Vaudeville Theatre 7 October 2021 - The Last Five Years | GoComGo.com

The Last Five Years

Vaudeville Theatre, London, Great Britain
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Important Info
Type: Musical
City: London, Great Britain
Starts at: 15:00
Duration: 1h 30min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Jason Robert Brown’s award-winning musical, The Last Five Years, returns to London’s West End for the first time in over ten years, after two sensational sell-out seasons at Southwark Playhouse, and an internationally streamed performance watched by audiences worldwide.This emotionally powerful and poignant story of two New Yorkers who fall in and out of love over the course of five years, is underscored by a beautifully bittersweet score, featuring ‘I’m Still Hurting’, ‘Goodbye Until Tomorrow’ and ‘I Can Do Better Than That’.

Written and composed by Jason Robert Brown

Full of romance, wit and vivid storytelling, Jamie shares his story from the spark of their relationship’s giddy beginning, whilst Cathy’s side is told in reverse, from the end of their turbulent partnership. The two characters cross paths just once, as their stories collide during the middle of the show.

Jonathan O’Boyle’s bold new production sees the actor-musicians playing the piano, ukulele and guitar live throughout the show, adding an additional musical narrative to the story and a unique magic to Brown’s exquisite songs.

The Last Five Years comes to the Vaudeville Theatre for a strictly limited 4-week season.

History
Premiere of this production: 21 May 2001, Northlight Theatre, Chicago

The Last Five Years is a musical written by Jason Robert Brown. It premiered at Chicago's Northlight Theatre in 2001 and was then produced Off-Broadway in March 2002. Since then it has had numerous productions both in the United States and internationally.

Synopsis

Cathy is sitting alone lamenting the end of her marriage ("Still Hurting"). We shift to meet Jamie. It is five years earlier and he has just met Cathy. Jamie is overjoyed to be dating outside his Jewish heritage ("Shiksa Goddess").

Cathy and Jamie are in Ohio. It is her birthday and he has come to visit her as she works in a show there ("See I'm Smiling"). She is anxious to fix any problems in their marriage but she becomes angry when Jamie tells her he has to go back early to New York. During breaks in the music, we see a younger Jamie, talking to a literary agent about his book.

Jamie is moving in with Cathy. He comments on how lucky he is that everything is going right for him; his book is being published and his life with Cathy seems too good to be true ("Moving Too Fast"). Elsewhere an older Cathy is making a call to her agent: it seems her career isn't going the way she planned it.

Cathy is attending Jamie's book party. She sings about how he ignores her for his writing but she will always be in love with him ("I'm a Part of That").

Jamie and Cathy celebrate their second Christmas. He tells her a new story he has written about an old tailor named Schmuel and he gives her a Christmas present: a watch, promising to support her as she follows her dreams of acting. ("The Schmuel Song").

Cathy is in Ohio and writing to Jamie. She describes to Jamie her disappointing life in Ohio among her eccentric colleagues ("A Summer in Ohio").

Jamie is sitting with Cathy in Central Park. Jamie proposes to her and, for the first time in the musical, they sing together ("The Next Ten Minutes"). They get married, exchanging vows to stay together forever.

Jamie is facing temptation from other women, especially now his career as a writer has escalated ("A Miracle Would Happen"). Cathy, meanwhile, is auditioning for a role ("When You Come Home to Me"). She is getting down about the rejection she faces as an actress and complains to Jamie ("Climbing Uphill").

Jamie speaks to Cathy on the phone, trying to convince her that there is nothing going on with him and his editor, Elise. He wants to celebrate a book review but Cathy refuses to go out.

Jamie is fighting with Cathy, trying to get her to listen to him. He accuses her of being unsupportive of his career just because hers is failing. Though his words are harsh, he promises her that he believes in her ("If I Didn't Believe in You").

A younger Cathy is in the car with Jamie, who is going to meet her parents. She tells him about her past relationships and hopes not to end up in a small town life like her friend from high school ("I Can Do Better Than That"). She asks Jamie to move in with her.

Near the end of the relationship Jamie wakes up beside another woman ("Nobody Needs to Know"). He tries to defend his actions and blames Cathy for destroying his privacy and their relationship. Jamie promises not to lie to this woman and tells her that "I could be in love with someone like you," just as he does to Cathy in "Shiksa Goddess."

Cathy is ecstatic after her first date with Jamie. She sings goodbye ("Goodbye Until Tomorrow"). She proclaims that she has been waiting for Jamie her whole life. Simultaneously but five years forward, Jamie sits in their shared apartment writing laments over the relationship ("I Could Never Rescue You"). As Cathy waves Jamie "goodbye until tomorrow", Jamie wishes Cathy simply "goodbye".

Venue Info

Vaudeville Theatre - London
Location   404 Strand, Covent Garden

The Vaudeville Theatre is a West End theatre on the Strand in the City of Westminster. As the name suggests, the theatre held mostly vaudeville shows and musical revues in its early days. It opened in 1870 and was rebuilt twice, although each new building retained elements of the previous structure. The current building opened in 1926, and the capacity is now 690 seats. Rare thunder drum and lightning sheets, together with other early stage mechanisms, survive in the theatre.

First opened in 1870, C. J. Phipps designed the theatre like several others in London, while George Gordon decorated it. They celebrated the grand opening with For Love Or Money, which was a comedy by Andrew Halliday, along with a famous burlesque called Don Carlos.

In 1926, the present theatre building opened. Nimax Theatres Limited owns the 690-seat venue. The theatre is just as magnificent looking inside as it is outside. It has a rectangular shape and elaborate decorations with gold patterns. It highlights an elegant burgundy ceiling with a Georgian touch.

The 1870 frontage of the present structure was originally two simple house fronts and didn't look close to being as attractive as it does now. The owners chose to invest in a better façade two decades later. They also improved the interior of the building. They included a fresh new ceiling while decreasing the tightly set up 1,000 seats to a more spacious 740. However, the Gatti family bought the theatre only a year later.
The Gatti family owned the Vaudeville for a spectacular 77 years and, under their ownership, showed popular revues and comedies. The family made more changes – the old horseshoe-shaped interior changing to a rectangular shape in 1925. The modification also involved reducing the seating capacity by another 100.

In 1968, the Vaudeville Theatre along with several other nearby venues like the Duchess Theatre, Lyceum Theatre, Garrick Theatre and Adelphi Theatre faced a threat when the GLC decided to refurbish them. However, the Musicians' Union, the actors' union Equity, and the owners of the buildings set up the powerful "Save London Theatre Campaign". Thankfully, the campaign shut down the project for good, saving the theatres in the process.

The Gatti family finally sold the theatre in 1969. Bought by Sir Peter Saunders, Peter Rice took up the task of fully renovating the venue's interior in 1970. Two years later, the English Heritage designated the theatre as a Grade II building. Max Weitzenhoffer bought the building in 2003, and in 2005, Nimax Theatres Limited purchased it.

The Vaudeville Theatre has staged numerous shows to date. In the 1950s, the smash-hit musical "Salad Days" began playing at the theatre, putting up 2,288 performances! Later, there was a 1996 revival starring Kit And The Widow, followed by She Knows You by Jean Fergusson, which received a Laurence Olivier Award nomination in 1998. In the same year, Kat And The Kings bagged the Olivier awards for Best Actor in a Musical and Best New Musical. Another long-running show was Caught In The Net, a Ray Cooney farce running for ten months in 2001.

Important Info
Type: Musical
City: London, Great Britain
Starts at: 15:00
Duration: 1h 30min
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