St. Margarethen Quarry 16 July 2021 - Turandot | GoComGo.com

Turandot

St. Margarethen Quarry, Sankt Margarethen im Burgenland, Austria
All photos (9)
Select date and time
8:30 PM
Important Info
Type: Opera
City: Sankt Margarethen im Burgenland, Austria
Starts at: 20:30
Intervals: 1
Duration: 2h 30min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Festival

Opera in the Quarry St. Margarethen 2021

Every summer, the Opera in St. Margarethen Quarry impresses music connoisseurs and opera enthusiasts from all over the world who come to enjoy the spectacular and outstanding open-air performances on Europe’s largest natural stage.

Overview

The mysterious Princess Turandot requires any man who wishes to propose to herand thus sit on the throne next to her, to solve three riddles. When a namelessprince solves the diabolical riddle, he asks the restive princess a riddle himself:She shall call him his name. Turandot imposes a ban on her people not to sleepuntil the stranger’s name is found. With "Nobody shall sleep - Nessun dorma!"Giacomo Puccini succeeded in producing one of the most popular arias in operaliterature. Puccini‘s glistening and mysteriously jagged sounds find their idealecho in the rugged rocky landscape of the St. Margarethen Quarry.

The mysterious Princess Turandot requires any man who wishes to propose to her and thus sit on the throne next to her, to solve three riddles. Those who fail to solve the riddles lose their lives under the inexorable sword of the executioner. The shed blood of hundreds of suitors soaks the streets of Beijing, the Chinese people groan under the tyrannical rule of the ice-cold princess. All hopes rest on a nameless prince, who one day, with his old blind father and his unconditional follower Liù, comes from the distant realm of the Tartars to the palace of the dreaded virgin ruler. Miraculously, he solves Turandot‘s diabolical riddles. When she refuses to extend her hand for the Tartar prince, he asks the restive princess a riddle himself: she shall call him his name, which nobody knows. Turandot pulls out all the stops of her power and imposes a ban on her people not to sleep until the stranger’s name is found ...

„Nobody shall sleep - Nessun dorma!“, with this, the famous aria of the prince begins. He sings about the dreaded Turandot and his ever growing flame of love for this merciless and fascinating woman. Giacomo Puccini succeeded in producing one of the best-known and most popular arias in opera literature, a masterpiece for every dramatic tenor. With a dazzling and dramatically blazing music full of stirring melodies, the Maestro from Lucca takes us into the distant and exotic fairytale worlds of the moon-cold princess. Puccini‘s glistening and mysteriously jagged sounds find their ideal echo in the rugged rocky landscape of the St. Margarethen Quarry. The enigmatic Turandot is one of the most demanding operatic roles of all, and hardly any music is as close to our hearts as the moving pleas and complaints of the sacrificing Liù. Giacomo Puccini ignites a true whirlwind of emotions, in which even the cold heart of the icy princess is melted by the fire of love.

History
Premiere of this production: 25 April 1926, Teatro alla Scala, Milan

Turandot is an opera in three acts by Giacomo Puccini, completed by Franco Alfano, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni.

Synopsis

Place: Peking, China
Time: Legendary times

Act 1

In front of the imperial palace

In China, beautiful Princess Turandot will only marry a suitor who can answer three secret riddles. A Mandarin announces the law of the land (Aria – Popolo di Pechino! – "People of Peking!"). The Prince of Persia has failed to answer the three riddles, and he is to be beheaded at the next rising moon. As the crowd surges towards the gates of the palace, the imperial guards brutally repulse them, causing a blind old man to be knocked to the ground. The old man's slave-girl, Liù, cries out for help. A young man hears her cry and recognizes that the old man is his long-lost father, Timur, the deposed king of Tartary. The young Prince of Tartary is overjoyed at seeing Timur alive, but still urges Timur to not speak his name because he is afraid that the Chinese rulers, who have conquered Tartary, may kill or harm them. Timur then tells his son that, of all his servants, only Liù has remained faithful to him. When the Prince asks her why, she tells him that once, long ago in the palace, the Prince had smiled at her (Trio with chorus – The crowd, Liù, Prince of Tartary, Timur: Indietro, cani! – "Back, dogs!").

The moon rises, and the crowd's cries for blood dissolve into silence. The doomed Prince of Persia, who is on his way to be executed, is led before the crowd. The young Prince is so handsome and kind that the crowd and the Prince of Tartary decide that they want Turandot to act compassionately, and they beg Turandot to appear and spare his life (Aria – The crowd, Prince of Tartary: O giovinetto! – "O youth!"). She then appears, and with a single imperious gesture, orders the execution to continue. The Prince of Tartary, who has never seen Turandot before, falls immediately in love with her, and joyfully cries out Turandot's name three times, foreshadowing the riddles to come. Then the Prince of Persia cries out Turandot’s name one final time, mirroring the Prince of Tartary. The crowd, horrified, screams out one final time and the Prince of Persia is beheaded.

