Théâtre du Châtelet tickets 14 June 2026 - La Vie parisienne | GoComGo.com

La Vie parisienne

Théâtre du Châtelet, Grande Salle, Paris, France
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3 PM
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US$ 79

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Operetta
City: Paris, France
Starts at: 15:00
Acts: 4
Duration: 3h
Sung in: French
Titles in: French,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Alexandra Cravero
Creators
Composer: Jacques Offenbach
Librettist: Henri Meilhac
Librettist: Ludovic Halévy
Opera Company: Troupe of the Comédie-Française
Director: Valérie Lesort
Overview

Becoming a world city, the capital that rivals London was attracting artists, businessmen, and tourists… and this operetta depicts the burlesque encounters between these various figures.

Created at the Théâtre du Palais-Royal on 31 October 1866, La Vie parisienne immediately met with great success. A few weeks after its premiere, the imperial couple discovered the work, as did Tsar Alexander II of Russia, who was visiting Paris for the World Exposition. The two authors of La Belle Hélène, Henri Meilhac and Ludovic Halévy, were no strangers to success. And the composer, Jacques Offenbach, once again serves the libretto brilliantly with tunes that are both lively and daring. Furthermore, the theme of this operetta is significant: while the Gare du Nord (1866) and the Théâtre du Châtelet (1862) have just been inaugurated, La Vie parisienne depicts a daily life ruled by pleasure!

La Vie parisienne can be considered a snapshot of the city, its inhabitants, and their customs at the very end of the Second Empire. While the capital dazzles the tourist with its art of celebration, the underclass knows how to outwit the fashionable society of Paris. None of this escaped the authors, who, by playing on the inversion of social roles, describe, not without causticity and sometimes even severity, the Parisian society of the 1860s. In their wake, Valérie Lesort directs the work, accompanied by Éric Ruf on set design, Vanessa Sannino on costumes, and the troupe of the Comédie-Française, who observe this past through the lens of the present, casting, in turn, a sympathetic yet critical eye on the human comedy.

New production from the Théâtre du Châtelet and the Comédie-Française

In co-production with Les Chorégies d’Orange
Co-production for exploitation in Paris: Paris Chamber Orchestra

History
Premiere of this production: 31 October 1866, Théâtre du Palais-Royal, Paris

La vie parisienne is an opéra bouffe, or operetta, composed by Jacques Offenbach, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas. In 1864 the Théâtre du Palais-Royal presented a comedy by Meilhac and Halévy entitled Le Photographe (The Photographer), which featured a character called Raoul Gardefeu, the lover of Métella, trying to seduce a baroness. Two years earlier, a comedy by the same authors La Clé de Métella (The Key of Métella) was played at the Théâtre du Vaudeville. These two pieces presage the libretto of La vie parisienne which can be dated from late 1865.

Synopsis

Act 1
The story begins at the Gare de l'Ouest, where the employees list the provenance of trains arriving from different places in France ("Nous sommes employés de la ligne de l'Ouest"). Two Parisian dandies, Bobinet and Gardefeu are waiting for the train from Rambouillet, but avoid each other while they walk around. They have fallen out over the demi-mondaine Métella. She arrives with a third man and pretends not to recognize the two previous lovers. Her rejection reunites the two friends and they vow to seek a better class of mistress ("Elles sont tristes, les marquises"). While wondering how he will achieve this Gardefeu sees his former servant Joseph, now a tourist guide. Joseph reveals that he is to meet a Swedish baron and his wife who he is to show around Paris but for a sum agrees to let Gardefeu take his place. While he goes to look for the baron, Gardefeu wonders what will happen with the baroness ("Ce que c'est pourtant que la vie !") The Baron and Baroness Gondremarck enter he promises to show them everything they want to see in the French capital ("Jamais, foi de cicérone"). The station fills with more passengers arriving for a good time in Paris, including a Brazilian returning after having spent his fortune once before in the city ("Je suis Brésilien, j'ai de l'or").

