Hamilton (Victoria Palace Theatre) 11 May 2023 - Hamilton | GoComGo.com

Hamilton

Hamilton (Victoria Palace Theatre), London, Great Britain
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Important Info
Type: Musical
City: London, Great Britain
Starts at: 14:30
Acts: 2
Intervals: 1
Duration: 2h 45min

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Overview

Winner of 11 Tony Awards including Best Musical, the 2016 Pulitzer Prize for Drama and the 2016 Grammy Award for Best Musical Theater Album.

Hamilton is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and helped shape the very foundations of the America we know today. The score blends hip-hop, jazz, blues, rap, R&B and Broadway - the story of America then, as told by America now.

Hamilton has book, music and lyrics by Lin-Manuel Miranda, is directed by Thomas Kail, with choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire and is based on Ron Chernow's biography of Alexander Hamilton.

"For more than 200 years, someone else has mostly told their story. No longer. They're telling it loud and proud, with non-stop rap, hip-hop, R&B, bolstered with ballet, jazz dance and cartwheels."
The Times

"It is one of those rare shows where each part clicks perfectly into every other."
WhatsOnStage

History
Premiere of this production: 20 January 2015, The Public Theater, New York City

Hamilton: An American Musical is a sung-and-rapped-through musical by Lin-Manuel Miranda. It tells the story of American Founding Father Alexander Hamilton. Miranda said he was inspired to write the musical after reading the 2004 biography Alexander Hamilton by Ron Chernow. The show draws heavily from hip hop, as well as R&B, pop, soul, and traditional-style show tunes. It casts non-white actors as the Founding Fathers and other historical figures. Miranda described Hamilton as about "America then, as told by America now".

Synopsis

Hamilton details Hamilton's life in two acts, along with how various historical characters influenced his life such as Gilbert du Motier, Marquis de Lafayette; Aaron Burr; John Laurens; Hercules Mulligan; Elizabeth Schuyler Hamilton; Angelica Schuyler Church; Peggy Schuyler; Philip Hamilton; Maria Reynolds; and former presidents George Washington, James Madison, and Thomas Jefferson.

Act I

The orphan Alexander Hamilton experiences a hard early life, and through his smarts, leaves his home, the island of Nevis ("Alexander Hamilton"). In New York in 1776, Hamilton meets Aaron Burr, John Laurens, Marquis de Lafayette, and Hercules Mulligan ("Aaron Burr, Sir"), and impresses them with his rhetorical skills ("My Shot"). The latter three and Hamilton affirm their revolutionary goals to each other, while Burr remains apprehensive ("The Story of Tonight"). Later, the daughters of the wealthy Phillip Schuyler—Angelica, Eliza, and Peggy—go into town and share their opinion on the upcoming revolution ("The Schuyler Sisters"); it is at this time that Samuel Seabury warns everyone about the dangers of Congress while Hamilton disagrees and counters Seabury ("Farmer Refuted"), until King George III insists on his authority ("You'll Be Back"). During the New York and New Jersey campaign, Hamilton accepts a position as George Washington's aide-de-camp despite longing for field command ("Right Hand Man").

At a ball hosted by Phillip Schuyler ("A Winter's Ball"), Eliza falls hopelessly in love with Hamilton, who reciprocates her feelings to the point of marriage ("Helpless"), as Angelica suppresses her own feelings for the sake of their happiness ("Satisfied"). After the wedding, Burr and Hamilton congratulate each other's successes ("The Story of Tonight (Reprise)") while Burr reflects on Hamilton's swift rise while considering his own more cautious career ("Wait For It").

As conditions worsen for the Continental Army ("Stay Alive"), Hamilton aids Laurens in a duel against Charles Lee, who had insulted Washington ("Ten Duel Commandments"). Laurens injures Lee, who yields, while Hamilton is temporarily suspended by Washington over the duel and is sent home ("Meet Me Inside"). There, Eliza reveals that she is pregnant with her first child, Philip, and asks Hamilton to slow down to take in what has happened in their lives ("That Would Be Enough"). After Lafayette persuades France to get involved on the colonists' side, he urges Washington to call Hamilton back to help plan the final Battle of Yorktown; Washington agrees ("Guns and Ships") but explains to Hamilton—who is convinced he should die a martyr and a hero in war—that he should be careful with his actions because whatever he does will be known for ages to come ("History Has Its Eyes on You"). At the Battle of Yorktown, Hamilton meets up with Lafayette to take down the British, revealing that Mulligan was recruited as a spy, helping them figure out how to trap the British and win the war ("Yorktown (The World Turned Upside Down)").

