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Alessandro De Marchi is an Italian conductor, best known for his interpretation of baroque oratorios and operas, as leader of the Academia Montis Regalis orchestra, and director of the orchestra's foundation in Mondovì, Mons Regalis, one of the oldest towns of Piedmont.
Alessandro De Marchi conducted much-applauded productions of Cimarosa's Il matrimonio segreto, Haydn's L'isola disabitata and Rossini's Il barbiere di Siviglia. Since he has been much in demand, conducting in prestigious venues throughout Europe including the Innsbruck Festival, the Théätre de la Monnaie in Brussels, the Teatro Regio in Turin and the Amsterdam Concertgebouw. At the Staatsoper unter den Linden in Berlin he was the harpsichordist and musical assistant, before making his conducting debut there in Cimarosa's Il Matrimonio Segreto. He subsequently conducted C.H. Graun's Cleopatra And Caesar, J.S. Bach's Kunst Der Fuge (BWV 1080), Haydn's L'Isola Disabitata, and Rossini's Il Barbiere Di Siviglia.
Alessandro De Marchi has also conducted Jommelli's La Passione Di Nostro Signore Gesu Cristo in Palermo, Provenzale's La Stellidaura Vendicante in Liège and Bruxelles, Giovanni Battista Pergolesi's Stabat Mater in Innsbruck, W.A. Mozart's Le Nozze Di Figaro, Rossini's La Cenerentola and Donizetti's Don Pasquale in Bruxelles, Cavalli's Gli Amori di Apollo e Dafne in Fano, Haydn's Orfeo ed Euridice in Enschede, Purcell's Dido and Aeneas at the Maggio Musicale in Florence, Monteverdi's Il Ritorno d'Ulisse and Reinhard Keiser's Masaniello Furioso in Stuttgart, and Il Re Pastore in Bruxelles. He is also a regular guest conductor at the Rossini Festival of Bad Wildbad and the Halle Händel Festival.
With productions in recent seasons of Don Giovanni, Il Barbiere di Siviglia, Giulio Cesare and R. Keiser's Der Lächerliche Prinz Jodelet at the Hamburgische Staatsoper; Hercules at the Händel Festpiele in Halle; Orlando in Essen; W.A. Mozart's Cosi Fan Tutte at La Monnaie; Alcina a the Opéra de Lyon; and a new production of La Clemenza Di Tito at the National Theatre in Prague, Alessandro de Marchi is one of the most sought-after conductors in his repertoire. He has just recorded the Malibran version of La Sonnambula with Cecilia Bartoli and Juan Diego Flórez for Decca, and future plans include W.A. Mozart's Die Entführung Aus Dem Serail and Johann Adolf Hasse's Cleofide at the Semperoper in Dresden, L'Incornazione di Poppea in Hamburg, Teseo at the Komische Oper in Berlin, and his ongoing relationship with the Academia Montis Regalis in Turin.