival is traditionally entrusted to the music director of the Bavarian State Opera. The festival does not have a specific specialization, as, for example, the Salzburg one; his repertoire is notable for its diversity and richness, a harmonious combination of classical and modern repertoire.

Overview

Munich Opera Festival

Duration est. 2 hours 50 minutes · 1. Teil (est. 06:00 pm - 07:10 pm ) · Interval (est. 07:10 pm - 07:40 pm ) · 2. Teil (est. 07:40 pm - 08:45 pm )

Ernst Krenek's theatrical piece Karl V. consisting completely of twelve-tone series should have premiered at the Vienna State Opera. The political situation in the Vienna of 1933 and the fact that Krenek was despised by the Nazis because of this Jazz opera Jonny spielt auf, prevented the première. It only took place five years later in Prague, however Krenek had already emigrated to the USA. Karl V was the last emperor to hold to the idea of a Christian empire in which the sun never set, although its downfall was always inevitable, for numerous reasons. For the second production of Karl V. in the Nationaltheater, Carlus Padrissa in particular seeks out political power systems that are highly topical, and so very precisely analyses the treatment in the theatrical piece. At the core of the intellectually and linguistically highly qualified libretto, written by the composer himself, Karl V. reflects on his life and makes his confession to a young monk below Titian's La Gloria.

History
Premiere of this production: 22 June 1938, Neues Deutsches Theater, Prague

Karl V. is an opera, described as a Bühnenwerk mit Musik (stage work with music) by Ernst Krenek, his opus 73. The German libretto is by the composer.

The first completed full-length twelve-tone opera tells the story of Emperor Charles V's life in a series of flashbacks on a split stage, devices which the composer only much later recognized as "cinematic" in style; there is also some use of Sprechstimme.

Synopsis

First Part

After his abdication as Emperor of the Holy Roman Empire of the German Nation, Karl retires to the sanctuary of the San Jerónimo de Yuste monastery, where he wishes to spend his twilight years. Suddenly, the voice of God exhorts him to take responsibility for his actions as his Last Judgement. He calls for his confessor, the young monk Juan de Regla, in order that he may give an account of his life. First of all, he remembers his mother:
Juana, known as the mad woman, could not accept that her husband was truly dead. She gave Karl an apple, which he realised contained a worm. 

Karl tries, together with Juan, to interpret the symbolic meaning of the picture: Karl was appointed Kaiser and his enemies came from within, from his own empire. Karl subsequently thinks back to the Diet of Worms, where he met Martin Luther:
The reformer criticised the Pope in front of the congregated Diet. The clerics condemned him as a heretic and rebel. 

Karl justifies to his confessor why he forbade Luther’s preachings, despite the reformer’s theses against the Pope. Although Juan demands that Karl delve further into the depths of his conscience, Karl remembers another situation, namely the Battle of Pavia:
Gunfire was exchanged in Italy between Karl V’s Habsburg troops and the soldiers of Francis I, the king of France. The Kaiser emerged victorious from the battle and took his French rival as prisoner to Madrid. From his cell, Francis I petitioned Soliman, the Ottoman ruler, for help against Karl V. 

With reference to gold from America, Juan criticises Karl’s use of it to fight his wars:
Pizarro, after plundering gold from the southern and central American regions in the name of the Spanish flag, returned home to Seville. He and his men were not, however, prepared to share their spoils with Karl V’s empire. 

Karl condemns Pizarro’s rage and explains to Juan that he needs the gold to pay his soldiers’ wages. He also laments the fact that peace with Francis I is simply not possible.
Spanish women fell for the imprisoned Francis I – one of them was Eleonore, Karl V’s sister. The Kaiser fulfilled his sister’s wish and gave her to Francis as his wife, with Burgundy as a dowry. Upon his release, Francis declared the marriage null and void. Karl V appealed to Francis I to take care of Eleonore. Due to lack of regular payment, the German men-at-arms decided to conquer and loot Rome. 

Karl thinks back to the victory over the Ottomans at the Battle of Tunis and how he subsequently returned to Madrid to see his wife Isabella die. While the mourners sing a requiem for Isabella, four allegorical spirits plague Karl. He breaks down, and Juan calls for the Kaiser’s personal physician.

