Swan Lake Tickets

Staatsoper Unter den Linden (Berlin State Opera), Berlin, Germany

All photos (12)

1 / 12

Available Dates: 14 Dec 2024 - 6 Apr 2025 (13 events)

Important Info

Type: Ballet

City: Berlin, Germany

Duration: 2h 50min with 1 interval

Intervals: 1

Ticket delivery: E-Tickets

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

Can I choose my seats?

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast

Performers

Choose the date to see the peformers

Creators

Composer: Pyotr Tchaikovsky

Choreography: Patrice Bart

Overview

Using the medium of classical dance, Swan Lake tells the story of Prince Siegfried and his love for the enchanted Princess Odette, who is trapped in the body of a swan.

Alternating between swan and human, it is her destiny to be the object of the fantasies of the unhappy prince. In Patrice Bart’s interpretation, it is Siegfried’s mother who adores her son and holds all the threads of his fate in her hands. Without scruples, she manipulates his friend Benno and uses Prime Minister Rotbart as her accomplice. Drawing inspiration from the Romanov era in the Russian Tsarist Empire, this production is permeated by a haunting sense of decline, characterized by the unsettling combination of emotional coldness and decadence. The young prince finds refuge in his encounters with the swans. The captivating effect of these majestic birds is expressed in the large-scale swan images of the ballet, which are choreographically inspired by the archaic flight formations and their natural yet unreal beauty. With the dancers’ tutus resembling the white plumage of the birds, these imposing scenes have become synonymous with classical ballet. But Swan Lake has also become legendary because of the music by Peter I. Tchaikovsky, who imparts his unmistakable sound to the contrasting moods: whether it’s the longing that brings Prince Siegfried and Odette together or the deceptive splendour of the ball scenes, where the entire court falls under the spell of the seductive Odile. As Odette’s doppelgänger, she leads the prince to the tragic vow that betrays his sincere love.

History

Premiere of this production: 04 March 1877, Bolshoi Theatre, Moscow

Swan Lake is a ballet composed by Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets. Swan Lake is the ballet which embodies the soul of Russian art. The combination of brilliant music and choreography creates a special kind of magic; what the great 20th century choreographer George Balanchine had in mind when he famously said, “One should call every ballet Swan Lake because then people would come.”

Synopsis

Swan Lake is generally presented in either four acts, four scenes (primarily outside Russia and Eastern Europe) or three acts, four scenes (primarily in Russia and Eastern Europe). The biggest difference of productions all over the world is that the ending, originally tragic, is now sometimes altered to a happy ending.

Prologue
Some productions include a prologue that shows how Odette first meets Rothbart, who turns Odette into a swan.

Act 1

A magnificent park before a palace

[Scène: Allegro giusto] Prince Siegfried is celebrating his birthday with his tutor, friends and peasants [Waltz]. The revelries are interrupted by Siegfried's mother, the Queen [Scène: Allegro moderato], who is concerned about her son's carefree lifestyle. She tells him that he must choose a bride at the royal ball the following evening (some productions include the presentation of some possible candidates). Siegfried is upset that he cannot marry for love. His friend Benno and the tutor try to lift his troubled mood. As evening falls [Sujet], Benno sees a flock of swans flying overhead and suggests they go on a hunt [Finale I]. Siegfried and his friends take their crossbows and set off in pursuit of the swans.

Act 2

A lakeside clearing in a forest by the ruins of a chapel. A moonlit night.

The "Valse des cygnes" from act 2 of the Ivanov/Petipa edition of Swan Lake
Siegfried has become separated from his friends. He arrives at the lakeside clearing, just as a flock of swans land [Scène. Moderato]. He aims his crossbow [Scène. Allegro moderato], but freezes when one of them transforms into a beautiful maiden, Odette [Scène. Moderato]. At first, she is terrified of Siegfried. When he promises not to harm her, she explains she and her companions are victims of a spell cast by the evil owl-like sorcerer Rothbart. By day they are turned into swans and only at night, by the side of the enchanted lake – created from the tears of Odette's mother – do they return to human form. The spell can only be broken if one who has never loved before swears to love Odette forever. Rothbart suddenly appears [Scène. Allegro vivo]. Siegfried threatens to kill him but Odette intercedes – if Rothbart dies before the spell is broken, it can never be undone.

As Rothbart disappears, the swan maidens fill the clearing [Scène: Allegro, Moderato assai quasi andante]. Siegfried breaks his crossbow, and sets about winning Odette's trust as the two fall in love. But as dawn arrives, the evil spell draws Odette and her companions back to the lake and they are turned into swans again.

