Zurich Opera House tickets 25 April 2026 - Arabella | GoComGo.com

Arabella

Zurich Opera House, Zurich, Switzerland
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7 PM
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US$ 175

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Zurich, Switzerland
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 3h
Sung in: German
Titles in: English,German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Soprano: Diana Damrau (Arabella)
Baritone: Michael Volle (Mandryka)
Conductor: Markus Poschner
Soprano: Erin Morley (Zdenka)
Tenor: Pavol Breslik (Matteo)
Mezzo-Soprano: Stephanie Houtzeel (Adelaide)
Bass: Wolfgang Bankl (Count Waldner)
Choir: Zurich Opera Chorus
Orchestra: Zurich Opera Orchestra
Creators
Composer: Richard Strauss
Librettist: Hugo von Hofmannsthal
Producer: Robert Carsen
Overview

Director Robert Carsen doesn’t ignore the socio-political context and relocates the plot to the height of the Third Reich. The cast includes Diana Damrau, Michael Volle, and Pavol Breslik.

Although she is surrounded by many admirers, Arabella dreams only of the "right one". She finds him in Mandryka, the Croatian landowner. Opera history’s final idealized marriage of love was written on the precipice of disaster: The opera dates to a time of deep social insecurity. The operetta-like tone of Strauss’ "Lyrischer Komödie" is strangely fractured. When it premiered in Dresden in 1933, it was instrumentalized by the Nazis for propaganda purposes.

"But now I have no more work to do – I’m completely burnt out! So please: write something! It could even be a second Rosenkavalier," wrote Richard Strauss to Hugo von Hofmannsthal after completing his Ägyptische Helena in 1927. What followed was to be the last collaboration of the successful artistic team: Hofmannsthal died four days after completing the libretto for Arabella. Set in Vienna in the 1860s, the plot focuses on an aristocratic family threatened with decline: Count Waldner, a notorious gambler, has dissipated his family’s fortune. In order to remedy their catastrophic financial situation, Waldner and his wife Adelaide plan to marry off their stunningly beautiful elder daughter Arabella to a wealthy suitor befitting her social status. However, although surrounded by numerous admirers, Arabella does not believe that she will find the “right one” in hedonistic Vienna, where people think of nothing but waltzing. Instead, she dreams of meeting a stranger.

Ultimately, her hopes are fulfilled in the person of Mandryka, who suddenly appears from Croatia. However, their profound love is already put to the test at the evening Fiaker Ball: Matteo, one of Arabella’s admirers, arouses Mandryka’s jealousy. Nonetheless, the engagement between Arabella and Mandryka does finally take place, thanks in part to Arabella’s candid sister Zdenka who, brought up as a boy, is secretly in love with Matteo. Written in times of profound social uncertainty after the fall of the Austro-Hungarian Empire and a world economic crisis, the last idealized love match in operatic history is thus also danced on a volcano. Arabella, this decadently fragile parlando opera, which is extremely virtuoso in terms of its composition, will be staged by the internationally celebrated director Robert Carsen.

History
Premiere of this production: 01 July 1933, Sächsisches Staatstheater, Dresden

Arabella is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

Synopsis

Time: 1860s
Place: Vienna

Act 1

In a hotel in Vienna

As the curtain opens, Countess Adelaide is having her fortune told. The fortune teller predicts Arabella will marry a man from far away, but that trouble may be in store. The Waldners have a second daughter, Zdenka, but since they cannot afford two daughters marrying, they have indulged her tomboyishness by pretending she is a boy, whom they present as "Zdenko." Zdenka secretly loves Matteo, a penniless officer who loves Arabella. To prevent him from committing suicide, Zdenka writes him love letters she signs with Arabella's name. Zdenka reproaches Arabella for her unsympathetic treatment of Matteo, but Arabella says that she is hoping for the "Right Man," to whom she can give her heart completely. Meanwhile, Arabella is wooed by three suitors, Elemer, Dominik and Lamoral, and acknowledges that she may have to accept one of them, but has fallen in love at first sight with a stranger she passed in the street.

Count Waldner, in dire straits, has written to all his friends for financial help, to no avail. He was hopeful for an answer from an old and immensely wealthy Croatian friend of his, Mandryka, even sending him a portrait of Arabella in hopes of a marriage. A visitor announced as Mandryka arrives and Waldner is surprised to see that it is not his friend. The man explains he is Mandryka's nephew, also named Mandryka. His uncle is dead, and as his only heir, he has acquired his fortune; he also received the letter and portrait. From seeing the portrait, he has fallen in love with Arabella. He offers to marry her and gives Waldner money.

A carnival ball is to be held that night. Matteo asks "Zdenko," his supposedly male friend, when he will receive another letter from Arabella; "Zdenko" answers that he will have one that very evening at the ball. Arabella continues to muse about the strange man she noticed, but when Count Elemer arrives to be her escort for the evening, she tries to banish these thoughts and look forward to the excitement of the Fasching.

