Vienna State Opera tickets 13 December 2025 - Die Fledermaus | GoComGo.com

Die Fledermaus

Vienna State Opera, Main Stage, Vienna, Austria
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7 PM
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US$ 106

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Vienna, Austria
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 1h 55min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Vienna State Ballet
Conductor: Luciano Di Martino
Orchestra: Vienna State Opera Orchestra
Creators
Composer: Johann Strauss II
Choreographer: Roland Petit
Overview

Humour meets elegance, classical ballet meets pantomime and slapstick, waltz dance meets the cancan.

Roland Petit’s ballet, freely adapted from the operetta of the same name, is a true dance spectacle set to well-known and much-loved melodies by Johann Strauss (son) and is returning to the stage of the Vienna State Opera in time for the Strauss Year 2025.

In addition to music from the operetta Die Fledermaus, conductor and arranger Douglas Gamley used the following compositions by Johann Strauss (son) to compose the music for Roland Petit’s Die Fledermaus: the fast polkas Leichtes Blut and Unter Donner und Blitz, the march Es war so wunderschön, the waltzes Wo die Zitronen blüh'nNeu WienKünstlerleben and Wiener Bonbons, the polka française Etwas Kleines, the polka Mazur Waldine and the overture to Eine Nacht in Venedig. In addition, the waltzes Dorfschwalben aus Österreich and Sphärenklänge by Josef Strauss as well as the Pizzicato Polka by Johann and Josef Strauss were included in the score.

Synopsis

Act 1

Scene 1

Bella is a well-off lady who lives in a plush apartment somewhere in Vienna, Budapest, or another city – it matters not, providing it is a capital city in the former Austro-Hungary. Does Johann, Bella’s husband, love his wife? That is the question. And then there is Ulrich, a friend of the family. What does he expect from Bella? There he is! He always arrives at just the right moment with presents for everyone. But why is he giving those scissors to Bella?

Scene 2

In Bella and Johann’s bedroom. Once the light is out, the truth bursts out before the astonished young woman’s very eyes: her husband turns into a bat and flies away.

Scene 3

Ulrich rushes to her. He promises that in the big trunk he has brought he has the only thing that can help in such a situation. He gives her his advice: “If you want to keep hold of a frivolous husband, be both always the same and always different. Don’t let your husband get away with metamorphosis”. There follows a lesson in laughter, charm, and trickery.

Scene 4

It is night, and the air is filled with the noise of women. Johann, who has left his wings in the cloakroom, is having “a pleasant time”. But unbeknown to him, Bella, emboldened by the lessons from her charm teacher, is watching over him. Will he recognize her? She disappears, reappears, each time looking different, each time unrecognizable. Ulrich’s advice pays off. Johann, himself astonished, puts his bat wings back on and flies off in pursuit of the unknown woman.

Act 2

Scene 5

At a masked ball, Bella makes a grand entrance, pursued by her husband, who has still not recognized her and who, ever more insistent, is trying to seduce her. Ulrich dodges in and out of the guests so as not to miss anything as his amazing plan bears fruit. When Bella appears in a costume in the lead role of the night’s main entertainment, Johann, dressed as a bat and giving in to the irresistible attraction he feels for the unknown beauty, tries to grab her. The woman resists, some gentlemen intervene, and blows are exchanged. The arrival of the chief of police and his henchmen puts an end to the fuss. The waltz restarts, but without Johann, who is thrown in jail.

Scene 6

There is Johann in the cell. There he is locked up. No more waltzing. Love is now something for other people. He no longer has a place among the singers of serenades; other voices than his own will be speaking of love under women’s balconies. But suddenly the unknown woman he is obsessed with appears. She orders the police chief to free his prisoner. Alone at last, everything is resolved. The husband behaves like a lover, the wife is a mistress, while Ulrich, who crafted this whole scheme, continues to observe them. Just as the husband succumbs to the seduction of his wife, Ulrich holds out a bag to Bella, from which she takes the precious scissors. Without hesitation she cuts the bat’s wings, just as Delilah cut Samson’s locks.

Scene 7

Slippers as a measure of marital happiness. Bella, having recovered from anxiety, doubt, champagne and madness, has become again the untroubled lady whom we saw when the curtain rose. With order restored to the household, what is there left to do? We are in the land of the waltz. So, ladies, gentlemen, dance, and let the music take you away.

Venue Info

Vienna State Opera - Vienna
Location   Opernring 2

The Vienna State Opera is one of the leading opera houses in the world. Its past is steeped in tradition. Its present is alive with richly varied performances and events. Each season, the schedule features 350 performances of more than 60 different operas and ballets. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season.

The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (Wiener Hofoper) in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the Vienna Court Opera, the original construction site chosen and paid for by Emperor Franz Joseph in 1861.

The opera house was the first major building on the Vienna Ringstrasse commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlávka.

Gustav Mahler was one of the many conductors who have worked in Vienna. During his tenure (1897–1907), Mahler cultivated a new generation of singers, such as Anna Bahr-Mildenburg and Selma Kurz, and recruited a stage designer who replaced the lavish historical stage decors with sparse stage scenery corresponding to modernistic, Jugendstil tastes. Mahler also introduced the practice of dimming the lighting in the theatre during performances, which was initially not appreciated by the audience. However, Mahler's reforms were maintained by his successors.

Herbert von Karajan introduced the practice of performing operas exclusively in their original language instead of being translated into German. He also strengthened the ensemble and regular principal singers and introduced the policy of predominantly engaging guest singers. He began a collaboration with La Scala in Milan, in which both productions and orchestrations were shared. This created an opening for the prominent members of the Viennese ensemble to appear in Milan, especially to perform works by Wolfgang Amadeus Mozart and Richard Strauss.

Ballet companies merge

At the beginning of the 2005–2006 season, the ballet companies of the Staatsoper and the Vienna Volksoper were merged under the direction of Gyula Harangozó.

From the 2010–2011 season a new company was formed called Wiener Staatsballet, Vienna State Ballet, under the direction of former Paris Opera Ballet principal dancer Manuel Legris. Legris eliminated Harangozós's policy of presenting nothing but traditional narrative ballets with guest artists in the leading roles, concentrated on establishing a strong in-house ensemble and restored evenings of mixed bill programs, featuring works of George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, and many contemporary choreographers, as well as a reduced schedule of the classic ballets.

Opera ball

For many decades, the opera house has been the venue of the Vienna Opera Ball. It is an internationally renowned event, which takes place annually on the last Thursday in Fasching. Those in attendance often include visitors from around the world, especially prominent names in business and politics. The opera ball receives media coverage from a range of outlets.

Important Info
Type: Ballet
City: Vienna, Austria
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 1h 55min
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