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Elektra Tickets

Vienna State Opera, Vienna, Austria
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Available Dates: 14 - 23 Dec, 2025 (4 events)
Important Info
Type: Opera
City: Vienna, Austria
Duration: 1h 50min
Acts: 1

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Richard Strauss
Director: Harry Kupfer
Librettist: Hugo von Hofmannsthal
Librettist: Hugo von Hofmannsthal
Overview

Elektra marks the beginning of the long and fruitful relationship between congenial partners Richard Strauss and Hugo von Hofmannsthal. The single act opera - premiered in 1909 - tells a tale of a mythological family history caught between guilt and revenge, fate, redemption and downfall.

"We must recreate the myth", wrote Hugo von Hofmannsthal in 1903, demanding to "let shadows rise again from the blood." 1903 marks the year of the premiere of Hofmannsthal’s tragedy Elektra, which, though based on Sophocles, is a reinterpretation of the antique writings, with Hofmannsthal making use of modern means to get close to the groundbreaking psychological studies of Sigmund Freud and Josef Breuer. Together with composer Richard Strauss, who at the time still enjoyed a reputation as a daring innovator, the very Tragedy in one Act was created on the basis of this theatrical rendition, which after it premiered in 1909, was the beginning of what would become a long-lasting collaboration between the two artists. Elektra's identity is shattered after the traumatic murder of her father Agamemnon. She becomes manic in recounting a memory of how her father was murdered and cannot stop herself from compulsively thinking about this act. To further emphasize the murder, the stage design borrows from Harry Kupfer's haunting 1989 production and displays an oversized statue of the father on stage, dominating the story that unfolds below: decapitated but not entirely toppled, with a globe resting under foot. Harry Kupfer’s direction created a destructive and manipulating image of Elektra, artfully displaying the constellation of figures, avoiding a stencil-like categorization of good and evil, and showing the desperation, loneliness and drive of the perpetrators.

The inwardly and outwardly lonely Elektra has renounced the world and only thinks of revenge: her mother Klytämnestra and her lover Aegisth are to die for the murder of Elektra's father, Agamemnon. For her part, Clytemnestra is tormented by nightmares and memories. Elektra does not succeed in winning her sister Chrysothemis for the plan to murder Clytemnestra and Aegisth. A mysterious stranger, who reveals himself to be her brother Orestes, finally commits the crime. Elektra then dances a last, ecstatic dance.

Agamemnon, King of Mycenae, and his wife Clytemnestra have four children: Iphigenia, Electra, Chrysothemis and Orestes. When the Greek fleet is ready to set sail for Troy, a calm keeps the ships in port. Agamemnon must sacrifice his daughter Iphigenia to appease the goddess Artemis so that she will create favourable winds for his journey. Clytemnestra will never forgive her husband for this. During Agamemnon’s absence fighting for Troy, Clytemnestra enters into a relationship with Aegisthus. When Agamemnon returns home, Clyte­mnestra and Aegisthus feign a joyous welcome. They then murder the defenceless man with an axe as he sits in his bath. After her father is murdered, Electra succeeds in bringing her young brother to safety. She herself nurses one thought: to avenge the murder.

History
Premiere of this production: 25 January 1909, Königliches Opernhaus, Dresden

Elektra is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama Elektra. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Königliches Opernhaus on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin.

Synopsis

Before the opera begins, Agamemnon has sacrificed Iphigenia on the ruse that she is to be married, and subsequently goes off to war against Troy. Iphigenia's mother Klytaemnestra has thus come to hate her husband. After his return, with the help of her paramour Aegisthus, she murders her husband and now is afraid that her crime will be avenged by her other children, Elektra, Chrysothemis, and their banished brother Orest. Elektra has managed to send her brother away while remaining behind to keep her father's memory alive, but all the while, suffering the scorn of her mother and the entire court.

The action
"Wo bleibt Elektra?" ("Where is Elektra?")
Five servants try to wash the courtyard of the palace in Mycenae. While they do their work, they ask where can Elektra be, and she emerges from the shadows with a wild look on her face. The servants continue commenting how she came to be in that state and talk about how they taunt her only to receive insults from her. Only one servant shows sympathy for her, but she is taken away by the overseer to be flogged.

