Teatro Comunale di Bologna tickets 25 March 2026 - Cavalleria Rusticana | GoComGo.com

Cavalleria Rusticana

Teatro Comunale di Bologna, Bologna, Italy
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8 PM
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US$ 104

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Bologna, Italy
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Daniel Oren
Choir: Choir of the Teatro Comunale Di Bologna
Pianist: Emma Dante
Orchestra: Orchestra of the Teatro Comunale Di Bologna
Creators
Composer: Pietro Mascagni
Chorus Master: Gea Garatti Ansini
Librettist: Giovanni Targioni-Tozzetti
Librettist: Guido Menasci
Choreography: Manuela Lo Sicco
Opera Company: Teatro Comunale di Bologna
Overview

Cavalleria Rusticana, Pietro Mascagni’s powerful one-act opera, comes to the stage of Teatro Comunale di Bologna in a dramatic and emotionally intense production. A story of jealousy, betrayal and honor set in a Sicilian village, the opera is celebrated for its passionate music and unforgettable Intermezzo.

Pietro Mascagni's opera Cavalleria Rusticana is one of the most iconic works of Italian verismo. Premiered in 1890, the opera quickly became a cornerstone of the repertoire thanks to its genuine emotional intensity and realistic depiction of village life.

Set in a small Sicilian village on Easter morning, the drama follows Turiddu, Santuzza, and Lola in a tragic story of love, jealousy, and revenge. Mascagni's score is filled with lyrical melodies, dramatic outbursts, and powerful choral scenes that vividly reflect the characters' passions.

The famous "Symphonic Intermezzo," with its tender and expressive orchestration, offers a moment of deep reflection before the opera reaches its crushing climax.

At the Teatro Comunale di Bologna, the production combines impressive stage design, an authentic atmosphere, and superb vocal performances, enhanced by the rich acoustics of the historic theater.

"Cavalleria Rusticana" remains a gripping and emotionally charged masterpiece that continues to captivate audiences with its intensity and dramatic veracity.

The program will also include a screening of "Satanic Rhapsody," directed by Nino Ocsilia and starring Lidia Borelli, with music by Pietro Mascagni performed live by the Orchestra of the Teatro Comunale di Bologna; and a performance of the opera "Cavalleria Rusticana."

History
Premiere of this production: 17 May 1890, Teatro Costanzi, Rome

Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic verismo operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called Cav/Pag double-bill with Pagliacci by Ruggero Leoncavallo.

Synopsis

Place: A 19th-century Sicilian village
Time: Easter morning

Before the action takes place, the young villager Turiddu had returned from military service to find that his fiancée Lola had married the carter Alfio while Turiddu was away. In revenge, Turiddu had seduced Santuzza, a young woman in the village. As the opera begins, Lola, overcome by her jealousy of Santuzza, has begun an adulterous affair with Turiddu.

The main square of the village

Offstage, Turiddu is heard singing a siciliana, "O Lola c'hai di latti la cammisa" ("O Lola! like the snow, pure in thy whiteness!"). To one side is the church; to the other is Lucia's wine shop and the house where she lives with her son, Turiddu. The villagers move about the square, singing of the beautiful spring day, "Gli aranci olezzano sui verdi margini" ("The air is sweet with orange blossoms") and a hymn to the Blessed Virgin Mary. Some villagers enter the church, and others wander off still singing.


Santuzza, having slept with Turiddu and suspecting that he has betrayed her for Lola, is distraught and approaches Lucia as she comes out of her house. Santuzza asks for Turiddu, but Lucia replies that he has gone to another town to fetch some wine. Santuzza tells her that he was seen during the night in the village. Lucia asks her inside to talk, but just at that moment Alfio arrives on his wagon, accompanied by the villagers. He praises the joys of a teamster's life and the beauty of Lola his bride. Alfio asks Lucia for some of her fine old wine. She tells him it has run out and Turiddu has gone away to buy more. Alfio replies that he had seen Turiddu early that morning near his cottage. Lucia starts to express surprise, but Santuzza stops her.

Alfio leaves. The choir inside the church is heard singing the Regina Coeli. Outside, the villagers sing an Easter Hymn, "Inneggiamo, il Signor non è morto" ("We rejoice that our Saviour is living!") joined by Santuzza. The villagers enter the church, while Santuzza and Lucia remain outside. Lucia asks Santuzza why she signalled her to remain silent when Alfio said that he had seen Turiddu that morning. Santuzza exclaims, "Voi lo sapete" ("You well know") and tells Lucia the story of her seduction by Turiddu and his affair with Lola. Lucia pities Santuzza, who feels dishonored, having been seduced by Turiddu only to be abandoned by him for his old flame, Lola. Santuzza feels she cannot enter the church, but begs Lucia to go inside herself and pray for Santuzza who stays behind to try to plead with Turiddu to leave Lola and return to her.

Turiddu arrives. Santuzza upbraids him for pretending to have gone away, when he was actually seeing Lola. Lola enters the square singing. She mocks Santuzza and goes inside the church. Turiddu turns to follow Lola, but Santuzza begs him to stay. Turiddu pushes her away. She clings to him. He loosens her hands, throws her to the ground, and enters the church. Alfio arrives looking for Lola. Santuzza tells him that his wife has betrayed him with Turiddu. Alfio swears to take vendetta (revenge) which causes Santuzza to repent for having disclosed the affair and begs Alfio to stop to no avail.

The square is empty as the orchestra plays the famous Intermezzo.

The villagers come out of the church. Turiddu is in high spirits because he is with Lola and Santuzza appears to have gone. He invites his friends to his mother’s wine shop where he sings a drinking song, "Viva, il vino spumeggiante" ("Hail to the bubbling wine!"). Alfio joins them. Turiddu offers him wine, but he refuses it. All understand that trouble is in the air. The women leave, taking Lola with them. In a brief exchange of words, Alfio challenges Turiddu to a duel. Following Sicilian custom, the two men embrace, and Turiddu, in a token of acceptance, bites Alfio’s ear, drawing blood which signifies a fight to the death. Alfio leaves and Turiddu calls Lucia back. He tells her that he is going outside to get some air and asks that she be a kindly mother to Santuzza if he should not return: "Un bacio, mamma! Un altro bacio!—Addio!" ("One kiss, mother! One more kiss! – Farewell!").

Turiddu rushes out. Lucia, weeping, wanders aimlessly around outside her house. Santuzza approaches and throws her arms around her. The villagers start to crowd around. Voices are heard in the distance and a woman cries, "They have murdered Turiddu!" Santuzza faints and Lucia collapses in the arms of the women villagers.

Venue Info

Teatro Comunale di Bologna - Bologna
Location   Piazza della Costituzione, 4, 40128 Bologna BO, Italy

The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season.

While there had been various theatres presenting opera in Bologna since the early 17th century, they had either fallen into disuse or burnt down. However, from the early 18th century, the Teatro Marsigli-Rossi had been presenting operatic works by popular composers of the day including Vivaldi, Gluck, and Niccolò Piccinni. The Teatro Malvezzi, built in 1651, burned down in February 1745 and this event prompted the construction of a new public theatre, the Nuovo Teatro Pubblico, as the Teatro Comunale was first called when it opened on 14 May 1763.

Important Info
Type: Opera
City: Bologna, Italy
Starts at: 20:00
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