Soon after the victory at Yorktown, King George asks the newborn America how it will succeed on its own ("What Comes Next?"), while Lafayette returns to France with plans to inspire his people to have their own revolution. Hamilton's son Philip is born, while Burr has a daughter, Theodosia, and the two tell their children how they will do anything to protect them ("Dear Theodosia"). Hamilton receives word that his long-time friend John Laurens has been killed in a seemingly pointless battle after the war was won and throws himself into his work ("Tomorrow There'll Be More of Us"). He co-authors The Federalist Papers and is selected as Secretary of the Treasury by newly elected President Washington, amidst Eliza begging Hamilton to stay and Angelica moving to London with her new husband ("Non-Stop").

Act II

Thomas Jefferson returns to America from being the U.S. ambassador to France, taking up his newfound position as Secretary of State, with friend and fellow Cabinet member, James Madison ("What'd I Miss"). In 1789, Jefferson and Hamilton debate Hamilton's financial proposals at a Cabinet meeting. Washington tells Hamilton to figure out a compromise to win over Congress ("Cabinet Battle #1").

Eliza and her family—along with Angelica, back from London—travel upstate during the summer, while Hamilton stays home to work on the compromise ("Take a Break"). Hamilton begins an affair with Maria Reynolds, making him vulnerable to her husband's blackmail ("Say No To This"). Hamilton, Jefferson, and Madison create the Compromise of 1790 over a private dinner, exchanging Hamilton's financial plan for placing the country's permanent capital on the Potomac River. Burr is envious of Hamilton's sway in the government and wishes he had similar power ("The Room Where It Happens"). Burr switches political parties and defeats Philip Schuyler, making Hamilton now a rival ("Schuyler Defeated").

In another Cabinet meeting, Jefferson and Hamilton argue over whether the United States should assist France in its conflict with Britain. President Washington ultimately agrees with Hamilton's argument for remaining neutral ("Cabinet Battle #2"). In the wake of this, Jefferson, Madison, and Burr decide to join forces to find a way to discredit Hamilton ("Washington on Your Side"). Washington decides to retire from the presidency, and Hamilton assists in writing a farewell address ("One Last Time").

A flabbergasted King George receives word that George Washington has stepped down, and will be replaced by Paris signatory John Adams ("I Know Him"). Adams becomes the second President and fires Hamilton, who, in response, publishes an inflammatory critique of the new president ("The Adams Administration"). Jefferson, Madison, and Burr confront Hamilton about James Reynolds' blackmail, accusing him of "[embezzlement of] government funds", which forces Hamilton to reveal his affair with Maria ("We Know"). Out of fear that the affair will be used against him in his political career, Hamilton chooses to publicize his affair ("Hurricane") in the Reynolds Pamphlet, causing uproar in his political position ("The Reynolds Pamphlet") and damaging his relationship with Eliza, who, in a heartbroken retaliation, burns all the letters Hamilton wrote her, trying to erase herself from history ("Burn"). After graduating college, Philip attempts to defend his father's honor in a duel with George Eacker ("Blow Us All Away") but is fatally shot ("Stay Alive (Reprise)"), causing a reconciliation between Alexander and Eliza ("It's Quiet Uptown").

Hamilton's endorsement of Jefferson in the 1800 election ("The Election of 1800") results in further animosity between Hamilton and Burr, who challenges Hamilton to a duel via an exchange of letters ("Your Obedient Servant"). Hamilton writes his last letter in a rush while Eliza tells him to go back to bed ("Best of Wives and Best of Women"). Burr and Hamilton travel to New Jersey for the duel. Burr reflects on the moments leading up to the duel, stating that one of them will have to die. Burr and Hamilton walk the requisite ten paces, with Burr firing first, and time freezes as Hamilton reflects on his legacy, before throwing away his shot. Burr shoots him between the ribs and Hamilton eventually dies, mourned upon by Eliza, Angelica, and the rest of the cast. Burr laments that though he survived, he is cursed to be remembered as the villain who killed Hamilton ("The World Was Wide Enough").

The musical closes with a reflection on historical memory. Jefferson and Madison reflect on Hamilton's legacy, as Eliza tells how she keeps Hamilton's legacy alive through interviewing war veterans, getting help from Angelica, raising funds for the Washington Monument, speaking out against slavery, and establishing the first private orphanage in New York City ("Who Lives, Who Dies, Who Tells Your Story"). As the musical ends, Eliza looks in the direction of the audience and lets out a tearful gasp.

