Prince Regent Theatre 19 July 2021 - Idomeneo | GoComGo.com

Idomeneo

Prince Regent Theatre, Munich, Germany
All photos (10)
Monday 19 July 2021
6 PM
Important Info
Type: Opera
City: Munich, Germany
Starts at: 18:00

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Festival

Munich Opera Festival 2021

The Munich Opera Festival (Münchner Opernfestspiele) - one of the oldest theater festivals in the world - started in 1875. It enjoys immense popularity not only in Europe, but also among fans of opera music from all continents. More than 80 thousand tickets are sold annually for the events of the festival, which lasts five weeks. The main events take place at the Bavarian National Theater; artistic direction of the festival is traditionally entrusted to the music director of the Bavarian State Opera. The festival does not have a specific specialization, as, for example, the Salzburg one; his repertoire is notable for its diversity and richness, a harmonious combination of classical and modern repertoire.

Overview

New Production

A very risky deal with the Gods! To journey home to Crete after the Trojan War, King Idomeneo vows to Poseidon, God of the Sea, that he will sacrifice the first living being he meets when he lands. Fate deals him a bitter blow – the first to meet Idomeneo is his son Idamantes! What should he do? Sacrifice his own flesh and blood? Or can perhaps a son’s duty be brought into play? In typical ancient tradition, the conflict constantly turns to catastrophe. His son is sacrificed, but Idomeneo must leave the island, as the Cretans no longer accept him as their sovereign. Not so the case with Wolfgang Amadeus Mozart: The characters’ pain inflicted by this fate turns myth into humanity. Idomeneo relinquishes power, the son survives and is crowned king. A new generation inherits the discord with the Gods. Peace, love and humanity flourish with enlightenment. The Munich world premiere in 1781 was an artistic liberation for Mozart. Theatre-goers found their own access to the opera genre in the interaction with the tradition of orchestra and scenery in the Cuvilliés Theatre. A visionary work – to this very day.

History
Premiere of this production: 29 January 1781, Cuvilliés Theatre, Munich

Idomeneo, re di Creta ossia Ilia e Idamante (Idomeneus, King of Crete) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it might have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.

Synopsis

The overture, in D major and common time, is in a modified sonata form in which the development is but a very short transition section connecting the exposition with the recapitulation. Other conventional hallmarks of the sonata form are apparent: the exposition modulates from the tonic (D major) to the dominant (A major), while the recapitulation is centred on the tonic. The overture concludes with a coda ending in D major chords. These chords, soft and tentative, turn out not to be a resolution of the overture in the tonic but chords in the dominant of G minor, which is the home key of the scene that immediately follows.

Act 1

Island of Crete, shortly after the Trojan War. Ilia, daughter of the defeated Trojan King Priam, has been taken to Crete after the war. She loves Prince Idamante, son of the Cretan King Idomeneo, but hesitates to acknowledge her love. Idamante frees the Trojan prisoners in a gesture of good will. He tells Ilia, who is rejecting his love, that it is not his fault that their fathers were enemies. Trojans and Cretans together welcome the return of peace, but Electra, daughter of the Greek King Agamemnon, is jealous of Ilia and does not approve of Idamante's clemency toward the enemy prisoners. Arbace, the king's confidant, brings news that Idomeneo has been lost at sea while returning to Crete from Troy. Electra, fearing that Ilia, a Trojan, will soon become Queen of Crete, feels the furies of the underworld rise up in her heart (aria: "Tutte nel cor vi sento, furie del crudo averno" – "I feel you all in my heart, furies of the cruel underworld").

Idomeneo is saved by Neptune (god of the sea) and is washed up on a Cretan beach. There he recalls the vow he made to Neptune: to sacrifice, if he should arrive safely on land, the first living creature he should meet. Idamante approaches him, but because the two have not seen each other for a long time, recognition is difficult. When Idomeneo finally realizes the youth that he must sacrifice for the sake of his vow is his own child, he orders Idamante never to seek him out again. Grief-stricken by his father's rejection, Idamante runs off. Cretan troops disembarking from Idomeneo's ship are met by their wives, and all praise Neptune.