Act 3

An opulent hall in the palace

Guests arrive at the palace for a costume ball. Six princesses are presented to the prince [Entrance of the Guests and Waltz], as candidates for marriage. Rothbart arrives in disguise [Scène: Allegro, Allegro giusto] with his daughter, Odile, who is transformed to look like Odette. Though the princesses try to attract the prince with their dances [Pas de six], Siegfried has eyes only for Odile. [Scène: Allegro, Tempo di valse, Allegro vivo] Odette appears (usually at the castle window) and attempts to warn Siegfried, but he does not see her. He then proclaims to the court that he will marry "Odette" (Odile) before Rothbart shows him a magical vision of Odette. Grief-stricken and realizing his mistake, Siegfried hurries back to the lake.

Act 4

By the lakeside

Odette is distraught. The swan-maidens try to comfort her. Siegfried returns to the lake and makes a passionate apology. She forgives him, but his betrayal cannot be undone. Rather than remain a swan forever, Odette chooses to die. Siegfried chooses to die with her and they leap into the lake. This breaks Rothbart's spell over the swan maidens, causing him to lose his power over them and he dies. In an apotheosis, the swan maidens watch as Siegfried and Odette ascend into the Heavens together, forever united in love.

Venue Info

Staatsoper Unter den Linden (Berlin State Opera) - Berlin
Unter den Linden 7

The Staatsoper Unter den Linden is one of the oldest and largest musical theaters in Germany. Founded in 1742 as the Royal Court Opera (German: Königliche Hofoper) under Frederick II. Located in Berlin, on the main street Unter den Linden.

King Frederick II of Prussia shortly after his accession to the throne commissioned the original building on the site. Construction work began in July 1741 with what was designed by Georg Wenzeslaus von Knobelsdorff to be the first part of a "Forum Fredericianum" on present-day Bebelplatz. Although not entirely completed, the Court Opera (Hofoper) was inaugurated with a performance of Carl Heinrich Graun's Cesare e Cleopatra on December 7, 1742. This event marked the beginning of the successful, 250-year co-operation between the Staatsoper and the Staatskapelle Berlin, the state orchestra, whose roots trace back to the 16th century.

In 1821, the Berlin Opera—hosted at the Schauspielhaus Berlin—gave the premiere of Weber's Der Freischütz. In 1842, Wilhelm Taubert instituted the tradition of regular symphonic concerts. In the same year, Giacomo Meyerbeer succeeded Gaspare Spontini as General Music Director. Felix Mendelssohn also conducted symphonic concerts for a year.

On August 18, 1843 the Linden Opera was destroyed by fire. The reconstruction of the building was supervised by architect Carl Ferdinand Langhans, and the Königliches Opernhaus (Royal Opera House) was inaugurated the following autumn by a performance of Meyerbeer's Ein Feldlager in Schlesien. In 1849, Otto Nicolai's Die lustigen Weiber von Windsor was premiered at the Royal Opera House, conducted by the composer.

1945: The Lindenoper was once again destroyed on February 3. The concerts were relocated to the Admiralspalast and the Schauspielhaus. On 18 February, Karajan conducted his last symphonic concert with the Staatskapelle in the Beethoven hall.

The second rebuilding took a long time. From 1945, the opera company played in the former Admiralspalast (today's Metropoltheater). From 1949, the company served as the state opera of East Germany. It moved back to its original home after the rebuilding in freely adapted baroque forms was finally completed in 1955. The newly rebuilt opera house was opened, again, with Wagner's Die Meistersinger von Nürnberg. The capacity is now about 1,300. After the Berlin Wall was built in 1961, the Opera was somewhat isolated, but still maintained a comprehensive repertoire that featured the classic and romantic period together with contemporary ballet and operas.

After reunification, the Linden Opera rejoined the operatic world. Important works that had already performed in the past were rediscovered and discussed anew within the framework of a "Berlin Dramaturgy". Baroque Opera in particular was at the center of attention, with Graun's Cleopatra e Cesare, Keiser's Croesus, Florian Leopold Gassmann's L'opera seria and Scarlatti's Griselda. These works were performed by Belgian conductor René Jacobs together with the Akademie für Alte Musik Berlin and the Freiburger Barockorchester on period instruments. In the 1990s, the opera was officially renamed Staatsoper Unter den Linden.

In 1992, the Argentine-Israeli conductor Daniel Barenboim was appointed Music Director. In 2000, the orchestra (according to its official website) elected Barenboim "conductor for life." During the 2002 Festtage, he led a Wagner cycle in ten parts, a production created in collaboration with director Harry Kupfer.

Since 2009, the Berlin State Opera has been undergoing considerable renovation work led by German architect HG Merz. The roof of the opera building was raised and the proscenium prolonged to improve the acoustics. Other renovation and extension works include the director's building, the below-ground connection building and the depot building. The latter will house the new rehearsal center.

The house was reopened in 2017 with premieres of Humperdinck's Hänsel und Gretel and Monteverdi's L'incoronazione di Poppea on one weekend.