Venue Info

Hamilton (Victoria Palace Theatre) - London
Location   79 Victoria Street

The Victoria Palace Theatre, magnificently restored for the 21st century, reopened on 6th December with the European premiere of Lin-Manuel Miranda's acclaimed, Pulitzer Prize winning Hamilton which sits perfectly in this re-imagined theatre. The theatre has been redeveloped from renowned theatre architect Frank Matcham's original design to combine beautiful restoration with twenty first century comfort and facilities, which include a new purpose built rehearsal and audition space that is available for hire.

The bright space is located at the top of the Victoria Palace Theatre, a stone's throw from Victoria Station and is fully equipped with all essential requirements including a sprung floor and new PA system.

The theatre began life as a small concert room above the stables of the Royal Standard Hotel, a small hotel and tavern built in 1832 at what was then 522 Stockbridge Terrace, on the site of the present theatre – not, as sometimes stated, on land where the train station now stands. The proprietor, John Moy, enlarged the building, and by 1850 it became known as Moy's Music Hall. Alfred Brown took it over in 1863, refurbished it, and renamed it the Royal Standard Music Hall.

The hotel was demolished in 1886, by which time the main line terminus, Victoria Station and its new Grosvenor Hotel, had transformed the area into a major transport hub. The railways were at this time building grand hotel structures at their termini, and Victoria was one of the first. Added to this was the integration of the electric underground system and the building of Victoria Street. The owner of the music hall, Thomas Dickey, had it rebuilt along more ambitious lines in 1886 by Richard Wake, retaining the name Royal Standard Music Hall.

The Royal Standard was demolished in 1910, and in its place was built, at a cost of £12,000, the current theatre, The Victoria Palace. It was designed by prolific theatre architect Frank Matcham, and opened 6 November 1911. The original design featured a sliding roof that helped cool the auditorium during intervals in the summer months.

Under impresario Alfred Butt, the Victoria Palace Theatre continued the musical theatre tradition by presenting mainly varieties, and under later managements, repertory and revues. Perhaps because of its music hall linkage, the plays were not always taken seriously. In 1934, the theatre presented Young England, a patriotic play written by the Rev. Walter Reynolds, then 83. It received such amusingly bad reviews that it became a cult hit and played to full houses for 278 performances before transferring to two other West End theatres.

A return to revue brought new success. Me and My Girl was a hit in its original production at the theatre, opening in 1937 starring Lupino Lane. In 1939, songs from this show formed the first live broadcast of a performance by the BBC, and listeners could sing along to The Lambeth Walk. In early 1945, towards the end of the war in Europe, variety was presented under the stewardship of Lupino Lane. Headlining the bill from his radio series was Will Hay, with his schoolboy retinue of Charles Hawtrey and John Clark, and among the "turns" was Stainless Stephen, a comic acrobat comedian duo, and Victor Barna (then world champion table tennis player) giving an exhibition, who would invite audience members up on to the stage to see if they could beat him in ten points. From 1947 through 1962, Jack Hylton produced The Crazy Gang series of comedy revues, with a glittering company of variety performers including Flanagan and Allen, Nervo and Knox, and Naughton and Gold.

The theatre near the end of its 2016 – 2017 refurbishment
The long-running Black and White Minstrel Show played through the 1960s until 1972. In 1982, a production of The Little Foxes, saw Elizabeth Taylor making her London stage debut. Another unusually long-running show at the theatre was Buddy – The Buddy Holly Story, that played for 13 years in London, beginning in 1989 (transferring to the Strand Theatre in 1995). After this, the theatre presented mostly revivals of well-known musicals. In 2005, Billy Elliot the Musical opened, garnering rave reviews and Olivier Awards.

The theatre was purchased by Stephen Waley-Cohen in 1991. At the opening in 1911, a gilded statue of ballerina Anna Pavlova was positioned above the cupola of the theatre. This was taken down for its safety during World War II, and was lost. In 2006, a replica of the original statue was restored in its place.

In 2014, the theatre was sold to Delfont Mackintosh Theatres. After Billy Elliot ended its run in April 2016, the theatre closed for a multi-million pound refurbishment. In December 2017, the Broadway musical Hamilton re-opened the refurbished Victoria Palace.

Important Info
Type: Musical
City: London, Great Britain
Starts at: 14:30
Acts: 2
Intervals: 1
Duration: 2h 45min
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