The Prince of Tartary is dazzled by Turandot's beauty. He is about to rush towards the gong and to strike it three times – the symbolic gesture of whoever wishes to attempt to solve the riddles so that he can marry Turandot – when the ministers Ping, Pang, and Pong appear. They urge him cynically to not lose his head for Turandot and to instead go back to his own country (Fermo, che fai?). Timur urges his son to desist, and Liù, who is secretly in love with the Prince, pleads with him not to attempt to solve the riddles (Signore, ascolta! – "Lord, hear!"). Liù's words touch the Prince's heart. He begs Liù to make Timur's exile more bearable by not abandoning Timur if the Prince fails to answer the riddles (Non piangere, Liù – "Do not cry, Liù"). The three ministers, Timur, and Liù then try one last time to stop the Prince (Ah! Per l'ultima volta! – "Ah! For the last time!") from attempting to answer the riddles, but he refuses to heed their advice.

He calls Turandot's name three times, and each time Liù, Timur, and the ministers reply, "Death!" and the crowd declares, "We're already digging your grave!" Rushing to the gong that hangs in front of the palace, the Prince strikes it three times, declaring himself to be a suitor. From the palace balcony, Turandot accepts his challenge, as Ping, Pang, and Pong laugh at the Prince's foolishness.

Act 2

Scene 1: A pavilion in the imperial palace. Before sunrise

Ping, Pang, and Pong lament their place as ministers, poring over palace documents and presiding over endless rituals. They prepare themselves for either a wedding or a funeral (Trio – Ping, Pang, Pong: Ola, Pang!). Ping suddenly longs for his country house in Honan, with its small lake surrounded by bamboo. Pong remembers his grove of forests near Tsiang, and Pang recalls his gardens near Kiu. The three share their fond memories of their lives away from the palace (Trio – Ping, Pang, Pong: Ho una casa nell'Honan – "I have a house in Honan"). They turn their thoughts back to how they have been accompanying young princes to their deaths. As the palace trumpet sounds, the ministers ready themselves for another spectacle as they await the entrance of their Emperor.

Scene 2: The courtyard of the palace. Sunrise

The Emperor Altoum, father of Turandot, sits on his grand throne in his palace. Weary of having to judge his isolated daughter's sport, he urges the Prince to withdraw his challenge, but the Prince refuses (Aria – Altoum, the Prince: Un giuramento atroce – "An atrocious oath"). Turandot enters and explains (In questa reggia – "In this palace") that her ancestress of millennia past, Princess Lo-u-Ling, reigned over her kingdom "in silence and joy, resisting the harsh domination of men" until she was raped and murdered by an invading foreign prince. Turandot claims that Lo-u-Ling now lives in her, and out of revenge, Turandot has sworn to never let any man wed her. She warns the Prince to withdraw but again he refuses. The Princess presents her first riddle: Straniero, ascolta! – "What is born each night and dies each dawn?" The Prince correctly replies, Speranza – "Hope." The Princess, unnerved, presents her second riddle (Guizza al pari di fiamma – "What flickers red and warm like a flame, but is not fire?") The Prince thinks for a moment before replying, Sangue – "Blood". Turandot is shaken. The crowd cheers the Prince, provoking Turandot's anger. She presents her third riddle (Gelo che ti da foco – "What is ice which gives you fire and which your fire freezes still more?"). He proclaims, "It is Turandot! Turandot!"

The crowd cheers for the triumphant Prince. Turandot throws herself at her father's feet and pleads with him not to leave her to the Prince's mercy. The Emperor insists that an oath is sacred and that it is Turandot's duty to wed the Prince (Duet – Turandot, Altoum, the Prince: Figlio del cielo). She cries out in despair, "Will you take me by force? (Mi porterai con la forza?) The Prince stops her, saying that he has a riddle for her: Tre enigmi m'hai proposto – "You do not know my name. Tell me my name before sunrise, and at dawn, I will die." Turandot accepts. The Emperor then declares that he hopes that he will be able to call the Prince his son when the sun next rises.

Act 3

Scene 1: The palace gardens. Night

In the distance, heralds call out Turandot's command: Cosi comanda Turandot – "This night, none shall sleep in Peking! The penalty for all will be death if the Prince's name is not discovered by morning". The Prince waits for dawn and anticipates his victory: Nessun dorma – "Let no one sleep!"