Act 2

At the king's palace, Idomeneo seeks counsel from Arbace, who says another victim could be sacrificed if Idamante were sent into exile. Idomeneo orders his son to escort Electra to her home, Argos. Idomeneo's kind words to Ilia move her to declare that since she has lost everything, he will be her father and Crete her country. As she leaves, Idomeneo realizes that sending Idamante into exile has cost Ilia her happiness as well as his own. Electra welcomes the idea of going to Argos with Idamante.

Overture

At the port of Sidon (a fictional city of Crete), Idomeneo bids his son farewell and urges him to learn the art of ruling while he is away. Before the ship can sail, however, a storm breaks out, and a sea serpent appears. Recognizing it as a messenger from Neptune, the king offers himself as atonement for having violated his vow to the god.

Act 3

In the royal garden, Ilia asks the breezes to carry her love to Idamante, who appears, explaining that he must go to fight the serpent. When he says he would rather die than suffer the torments of his rejected love, Ilia confesses her love. They are surprised by Electra and Idomeneo. When Idamante asks his father why he sends him away, Idomeneo can only reply that the youth must leave. Ilia asks for consolation from Electra, who is preoccupied with revenge. Arbace comes with news that the people, led by the High Priest of Neptune, are clamoring for Idomeneo. The High Priest tells the king of the destruction caused by Neptune's monster, urging Idomeneo to reveal the name of the person whose sacrifice is demanded by the god. When the king confesses that his own son is the victim, the populace is horrified.

Outside the temple, the king and High Priest join Neptune's priests in prayer that the god may be appeased. Arbace brings news that Idamante has killed the monster. As Idomeneo fears new reprisals from Neptune, Idamante enters in sacrificial robes, saying he understands his father's torment and is ready to die. After an agonizing farewell, Idomeneo is about to sacrifice his son when Ilia intervenes, offering her own life instead. The Voice of Neptune is heard. Idomeneo must yield the throne to Ilia and Idamante. Everyone is relieved except Electra, who longs for her own death. Idomeneo presents Idamante and his bride as the new rulers. The people call upon the god of love and marriage to bless the royal pair and bring peace.

Venue Info

Prince Regent Theatre - Munich
Location   Prinzregentenpl. 12

The main building of the Prinzregententheater is an impressive combination of Art Nouveau and Classical architectural elements: eyes and ears are pampered, decoration and function merge into a sensual unity. From all seats in the magnificent auditorium there is an ideal view of the proscenium and the stage. The acoustics of the Prince Regent Theater are highly praised and come into their own at concerts. The amphitheatrical auditorium has 1029 seats in the stalls and six boxes, each with nine seats. The height-adjustable orchestra pit offers space for up to 95 musicians.

From 1900 to 1901, the Prince Regent Theater was built by Max Littmann based on the Bayreuth Richard Wagner Festival Hall and opened on August 21, 1901 with "Die Meistersinger von Nürnberg" by Richard Wagner. Over time, the stage was used in a variety of ways, in the summer months for the Richard Wagner Festival, from 1919 to 1944 also by the Bavarian State Theater as spoken theater. 

A great era of the house began after the Second World War, when it housed the Bavarian State Opera from 1944 to 1963. Unforgettable names such as Hans Knappertsbusch and Sir Georg Solti, Astrid Varnay, Erika Köth and Hans Hotter are inextricably linked with the Prinzregententheater. The Munich people's love of their "democratic" opera also stems from this period, as there is excellent visibility and acoustics from all seats. In 1963 the house was closed due to dilapidation. 

With the help of many private donations and above all thanks to the initiative of August Everding, it was able to be reopened in January 1988 with a partial repair designed as a "small solution" - a playing area in front of the iron curtain - and the restoration of all areas accessible to spectators. However, the stage consisted only of a makeshift small playing platform. In 1996 the stage area was renovated and a retractable orchestra pit was added. Finally, on November 10, 1996, there was a ceremonial reopening with "Tristan und Isolde".

Since 1993, the Prinzregententheater has been home to the Bavarian Theater Academy August Everding with courses in acting, musicals, opera, direction, dramaturgy, theater, film and television criticism, stage design and costumes and make-up. In addition to the Big House, the Academy's up to 50 productions per year are shown in the Academy Theater, which can accommodate a maximum of 300 visitors, and in the Academy Studio, which can accommodate a maximum of 100 visitors.

Important Info
Type: Opera
City: Munich, Germany
Starts at: 18:00
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