Second Part

Immersed in his visions, Karl fails to notice how the Jesuit Francisco Borgia exchanges information about his condition with Juan and Eleonore.
Luther spoke of the Reformation and its consequences. He had doubts about his work, but still explained that his deeds were necessary for a true faith in God.

Eleonore describes how she suffered at the Parisian court. Karl awakes and recalls the memory of the victorious Battle of Mühlberg:
After Karl V’s victory over the Protestants, the Kaiser prophesied that everybody would live together peacefully in a vast Christian empire. The Germans, however, rejected the decreed Catholicism and wanted to fight for their freedom. They prepared for a counter attack. Karl V narrowly escaped capture in Innsbruck. 
After the choir pronounced the end of Karl V’s empire, Soliman discussed the ebbing of Karl V’s power with an astrologer. It made Soliman very pleased to know that there was no one unified power in Europe anymore, and that the people were fighting against each other. Karl V fled from Innsbruck to Vienna where he voluntarily gave up his throne to his brother Ferdinand.

In his hour of death, Francisco Borgia, Eleonore and Juan are standing by Karl’s side. Four clocks indicate the expired lifetime of the Kaiser. While Juan asks whether Karl could have acted differently, Juan compels a dying Karl to show remorse for his actions. After uttering the words “Forever! To God! This is the time! Jesus!”, Karl dies, and Francisco Borgia says that an era has died with him. Juan replies, “His work is incomplete.”

Venue Info

Bavarian State Opera - Munich
Location   Max-Joseph-Platz 2

The Bavarian State Opera or the National Theatre (Nationaltheater) on Max-Joseph-Platz in Munich, Germany, is a historic opera house and the main theatre of Munich, home of the Bavarian State Opera, Bavarian State Orchestra, and the Bavarian State Ballet.

During its early years, the National Theatre saw the premières of a significant number of operas, including many by German composers. These included Wagner’s Tristan und Isolde (1865), Die Meistersinger von Nürnberg (1868), Das Rheingold (1869) and Die Walküre (1870), after which Wagner chose to build the Festspielhaus in Bayreuth and held further premières of his works there.

During the latter part of the 19th century, it was Richard Strauss who would make his mark on the theatre in the city in which he was born in 1864. After accepting the position of conductor for a short time, Strauss returned to the theatre to become principal conductor from 1894 to 1898. In the pre-War period, his Friedenstag (1938) and Capriccio were premièred in Munich. In the post-War period, the house has seen significant productions and many world premieres.

First theatre – 1818 to 1823
The first theatre was commissioned in 1810 by King Maximilian I of Bavaria because the nearby Cuvilliés Theatre had too little space. It was designed by Karl von Fischer, with the 1782 Odéon in Paris as architectural precedent. Construction began on 26 October 1811 but was interrupted in 1813 by financing problems. In 1817 a fire occurred in the unfinished building.

The new theatre finally opened on 12 October 1818 with a performance of Die Weihe by Ferdinand Fränzl, but was soon destroyed by another fire on 14 January 1823; the stage décor caught fire during a performance of Die beyden Füchse by Étienne Méhul and the fire could not be put out because the water supply was frozen. Coincidentally the Paris Odéon itself burnt down in 1818.

Second theatre – 1825 to 1943
Designed by Leo von Klenze, the second theatre incorporated Neo-Grec features in its portico and triangular pediment and an entrance supported by Corinthian columns. In 1925 it was modified to create an enlarged stage area with updated equipment. The building was gutted in an air raid on the night of 3 October 1943.

Third theatre – 1963 to present
The third and present theatre (1963) recreates Karl von Fischer's original neo-classical design, though on a slightly larger, 2,100-seat scale. The magnificent royal box is the center of the interior rondel, decorated with two large caryatids. The new stage covers 2,500 square meters (3,000 sq yd), and is thus the world's third largest, after the Opéra Bastille in Paris and the Grand Theatre, Warsaw.

Through the consistent use of wood as a building material, the auditorium has excellent acoustics. Architect Gerhard Moritz Graubner closely preserved the original look of the foyer and main staircase. It opened on 21 November 1963 with an invitation-only performance of Die Frau ohne Schatten under the baton of Joseph Keilberth. Two nights later came the first public performance, of Die Meistersinger von Nürnberg, again under Keilberth.

Important Info
Type: Opera
City: Munich, Germany
Starts at: 18:00
Acts: 2
Intervals: 1
Duration:
Sung in: German
Titles in: English,German
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