Teatro Goldoni 20 May 2021 - Jeanne Dark | GoComGo.com

Jeanne Dark

Teatro Goldoni, Florence, Italy
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8 PM
Important Info
Type: Opera
City: Florence, Italy
Starts at: 20:00
Duration:

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

New staging
World première

In the mock-heroic Pulzella d’Orleans, Voltaire attacks the alliance between monarchic and catholic power in its stirring-up of nationalism and superstition. Stefano Jacini takes on the satirical intent, identifying the false sexual moralism and female submission, to which in reality Joan of Arc rebels, as the ideal means to conquer illegitimate, foolish and hypocritical authority. Vacchi chose a narrative, playful and desecrating style, thus indirectly mocking the aesthetic dogmas of so-called “contemporary” musical theatre, in the conviction that every ideological diktat hides an occult power unmasked by Enlightenment, not only in the strictly eighteenth-century sense of the word. An opera that is entertaining and thought-provoking, ending not with the burning of the young woman, but with her flight on the back of a donkey, an animal which, from an anti-speciesist point of view, is nobly literary and irresistible for its primordial erotic energy.

Commissioned by Maggio Musicale Fiorentino

History

In the mock-heroic Pulzella d’Orleans, Voltaire attacks the alliance between monarchic and catholic power in its stirring-up of nationalism and superstition. Stefano Jacini takes on the satirical intent, identifying the false sexual moralism and female submission, to which in reality Joan of Arc rebels, as the ideal means to conquer illegitimate, foolish and hypocritical authority. Vacchi chose a narrative, playful and desecrating style, thus indirectly mocking the aesthetic dogmas of so-called “contemporary” musical theatre, in the conviction that every ideological diktat hides an occult power unmasked by Enlightenment, not only in the strictly eighteenth-century sense of the word. An opera that is entertaining and thought-provoking, ending not with the burning of the young woman, but with her flight on the back of a donkey, an animal which, from an anti-speciesist point of view, is nobly literary and irresistible for its primordial erotic energy.

Venue Info

Teatro Goldoni - Florence
Location   Via Santa Maria, 15

The Teatro Goldoni of Florence was first opened in 1817 at the site of the former Annalena monastery in Oltrarno, region of Tuscany, Italy. The theater, dedicated to the playwright Carlo Goldoni, has a main facade on the narrow Via Santa Maria #15, it is near the corner with Via de Caldaie.

The monastery took its name from Annalena Malatesta, the wife of Baldaccio d'Anghiari, a 15th-century condottiero, known to Dante, who was killed by treachery by a rival at the Palazzo Vecchio. Annalena after the subsequent death of her only son, converted her house into a convent. Within this convent, both the father of Cosimo I and Tommaso Soderini are said to have found temporary asylum from proscription.

In the early 19th-century, the monastery was vacated and the property expropriated. The theater producer Luigi Gargani obtained the property, and commissioned the design from architect Giuseppe del Rosso. On opening, the theater had 80 booths and sat 1600 spectators.

The theater was restored and reopened in 1997.

Nearby on Via della Fornace, Gargani had Del Rosso design a Teatro Diurno or Teatro L'Arena, for daytime performances. This theater was sited where the Bilioni family once had a house. In 1356, this site was made into a monastery, under the Augustinian of San Giovanni Battista and Santa Chiara. The monastery was suppressed and converted to a theater in the Spring of 1818. It could house 1500 spectators in seven ground rows and two upper floors. In 1819, the church at the site became a school, and later the studio of the 19th-century sculptor Francesco Pozzi.

Important Info
Type: Opera
City: Florence, Italy
Starts at: 20:00
Duration:
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