Ping, Pong, and Pang appear and offer the Prince women and riches if he will only give up Turandot (Tu che guardi le stelle), but he refuses. A group of soldiers then drag in Timur and Liù. They have been seen speaking to the Prince, so they must know his name. Turandot enters and orders Timur and Liù to speak. The Prince feigns ignorance, saying they know nothing. But when the guards begin to treat Timur harshly, Liù declares that she alone knows the Prince's name, but she will not reveal it. Ping demands the Prince's name, and when Liù refuses to say it, she is tortured. Turandot is clearly taken aback by Liù's resolve and asks Liù who or what gave her such a strong resolve. Liù answers, "Princess, love!" (Principessa, amore!). Turandot demands that Ping tear the Prince's name from Liù, and Ping orders Liù to be tortured even more. Liù counters Turandot (Tu che di gel sei cinta – "You who are encircled by ice"), saying that Turandot too will learn the exquisite joy of being guided by caring and compassionate love. Having spoken, Liù seizes a dagger from a soldier's belt and stabs herself. As she staggers towards the Prince and falls dead, the crowd screams for her to speak the Prince's name. Since Timur is blind, he must be told about Liù's death, and he cries out in anguish. When Timur warns that the gods will be offended by Liù's death, the crowd becomes subdued, very afraid and ashamed. The grieving Timur and the crowd follow Liù's body as it is carried away. Everybody departs, leaving the Prince and Turandot alone. He reproaches Turandot for her cruelty (Duet – The Prince, Turandot: Principessa di morte – "Princess of death"), then takes her in his arms and kisses her in spite of her resistance.

The Prince tries to persuade Turandot to love him. At first, she feels disgusted, but after he kisses her, she feels herself becoming more ardently desiring to be held and compassionately loved by him. She admits that ever since she met the Prince, she realized she both hated and loved him. She asks him to ask for nothing more and to leave, taking his mystery with him. The Prince, however, then reveals his name: "Calaf, son of Timur – Calaf, figlio di Timur", thereby placing his life in Turandot's hands. She can now destroy him if she wants (Duet – Turandot, Calaf: Del primo pianto).

Scene 2: The courtyard of the palace. Dawn

Turandot and Calaf approach the Emperor's throne. She declares that she knows the Prince's name: Diecimila anni al nostro Imperatore! – "It is ... love!" The crowd sings and acclaims the two lovers (O sole! Vita! Eternità).

Venue Info

St. Margarethen Quarry - Sankt Margarethen im Burgenland
Location   Römersteinbruch 1

Embedded in the landscape of the Neusiedler Lake, this region is an UNESCO World Heritage Cultural Landscape. It represents “outstanding value to humanity”, with St. Margarethen providing a fascinating insight into our geological past.

20-30 million of years ago, this quarry was part of the seabed. The limestone rocks contain a wealth of marine fossils. If you are lucky, you will find prehistoric mussels, corals, sea urchins and coralline algae. The limestone from the quarry was used for building St. Stephen’s Cathedral in Vienna, and the grandest buildings along the Vienna‘s Ringstraße. The colours and shapes of the rocks appear to change, according to where the sun is shining.

Ever since 1996, the St. Margarethen Quarry has been a favourite meeting place for international opera lovers. This open-air stage in beautiful Burgenland (65 km southeast of Vienna) provides a natural forum for bringing together cultures and people from East and West.

Set in the midst of a historic landscape, this venue will transport you to a world of new, unique experiences. By providing first-rate facilities for staging popular and top quality opera productions, their festival has succeeded in attracting enthusiastic audiences as well as international opera stars and musicians.

One of Europe’s most beautiful and impressive open-air arenas, operas have been performed at St. Margarethen Quarry since 1996. With the Esterházy Foundation as its owner, this location was redeveloped in 2006. AWG, a young, international architects group from Vienna, designed exciting architecture that was also sensitively attuned to the setting, a space that had actually been an industrial site for many centuries.

The St. Margarethen Quarry is Europe’s largest natural stage. This natural open-air concert hall covers an area of 7.000 m2, which gives it a wonderful acoustic and inspires feelings of awe. The natural and man-made architecture of the quarry enhances the emotional impact of the music on the 4.700 opera-goers in the audience.

Its monumental stone walls, special climate, unique flora and fauna and its incomparable acoustic, together with its ability to enthral its visitors for hours at a time, all combine to produce an unforgettable festival. The quarry arouses feelings, inspires affection and brings people together. It’s an exclusive place; a place that the public enjoys returning to, again and again.

Important Info
Type: Opera
City: Sankt Margarethen im Burgenland, Austria
Starts at: 20:30
Intervals: 1
Duration: 2h 30min
Top of page