Teatro del Maggio Musicale Fiorentino 11 July 2022 - Acis et Galatée | GoComGo.com

Acis et Galatée

Teatro del Maggio Musicale Fiorentino, Auditorium, Florence, Italy
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8 PM
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Important Info
Type: Opera
City: Florence, Italy
Starts at: 20:00
Acts: 2
Intervals: 1
Duration: 2h 20min

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Festival

Festival Maggio Musicale Fiorentino 2022

Six operas, 10 symphonic appointments and also a title for children, Ayda: the 84th Maggio Musicale Fiorentino festival presented the program of its new edition which was held from April 12 to July 15, 2022.

Overview

Italian première. New staging

Last opera of the 84th Maggio Musicale Fiorentino Festival and this too never staged at the Maggio and in Florence. The conduction is entrusted to Federico Maria Sardelli, the direction to Benjamin Lazar. The sets are by Adeline Caron, the costumes by Alain Naillet, the choreography is by Gudrun Skamletz. Acis et Galatée, opera in three acts plus a prologue to a libretto by Jean Galbert de Campistron, is Jean-Baptiste Lully's last completed work. After decades dedicated to the tragédie lyrique, a genre which he himself introduced, in 1686 Lully concluded his long theatrical career with a pastorale-héroïque, an intermediate genre that combined divine and mortal characters, nobles and shepherds on the stage, commissioned by the Duke of Vendôme to pay homage to the Dauphin of France as a guest in the castle of Anet. The libretto is inspired by the legend of Aci and Galatea described in book XIII of Ovid's Metamorphoses. The shepherd Aci loves, in return, the nymph of the waters Galatea, but also the monstrous Cyclops Polyphemus loves the nymph and seeing himself rejected kills Aci out of jealousy, crushing him under a rock. However, thanks to the intervention of the god Neptune, Aci will be brought back to life and transformed into a river. While engaging in a minor genre, which is divided into only three acts compared to the canonical five of the tragédies lyriques and includes a smaller number of musical numbers, Lully does not renounce the courtly tone that characterizes all of his major production. In Acis et Galatéethe declamation is always extremely accurate and attentive to every inflection of the verse as well as the music, which has the same sumptuous and impressive tones of the great tragédies. For these reasons, the work received the applause of the public right from the start, becoming a part of the history of French musical theater by right.

History
Premiere of this production: 06 September 1686, Château d'Anet, Dreux in the Eure-et-Loir department, France

Acis et Galatée (Acis and Galatea) is an opera by Jean-Baptiste Lully. Unlike most of his operas, which are designated tragédies en musique, Lully called this work a pastorale-héroïque, because it was on a pastoral theme and had only three acts (plus a prologue) compared to the usual five. Otherwise, there is little musically or dramatically to distinguish it from Lully's tragédies.

Venue Info

Teatro del Maggio Musicale Fiorentino - Florence
Location   Piazza Vittorio Gui, 1

Teatro del Maggio Musicale Fiorentino is a major opera house in Florence and the main concert venue of the international festival "Maggio Musicale Fiorentino".

The white marble veined with green of the Baptistery of San Giovanni, the brickwork of the dome of Santa Maria del Fiore and finally the dazzling gold of the precious paintings that have made the city of Tuscany one of the world capitals of art: the materials and colors of the Renaissance they meet at the Teatro del Maggio to celebrate the power of music, and the enchantment of melodrama, right in the city where this exceptional form of theater was born. Conceived by the architect Paolo Desideri of the ABDR studio, the “new house” of the Maggio Musicale Fiorentino rises at the meeting point between the monumental center and the Parco delle Cascine, the green lung of the city.

An important connective function also reaffirmed by the vast system of open areas that can be reached through the two areas of the city and the different volumes of the building. Moreover, the proximity to the Stazione Leopolda helps to create a cultural pole of European importance.

Above a sort of wide base, a sloping skirting, there are the large music rooms and the enigmatic volume of the 35 meter high stage tower. Three rooms, which can work simultaneously: the 1800-seat opera theater, distributed between the stalls, boxes and gallery, an outdoor 2000-seat auditorium and finally an auditorium, dedicated to maestro Zubin Mehta, which varies its capacity from 500 to 1000 spectators.

As in a great musical instrument, the walls of the main hall are covered in pear wood to guarantee perfect acoustics. A dense network of thin copper chains also helps to transport the sound without distortion. The stage has a depth doubled compared to the average of Italian and foreign theaters and, thanks to its flexibility, is able to accommodate in its side pockets up to two sets ready to be moved during the intervals. The Cavea is positioned in the theater’s roof to complement and conclude the extensive system of squares, terraces and belvedere.

Its usability is therefore not limited to representations only, but is extended to the entire day to turn its stone steps into real urban salons. Inaugurated on December 21, 2011 with the Ninth Symphony of Ludwig van Beethoven directed by Zubin Mehta, the Teatro del Maggio is the permanent venue of the Orchestra and Chorus of the Maggio Musicale Fiorentino and has already hosted Masters such as Claudio Abbado, Riccardo Muti, Gustavo Dudamel , Daniele Gatti, Fabio Luisi, leading groups such as the Berliner Philharmoniker, the St. Petersburg Philharmonic Orchestra and the National de France Orchestras. Among the many artists who performed there are Alessandra Ferri, Mariella Devia, Sumi Jo, Anja Harteros, Aldo Ciccolini, Uto Ughi, Maurizio Pollini, Krystian Zimerman, Gregory Kunde, Ambrogio Maestri. In 2014 he received the National Award for the best architectural work made in Italy in the last 5 years.

Important Info
Type: Opera
City: Florence, Italy
Starts at: 20:00
Acts: 2
Intervals: 1
Duration: 2h 20min
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