Basilica di San Vitale 9 July 2019 - Melodie Bizantine | GoComGo.com
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7 PM
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Important Info
Type: Classical Concert
City: Ravenna, Italy
Starts at: 19:00

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You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Festival

Ravenna Festival 2019

Ravenna is located on north central Italy, in Emilia-Romagna County. The city holds two music and opera festivals. The first and the longer one  takes place between mid June till mid July and the second  the shorter one is held in November.

Programme
Melodie Bizantine
Overview

Musica delle chiese ortodosse

Music from the Orthodox churches

 

Ecclesiastical chants of the great Byzantine tradition, especially of Constantinople during the Imperial period (9th-15th centuries) on texts written in ecclesiastical Slavonic and Greek. A chant based on the so-called eight ecclesiastical tones. Traditional Greek music features the use of the ison: a pedal note that accompanies the melody. The device has a spiritual significance: the ison represents non-created nature, which is God who is ever true to himself, while the melody represents the activity of mankind that, ever changeable, relies on God. Hence, Byzantine music is a high form of universal prayer.
The Serbian and Russian tradition maintains the eight tone structure, but without the ison. In Russia, the Byzantine monody is called Znamenny, from znamie (“neuma”).
The Serbian liturgical chants of the oral tradition have been collected in books entitled Osmoglasnik (“book of the eight tones”).

Programma
Evlogitos eì, Christe ò Theòs imon
“Sii benedetto Cristo o Dio nostro”, Whitsun troparion
Eighth tone – plagal tone of the fourth (Byzantine music, Greek language)

Oče naš
“Padre nostro”
(Znamenny Russian tradition 15th century, ecclesiastical Slavic language)

Dostojno jest
“è veramente giusto proclamarti beata o Madre di Dio”
First tone (Byzantine music, ecclesiastical Slavic language)
melody ascribed to Gregorios Byzantios Protopsaltis (1778-1821)

Angelskij Sobor
“L’assemblea degli angeli restò attonita”, troparion of the Resurrection of the Sunday Matins
Fifth tone – plagal tone of the first (Byzantine music, ecclesiastical Slavic language)

V Cermnem mori
“Nel mar Rosso fu tracciata un tempo l’immagine della sposa ignara di nozze”
Fifth tone (ecclesiastical Slavic language)
Osmoglasnik by Stefan Lastavica, arranged by M. Swarczewskaja

Sticherà ai SS. Cirillo e Metodio
Sixth tone (ecclesiastical Slavic language)
melody by Stefan Lastavica (1908-1966)

Velicit duša moja Gospoda
“L’anima mia magnifica il Signore”
Fourth tone (ecclesiastical Slavic language)
Osmoglasnik by Stefan Lastavica, arranged by M.Swarczewskaja

Trisagion (Svjati Bože)
“Santo Dio Santo Forte Santo Immortale, abbi pietà di noi”, Trinity liturgical hymn
Sixth tone – plagal tone of the second (Byzantine music, ecclesiastical Slavic and Greek language)
melody of the Sacred Monastery of St. George (Mount Athos)

Agni Parthene
“O Signora Vergine e pura” hymn to the Mother of God
(Greek language)
text by St. Nectarios of Aegina (1846-1920)
music of an anonymous monk of Mount Athos

Pashalni Stihiri
Easter stichiràs
Fifth tone – plagal tone of the first (Byzantine music, ecclesiastical Slavic language)

Venue Info

Basilica di San Vitale - Ravenna
Location   Via San Vitale, 17

Consecrated by Archbishop Maximianus between 547 and 548 AD, the Basilica of San Vitale is proof of Ravenna’s importance during the age of Emperor Justinian. 

An absolute masterpiece of Early Christian and Byzantine art, in 1996 it was inscribed in the UNESCO World Heritage List. The prestigious American online magazine, Huffington Post, described San Vitale as “one amongst the 19 most important holy places in the world”. The church has an octagonal plan and is formed by two bodies; the inner one is surmounted by a dome supported by eight marble-covered massive pillars. Its architectural values are essentially tied to the chromatic qualities of its mosaics that cover the walls, the presbytery, and the apse, filled with biblical, symbolic, and historic references. The political values of the building are tied to these mosaics as well, with the emperor and empress depicted at the foot of Christ. There are also religious ties in the constant reaffirmation of the truth in Orthodox worship, sanctioning the defeat of Arianism in the city with the end of Theodoric’s government. Still, these are known wonders in every latitude. But also the Basilica’s floors hold many, lesser known, surprises. There’s the simple 8-pointed North Star, repeated multiple times and not only on the floor. Then there’s the so-called “labirinto dell’anima” (labyrinth of the soul). It is embedded in the floor of the presbytery, right in front of the altar; composed of seven spirals, it was once considered a symbol of sin, while passing through the labyrinth represented the way to purification and finding the way out was an act of re-birth. Hence, this is a place of a thousand splendours, where, ever since the eighteenth century, oratorios, sonatas, symphonies and motets resounded and still resound. Then in 1961 the Basilica became the permanent location of the International Organ Music Festival, the first and oldest festival of this kind in Italy. San Vitale has served Ravenna Festival, from the start, as a fundamental reference point within a journey tied to spirituality.

Important Info
Type: Classical Concert
City: Ravenna, Italy
Starts at: 19:00
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