Vienna State Opera tickets 7 January 2026 - Kallirhoe | GoComGo.com

Kallirhoe

Vienna State Opera, Main Stage, Vienna, Austria
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7 PM
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US$ 117

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Vienna, Austria
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Vienna State Ballet
Conductor: Paul Connelly
Orchestra: Vienna State Opera Orchestra
Creators
Composer: Aram Khachaturian
Choreographer: Alexei Ratmansky
Overview

“In fact, her beauty was not so much human as divine, not that of a Nereid or mountain nymph, either, but of Aphrodite herself. Reports of this incredible vision spread far and wide: suitors came pouring into Syracuse, (…)”. 

These are the opening words used by Chariton of Aphrodisias, who describes himself as “clerk of the lawyer Athenagoras”, in his prose romance of Callirhoe and Chaereas, whose joyous wedding is followed by all manner of conflicts, disasters, abductions and dangers before they are finally reunited.

The oldest surviving complete novel Callirhoe, which was probably written in the 1st century AD, tells of the “jealousy of mortals and the whims of the gods” and describes such great emotions as love, envy, loss and forgiveness. Star choreographer Alexei Ratmansky, who has long been fascinated by ancient art and culture, turned it into a story ballet which had its world premiere in 2020 with the American Ballet Theatre: a work that offers a contemporary choreographic portrait of an ancient world. The European premiere of Callirhoe with the Vienna State Ballet – to the splendid and poetic music of Aram Khatchaturian – promises both epic drama and exceptional dancing. 

“It’s about a great love – and adventures. A first love, which then returns as mature emotion, cemented by the experience of horrible misfortunes.”

Alexei Ratmansky

Music

“This ballet isn't archaeology. It’s for the stage, and everything is shaped by the Khachaturian music, which has an ancient feel,” says choreographer Alexei Ratmansky about his story ballet Callirhoe, which he has choreographed to various musics by the Russian composer. These were arranged by the British composer and pianist Philip Feeney. He used Khachaturian's ballet music Gayaneh as a basis, which he expanded with interpolations from other works.

Synopsis

Act 1

In 400 BCE in the Greek city of Syracuse, a chorus of women celebrate Aphrodite, the goddess of love. They are joined by Callirhoe, a woman who is so beautiful that everyone compares her to Aphrodite. A group of young athletes, led by Chaereas and his friend Polycharmus, then arrive. Callirhoe and Chaereas lock eyes and instantly fall in love.

Callirhoe’s envious suitors bring in her father Hermocrates and Chaereas’s father Ariston, bitter enemies, in the hopes that they will break up the young lovers. However, the fathers are convinced to put aside their feud and allow their children to marry. Callirhoe and Chaereas exchange bracelets as a sign of their devotion, and wedding celebrations ensue.

Undeterred, the suitors devise a new scheme. One secretly gives Callirhoe’s maid a bracelet identical to the wedding bracelets, which they use to trick Chaereas into thinking Callirhoe is unfaithful. In a jealous rage he rushes to confront her. Although she pleads her innocence, he does not listen. She collapses in frustration and appears lifeless. Her remorseful maid reveals the plot to Chaereas and he despairs, as he believes he killed Callirhoe.

The mourning citizens bury Callirhoe. After everyone leaves, she awakens and is horrified to find herself buried alive. The pirate Theron and his crew come to loot the tomb, and they abduct her along with the treasure.

In grief, Chaereas returns to Callirhoe’s resting place with Polycharmus and is shocked to find the tomb entirely empty. They realize she must be alive and hasten off to find her.

Across the sea in Miletus, the nobleman Dionysius laments his wife’s death. The pirates arrive and sell Callirhoe to Dionysius. As soon as he sees her, he forgets his sorrow and falls madly in love. Meanwhile, his servant Plangon suspects that Callirhoe is pregnant. Callirhoe explains that it is Chaereas’s child. Plangon advises her to marry Dionysius to protect herself and her baby, and Callirhoe reluctantly agrees to her proposal. As the wedding begins, Chaereas arrives. Plangon sees his bracelet and deduces that he is Callirhoe’s husband. Loyal to Dionysius and seeking to preserve his newfound happiness, she has Chaereas and Polycharmus arrested.