Act 2
At Gardefeu's home, his glove-maker Gabrielle and his boot-maker Frick await the master's return ("Entrez ! entrez, jeune fille à l'œil bleu !"). Gardefeu continues his pretence with the Swedes, explaining that they are in an annexe to the hotel, hoping to get the baron out of the way so that he can pay attention to the baroness; the baron already has his plans based on a letter from a friend ("Dans cette ville toute pleine"). The baron then asks to take the table d'hôte. The problem of missing hotel guests is solved by getting Gabrielle and Frick and their friends to impersonate other hotel guests. Bobinet calls by and offers to stage a party for the Swedes at his absent aunt's mansion the following night, with the baron invited. The baroness finds remnants of Gardefeu's affair with Métella in her room. Métella herself now arrives hoping for a reconciliation with Gardefeu ("Vous souvient-il, ma belle") and ends with offering to entertain the baron in a few days. The guests arrive for the table d'hôte; Frick as a major ("Pour découper adroitement") and Gabrielle as a war widow ("Je suis veuve d'un colonel") and with a tyrolienne everyone retires to supper ("On est v'nu m'inviter").

Act 3
At a party the next evening hosted by Bobinet his servants dress up as the crowd of aristocrats ("Donc, je puis me fier à vous !"). Baron Gondremarck arrives and is taken by Pauline 'Madame l'amirale' (in fact a chambermaid). Gabrielle arrives ("On va courir, on va sortir") and Bobinet as a Swiss admiral ("Votre habit a craqué dans le dos !").

Bobinet rises to greet the crowd with a drinking song ("En endossant mon uniforme") and the champagne flows ("Soupons, soupons, c'est le moment"), the baron and everyone else gets drunk.

Act 4
The Brazilian millionaire is offering a masquerade ball at the Café Anglais. The head waiter tells his staff to be discreet during about the guests ("Avant toute chose, il faut être... Fermez les yeux"). The baron arrives for his assignation with Métella, while growing increasingly suspicious of the goings-on. Métella tells the baron to be patient ("C'est ici l'endroit redouté des mères") but she will not be his entertainment: she is in love with someone else but has brought a friend for him. The baron is furious when he discovers that her lover is Gardefeu. The Brazilian arrives, then Bobinet and Gardefeu. After showing Métella the letter ("Vous souvient-il, ma belle") she and Gardefeu are reconciled, and the baron's fury only stops when baroness intervenes. All toast Paris ("Par nos chansons et par nos cris, célébrons Paris.").

Venue Info

Théâtre du Châtelet - Paris
Location   2 Rue Edouard Colonne

The Théâtre du Châtelet is a theatre and opera house, located in the Place du Châtelet in the 1st arrondissement of Paris, France. One of two theatres built on the site of a châtelet, a small castle or fortress, was designed by Gabriel Davioud at the request of Baron Haussmann between 1860 and 1862. Originally named the Théâtre Impérial du Châtelet, it has undergone remodeling and name changes over the years. Currently, it seats 2,500 people.

The theatre is one of two apparent twins constructed along the quays of the Seine, facing each other across the open Place du Châtelet. The other is the Théâtre de la Ville. Their external architecture is essentially Palladian entrances under arcades, although their interior layouts differ considerably. At the centre of the plaza is an ornate, sphinx-endowed fountain, erected in 1808, which commemorates Napoleon's victory in Egypt.

The Théâtre Impérial du Châtelet was built for Hippolyte Hostein's equestrian company, the Théâtre Impérial du Cirque, whose previous theatre, the Cirque Olympique on the Boulevard du Temple, was slated for demolition by Baron Haussmann to allow the construction of the Boulevard du Prince-Eugène (now the Boulevard Voltaire).

The site for the new theatre was acquired by the City of Paris in October 1859, and construction took place between 1860 and 1862. The interior designers included Eugène Carrières and Armand Cambon, and the curtain was created by Charles Cambon.

The theatre originally seated 2,200 people, although Haussmann claimed it held 3,600. The repertory, fixed by a decree of 20 September 1862, included military works and féeries in one or several acts, as well as dramas and vaudevilles.

For a time it was mainly used for opera performances and concerts. The Orchestre de Paris and the Orchestre Philharmonique de Radio France have played there. In 1993 the Philharmonia Orchestra of London began an annual residency period.

In 2004, Jean-Luc Choplin became artistic director of the theatre. He de-emphasized classical music and dance performances and introduced more lucrative productions of Broadway musicals, including Kiss Me, Kate, Singin' in the Rain, 42nd Street, and An American in Paris.

Important Info
Type: Operetta
City: Paris, France
Starts at: 15:00
Acts: 4
Duration: 3h
Sung in: French
Titles in: French,English
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