Act 2

In a ballroom (The Coachman's Ball)

Arabella meets Mandryka, who turns out to be her fascinating stranger. Mandryka tells her about his life and his country's customs, in which young women offer their fiancés a glass of water as a token of agreeing to be married. Mandryka tells Arabella that she will be mistress of all the things he owns, and that she will be the only thing ranked above him besides the Emperor himself; Arabella happily agrees to marry him, saying, "I give myself to you, for eternity." Then Mandryka agrees to Arabella's request that she be allowed to stay for another hour to say farewell to her girlhood, during which she thanks her suitors for their interest in her and bids them goodbye.

Meanwhile, Zdenka gives Matteo a letter with the key to the room next to Arabella's, saying that it is Arabella's room and promising that Arabella will meet him there that night. Mandryka overhears this conversation and, mad with jealousy and disappointment (after first trying to evade these feelings), raises a commotion, flirting with the Fiakermilli, the ball's mascot. Since Arabella is nowhere to be found, the Waldners insist that he meet Arabella to talk things out, and they head for the hotel.

Act 3

A lobby in the hotel

A passionate orchestral prelude depicts the lovemaking of Matteo and Zdenka.

Arabella enters the lobby and comes across Matteo. As Matteo is in love with Arabella and thinks it is she with whom he has just made love in a darkened room, their conversation is at once confused and emotional. The Count, the Countess, and Mandryka arrive and further the misunderstanding. After Mandryka accuses Arabella of infidelity and plans to go back to his land, Zdenka rushes in, no longer in disguise and in her negligee (making it clear that it was she who had the encounter with Matteo). She declares her intention to drown herself in disgrace. The situation is finally cleared up. Matteo learns that the letters were forged by Zdenka and that it was she and not Arabella in the room. He suddenly realizes he is in love with Zdenka, whom he agrees to marry. Mandryka begs forgiveness, and Arabella tells him they will think no more of the night's events. Arabella asks his servant to bring her a glass of water, and Mandryka thinks she has requested it for her refreshment. Arabella goes upstairs and Mandryka, ruminating on his indecorous behavior and blaming himself, stays downstairs. Arabella comes down the stairs and, seeing that he has stayed and having forgiven him, offers him the glass of water, signifying reconciliation and marriage. They happily kiss and Arabella goes up the stairs to her room.

Venue Info

Zurich Opera House - Zurich
Location   Sechseläutenplatz 1

Zürich Opera House is a main opera house in Zürich and Switzerland. Located at the Sechseläutenplatz, it has been the home of the Zürich Opera since 1891, and also houses the Bernhard-Theater Zürich. It is also home to the Zürich Ballet. The Opera House also holds concerts by its Philharmonia orchestra, matinees, Lieder evenings and events for children. The Zürich Opera Ball is organised every year in March, and is usually attended by prominent names.

The first permanent theatre, the Aktientheater, was built in 1834 and it became the focus of Richard Wagner’s activities during his period of exile from Germany.

The Aktientheater burnt down in 1890. The new Stadttheater Zürich (municipal theatre) was built by the Viennese architects Fellner & Helmer, who changed their previous design for the theatre in Wiesbaden only slightly. It was opened in 1891. It was the city's main performance space for drama, opera, and musical events until 1925, when it was renamed Opernhaus Zürich and a separate theatre for plays was built: The Bernhard Theater opened in 1941, in May 1981 the Esplanada building was demolished, and the present adjoint building opened on 27/28 December 1984 after three years of transition in the Kaufhaus building nearby Schanzengraben.

By the 1970s, the opera house was badly in need of major renovations; when some considered it not worth restoring, a new theatre was proposed for the site. However, between 1982 and 1984, rebuilding took place but not without huge local opposition which was expressed in street riots. The rebuilt theatre was inaugurated with Wagner’s Die Meistersinger von Nürnberg and the world première of Rudolf Kelterborn’s Chekhov opera Der Kirschgarten.

As restored, the theatre is an ornate building with a neo-classical façade of white and grey stone adorned with busts of Weber, Wagner, and Mozart. Additionally, busts of Schiller, Shakespeare, and Goethe are to be found. The auditorium is built in the neo-rococo style and seats approximately 1200 people. During the refurbishment, the issue of sightlines was not adequately addressed. As a result, the theatre has a high number of seats with a limited view, or no view, of the stage. This is unusual in international comparison, where sightlines in historic opera houses have been typically enhanced over time.

Corporate archives and historical library collections are held at the music department of the Predigerkirche Zürich.

The Zürich Opera House is also home of the International Opera Studio (in German: Internationales Opernstudio IOS) which is a educational program for young singers and pianists. The studio was created in 1961 and has renowned artists currently teaching such as Brigitte Fassbaender, Hedwig Fassbender, Andreas Homocki, Rosemary Joshua, Adrian Kelly, Fabio Luisi, Jetske Mijnssen, Ann Murray, Eytan Pessen or Edith Wiens.

Important Info
Type: Opera
City: Zurich, Switzerland
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 3h
Sung in: German
Titles in: English,German
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