"Allein! Weh, ganz allein." ("Alone! Alas, all alone.")
Elektra comes back for her daily ritual in memory of her father, who upon his return from Troy was killed while bathing by Klytaemnestra and Aegisth and dragged out into the courtyard. Elektra now starts imagining the day when her father will be avenged and then of the ensuing celebration in which she will lead the triumphal dance.

"Elektra!"
Chrysothemis leaves the palace but, unlike Elektra, she is meek and accommodating, and has remained on good terms with Klytaemnestra and Aegisth; she enjoys the privileges that come with being a princess. She warns her sister that their mother plans to lock Elektra in a tower, but she is rebuffed.

"Ich kann nicht sitzen und ins Dunkel starren." ("I can not sit and stare into the darkness.")
Chrysothemis does not wish to go on living a half-death in her own house: she wants to leave, marry and raise children.

"Es geht ein Lärm los." ("What tumult is this?")
As loud sounds are heard inside, Elektra mocks her sister that it is her wedding party.

"Was willst du? Seht doch, dort!" ("What do you want? Behold, there!")
In reality, Klytaemnestra has yet again been awakened by her own nightmares of being killed by Orest. Chrysothemis begs Elektra to leave, wishing only to speak to her mother. Followed by her retinue, Klytaemnestra comes to make another sacrifice to appease the gods, but she stops at the sight of Elektra and wishes that she were not there to disturb her. She asks the gods for the reason for her burdens, but Elektra appeases her by telling her mother that she is a goddess herself.

"Ich will nichts Hören!" ("I will not listen!")
Despite the protests of the Trainbearer and Confidante, Klytaemnestra climbs down to talk to Elektra.

"Ich habe keine guten Nächte." ("I have no good nights.")
Klytaemnestra confides to her daughter that she has been suffering nightmares every night and that she still has not found the way to appease the gods. But, she claims, once that happens, she will be able to sleep again.

"Wenn Das rechte Blutopfer unterm Beile fällt." ("When the right blood under the hatchet flows.")
Elektra teases her mother with little pieces of information about the right victim that must be slain, but she changes the conversation to her brother and why he is not allowed back. To Elektra's horror, Klytaemnestra says that he has become mad and keeps company with animals. She responds that this is not true and that all the gold that her mother has sent was not being used to support her son but to have him killed.

"Was bluten muß? Dein eigenes Genick." ("Who must bleed? Your own throat.")
Then Elektra reveals who is to be the actual victim: it is Klytaemnestra herself. She goes on to describe how the gods must be appeased once and for all. She must be awakened and chased around the house just like an animal that is being hunted. Only when she wishes that all was over and after envying prisoners in their cells, she will come to realize that her prison is her own body. At that time, the axe with which she killed her husband and which will be handed to Orest by Elektra, will fall on her. Only then the dreams will stop.

"Lichter! Mehr Lichter" ("Lights! More lights!")
The Trainbearer and Confidante enter and whisper to her. Klytaemnestra laughs hysterically and, mocking Elektra, leaves. Elektra wonders what has made her mother laugh.

"Orest! Orest ist tot!" ("Orest! Orest is dead!")
Chrysothemis comes to tell her: two messengers have arrived with the news that Orest is dead, trampled by his own horses.

"Platz da! Wer lungert so vor einer Tür?" ("Give way! Who spies thus upon the threshold?")
As a young servant comes out of the house to fetch the master, he trips over Elektra and Chrysothemis.

"Nun muß es hier von uns geschehn." ("It is for us to act now.")
Elektra does not relent and a terrified Chrysothemis listens as her sister demands that she help her to avenge their father.

"Wie stark du bist." ("How strong you are.")
Elektra goes on to praise her sister and her beauty, promising that Elektra shall be her slave at her bridal chamber in exchange for the assistance in her task. Chrysothemis fights off her sister and flees. Elektra curses her.

"Nun denn, allein!" ("Well, alone!")
Determined to do it alone, she digs for the axe that killed her father, but is interrupted by a mysterious man who comes into the courtyard.

"Was willst du, fremder Mensch?" ("What do you want, stranger?")
She hears that he is expecting to be called from within the palace because he has a message for the lady of the house. He claims to be a friend of Orest, and says that he was with him at the time of his death.

"Wer bist denn du?" ("Who are you?")
Elektra grieves. The man first guesses that she must be a blood relative of Orest and Agamemnon, then, upon asking her name, discovers she is Elektra.

