Stiftung Mozarteum 27 July 2022 - Jakob Lenz | GoComGo.com

Jakob Lenz

Stiftung Mozarteum, Großer Saal, Salzburg, Austria
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7:30 PM
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Important Info
Type: Concert
City: Salzburg, Austria
Starts at: 19:30

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Festival

Salzburg Festival Summer 2022

With 174 performances in 45 days at 17 venues, the Salzburg Festival presented a diverse program. Opera highlights included Mozart's The Magic Flute and Verdi's Aida. In addition to Jedermann, the drama programme included Schnitzler's Reigen. The concert programme  featured the Ouverture Spirituelle under the title Sacrificium, as well as numerous other concerts with top-class orchestras and soloists.

Overview

In 1792, on 4 June according to the Gregorian calendar, Jakob Michael Reinhold Lenz was found dead in a Moscow street aged 41. It is now believed that the brilliant Baltic German playwright, writer and translator of the Sturm und Drang movement, who was friends with Goethe until an unexplained estrangement, suffered from catatonic schizophrenia. Part of his medical history was recorded by the Lutheran pastor Johann Friedrich Oberlin during Lenz’s brief stay in the care of Oberlin and his wife in Alsace in 1778.
The densely layered chamber opera Jakob Lenz, composed in 1977/78 when Wolfgang Rihm was only 25, is based on the posthumously published novella fragment by Georg Büchner, which in turn drew from Oberlin’s journal entries. The work stands as a programmatic monument to the idea of the creative genius for whom art begets suffering and suffering begets art. Trapped in a rigid environment hostile to art, he breaks down.
‘For me, the musical stage’, says Rihm, ‘is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often shift to magical ones, because the realism of a disturbed, self-rationalizing soul takes on surreal traits — or we are utterly unable to understand it except as not being real. A character like Jakob Lenz appears complex on stage simply due to the fact that he harbours many stages within himself, and the music has to represent these constantly present stages. I have tried to do this in the most direct way — by not neatly separating the musical layers, but keeping them constantly present until they are compelled to burst out, each in accord with its own dramaturgy. On balance, the overall form takes on features of a rondo performed in overlapping layers; a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations.
Above all, the thread on which Jakob Lenz hangs is a current flowing into the listener’s heart.’

Walter Weidringer
Translation: Sebastian Smallshaw

Venue Info

Stiftung Mozarteum - Salzburg
Location   Schwarzstraße 26

In 1856, the 100th anniversary of Mozart’s birth, an association was founded with the aim of setting up a music school, with a library, archives and concert hall, devoted to Mozart.

Various buildings in the inner city area of Salzburg were considered and eventually it was decided to buy the villa of the former interior minister, Josef von Lasser, in the Schwarzstrasse. Conversion work took place from 1910 to 1914 according to plans drawn up by Richard Berndl. The overriding style is late historicism characteristic of Munich, and elegant details were combined with elements of the local Baroque tradition, art nouveau and patriotic building art. In 1917 the board of governors of the International Mozarteum Foundation elected Bernhard Paumgartner unanimously as director of what was at that time a conservatory. This later became an academy and then the Mozarteum Academy of Music and Dramatic Art, and in the meantime it has achieved university status. During the period when Paumgartner was director, this educational institute experienced a great boom: in particular several music-theatre productions took place in connection with the “Mozarteum Opera Series” and it was thanks to his initiative that these performances took place in the Salzburg City Theatre (now the Landestheater).

Financial problems of the International Mozarteum Foundation were offset by nationalising the teaching part of the foundation’s work in 1922 with the result that nowadays two completely separate corporate bodies exist. The Mozarteum University has in the meantime moved most of its departments into its own building on the Mirabellplatz.

The International Mozarteum Foundation has cooperated closely with the Salzburg Festival ever since 1921: the Great Hall of the Mozarteum is one of the main venues of the concert series especially because it is excellent for the performance of chamber music. The Mozart Matinees, morning concerts given at the weekends during the Salzburg Festival, were introduced by Bernhard Paumgartner and have in the meantime assumed legendary status. In 1930 the first courses for conducting and musical instruments were held and this initiative later became the International Summer Academy of the Mozarteum. Every year renowned lecturers come together with enthusiastic music students from all over the world to enter a lively artistic dialogue.

Important Info
Type: Concert
City: Salzburg, Austria
Starts at: 19:30
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