Act 2

Now captives, Chaereas and Polycharmus are carted off to the palace of the powerful Mithridates. Mithridates sees Chaereas’s fine bracelet and asks him who he is. As Chaereas narrates his past, it unfolds before him in a vision. Mithridates wants Callirhoe for himself and orders his guards to find her. When she arrives, Dionysius and Mithridates fight over her. However, they are stopped and reminded that, by law, all disputes between noblemen must be settled by the King of Babylon.

In Babylon, Dionysius and Mithridates present their case to the King. Dionysius states that Mithridates tried to seduce his wife, but Mithridates argues that Callirhoe is not Dionysius’s wife because she was already married to Chaereas. Callirhoe and Chaereas are summoned and their bracelets prove that they are married. Although they want to reunite, they are stopped by the King, who now also lusts after Callirhoe. Refusing to listen to everyone’s protests, he forces her to dance with him.

Suddenly, the palace is thrown into chaos when Egypt declares war on Babylon. The King whisks his court to safety, taking Callirhoe with him and appointing Dionysius general of his army. A vengeful Chaereas enlists in the Egyptian army. In battle, the Egyptian General is wounded, and Chaereas’s resolve to fight for his love is doubled. He leads the Egyptian forces to victory.

After their harrowing ordeal, Callirhoe and Chaereas are reunited. A remorseful Chaereas begs her for forgiveness, and she is torn. Although she is grateful for Dionysius’s kindness, she realizes that she has only ever loved Chaereas.

She chooses to forgive.

Dionysius accepts her decision and, as a gesture of his love, has Plangon bring Callirhoe her son. The mistakes of the past are understood with compassion. Callirhoe, Chaereas, and their son start the journey home.

Venue Info

Vienna State Opera - Vienna
Location   Opernring 2

The Vienna State Opera is one of the leading opera houses in the world. Its past is steeped in tradition. Its present is alive with richly varied performances and events. Each season, the schedule features 350 performances of more than 60 different operas and ballets. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season.

The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (Wiener Hofoper) in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the Vienna Court Opera, the original construction site chosen and paid for by Emperor Franz Joseph in 1861.

The opera house was the first major building on the Vienna Ringstrasse commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlávka.

Gustav Mahler was one of the many conductors who have worked in Vienna. During his tenure (1897–1907), Mahler cultivated a new generation of singers, such as Anna Bahr-Mildenburg and Selma Kurz, and recruited a stage designer who replaced the lavish historical stage decors with sparse stage scenery corresponding to modernistic, Jugendstil tastes. Mahler also introduced the practice of dimming the lighting in the theatre during performances, which was initially not appreciated by the audience. However, Mahler's reforms were maintained by his successors.

Herbert von Karajan introduced the practice of performing operas exclusively in their original language instead of being translated into German. He also strengthened the ensemble and regular principal singers and introduced the policy of predominantly engaging guest singers. He began a collaboration with La Scala in Milan, in which both productions and orchestrations were shared. This created an opening for the prominent members of the Viennese ensemble to appear in Milan, especially to perform works by Wolfgang Amadeus Mozart and Richard Strauss.

Ballet companies merge

At the beginning of the 2005–2006 season, the ballet companies of the Staatsoper and the Vienna Volksoper were merged under the direction of Gyula Harangozó.

From the 2010–2011 season a new company was formed called Wiener Staatsballet, Vienna State Ballet, under the direction of former Paris Opera Ballet principal dancer Manuel Legris. Legris eliminated Harangozós's policy of presenting nothing but traditional narrative ballets with guest artists in the leading roles, concentrated on establishing a strong in-house ensemble and restored evenings of mixed bill programs, featuring works of George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, and many contemporary choreographers, as well as a reduced schedule of the classic ballets.

Opera ball

For many decades, the opera house has been the venue of the Vienna Opera Ball. It is an internationally renowned event, which takes place annually on the last Thursday in Fasching. Those in attendance often include visitors from around the world, especially prominent names in business and politics. The opera ball receives media coverage from a range of outlets.

Important Info
Type: Ballet
City: Vienna, Austria
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h 20min
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