"Orest!"
Then, taken aback, she recognizes him: it is Orest who has come back in disguise. Elektra is initially ecstatic, but also ashamed of what she has become and how she has sacrificed her own royal state for the cause.

"Du wirst es tun? Allein? Du armes Kind?" ("You'll do it? Alone? Poor child?")
Orest's Tutor comes and interrupts the siblings; their task is dangerous and anything can jeopardize it. The Trainbearer and Confidante come out of the palace and lead Orest in.

"Ich habe ihm das Beil nicht geben können!" ("I could not give him the axe!")
A shriek is heard from within the palace, then a grim moan. Elektra smiles brightly, knowing that Orest has killed their mother.

"He! Lichter!" ("Torches there!")
Aegisth arrives. He is ecstatic to have heard that Orest is dead and wishes to speak with the messengers. Elektra happily ushers him inside the palace.

"Helft! Mörder!" ("Help! Murder!")
As Aegisth screams and calls for help, Elektra replies: "Agamemnon can hear you."

"Elektra! Schwester!" ("Elektra! Sister!")
Chrysothemis comes out of the palace stating that Orest is inside and that he has killed Klytaemnestra and Aegisth. A massacre has begun with Orest's followers killing those who supported Aegisth and the Queen.

"Ob ich nicht höre?" ("If I do not hear?")
Elektra is ecstatic and wants to lead the crowd to dance but at first cannot.

"Hörst du denn nicht." ("You do not hear because.")
Chrysothemis and Elektra praise their brother's feat.

"Schweig, und tanze." ("Be silent and dance.")
At last Elektra begins to dance. As she reaches the climax of her dance, she falls to the ground: Elektra is dead. Chrysothemis goes into the palace to be with her brother. Banging on the palace door, she calls for her brother. There is no answer.

Venue Info

Vienna State Opera - Vienna
Location   Opernring 2

The Vienna State Opera is one of the leading opera houses in the world. Its past is steeped in tradition. Its present is alive with richly varied performances and events. Each season, the schedule features 350 performances of more than 60 different operas and ballets. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season.

The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (Wiener Hofoper) in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the Vienna Court Opera, the original construction site chosen and paid for by Emperor Franz Joseph in 1861.

The opera house was the first major building on the Vienna Ringstrasse commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlávka.

Gustav Mahler was one of the many conductors who have worked in Vienna. During his tenure (1897–1907), Mahler cultivated a new generation of singers, such as Anna Bahr-Mildenburg and Selma Kurz, and recruited a stage designer who replaced the lavish historical stage decors with sparse stage scenery corresponding to modernistic, Jugendstil tastes. Mahler also introduced the practice of dimming the lighting in the theatre during performances, which was initially not appreciated by the audience. However, Mahler's reforms were maintained by his successors.

Herbert von Karajan introduced the practice of performing operas exclusively in their original language instead of being translated into German. He also strengthened the ensemble and regular principal singers and introduced the policy of predominantly engaging guest singers. He began a collaboration with La Scala in Milan, in which both productions and orchestrations were shared. This created an opening for the prominent members of the Viennese ensemble to appear in Milan, especially to perform works by Wolfgang Amadeus Mozart and Richard Strauss.

Ballet companies merge

At the beginning of the 2005–2006 season, the ballet companies of the Staatsoper and the Vienna Volksoper were merged under the direction of Gyula Harangozó.

From the 2010–2011 season a new company was formed called Wiener Staatsballet, Vienna State Ballet, under the direction of former Paris Opera Ballet principal dancer Manuel Legris. Legris eliminated Harangozós's policy of presenting nothing but traditional narrative ballets with guest artists in the leading roles, concentrated on establishing a strong in-house ensemble and restored evenings of mixed bill programs, featuring works of George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, and many contemporary choreographers, as well as a reduced schedule of the classic ballets.

Opera ball

For many decades, the opera house has been the venue of the Vienna Opera Ball. It is an internationally renowned event, which takes place annually on the last Thursday in Fasching. Those in attendance often include visitors from around the world, especially prominent names in business and politics. The opera ball receives media coverage from a range of outlets.

Important Info
Type: Opera
City: Vienna, Austria
Duration: 1h 50min
Acts: 1

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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$ 95
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