Shaftesbury Theatre 21 January 2023 - & Juliet | GoComGo.com

& Juliet

Shaftesbury Theatre, London, Great Britain
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Important Info
Type: Musical
City: London, Great Britain
Starts at: 14:30
Duration: 2h 30min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The Most Famous Love Story of All Time. Remixed.

What if Juliet’s famous ending was really just her beginning? What if she decided to choose her own fate?

Join Juliet on this sensational journey of self-discovery and second chances, told through some of the most glittering pop anthems of the last three decades from legendary songwriter Max Martin, including …Baby One More Time, Since U Been Gone, Roar, Everybody (Backstreet’s Back), Love Me Like You Do and Can’t Feel My Face.

& Juliet is the hilariously irreverent new musical that proves when it comes to love, there’s always life after Romeo…

History
Premiere of this production: 10 September 2019, Manchester Opera House, Manchester

& Juliet is a 2019 musical featuring the music of Max Martin, with a book by David West Read. The story focuses on "what if" Juliet had not died at the end of Shakespeare's Romeo and Juliet.

Synopsis

Act 1
At the first production of Shakespeare's Romeo and Juliet, the audience welcomes Shakespeare to the stage ("Larger than Life"). He introduces his wife, Anne Hathaway, who is visiting from Stratford-Upon-Avon to see the play, and explains the plot and ending of the show to her. She suggests he change the ending, wondering what would have happened if Juliet did not kill herself; Shakespeare protests ("I Want It That Way"). He lets her explain her idea for the play, which commences with Juliet waking up to find Romeo dead ("...Baby One More Time").

At Romeo's funeral, Juliet finds out that Romeo had many other relationships, with both men and women ("Show Me the Meaning of Being Lonely") and Juliet's parents decide to send her to a convent. May, Juliet's non-binary friend, and Angelique, her nurse, come to her rescue, and Anne writes herself into the play as 'April', another of Juliet's friends. They decide to take a road trip to Paris ("Domino"). Anne writes Shakespeare in as a carriage driver and the road trip begins ("Show Me Love").

In France, they attend a ball which is a party for Francois. Francois' father, Lance, tells him that he must either marry or join the army; Francois argues that he doesn't wish to do either as the women of Paris are the unappealing, as is the military. Juliet and her band of friends sneak into the party ("Blow").

Francois meets May, who reveals to Juliet that they suffer from gendered concepts such as gender-specific bathrooms and gendered languages such as French ("I'm Not a Girl, Not Yet a Woman"). Francois then complains about living such a stifled life, which Juliet relates to, and they begin to bond over their shared experiences ("Overprotected"). Francois is drawn to Juliet and thinks he is in love with her, and they dance together ("Confident").

Angelique and Lance are revealed to have spent the night together. She was formerly the nurse to his children, and Lance asks her to come back and live with him. Angelique wants to stay to look after Juliet, but Lance reminds her that Juliet is in her 20s and can take care of herself ("Teenage Dream/Break Free"). Angelique ultimately decides that Juliet needs her more, so she leaves Lance.

Juliet wakes up next to Francois, who proposes, and Juliet agonises about her previous relationship with Romeo ("Oops!... I Did It Again"). When her parents arrive to take her to the convent, she agrees to Francois' proposal, before discovering Angelique and Lance's previous relationship. Anne challenges Shakespeare for making Juliet get married again. She complains that he leaves her in Stratford-upon-Avon while he works in London, and accuses him of never writing happy marriages.

Shakespeare decides he needs a conflict or plot twist to add to Anne's version of the play, so has Francois and May meet again. May offers Francois a drink and Francois reveals he has just proposed; May and Francois kiss ("I Kissed a Girl").

Anne is angry to discover that Shakespeare intends to bring Romeo back. Juliet tells April that she is engaged again, only to have Romeo enter and declare he has come back for his wife ("It's My Life").

Act 2
Romeo sings "Love Me Like You Do" to Juliet and forgives her for not killing herself. She reveals to Romeo her engagement with Francois ("You Belong With Me/Since You've Been Gone").

Shakespeare tells Anne that Juliet didn't listen to Romeo's side of events, to which Anne counters that this is important to her and that she feels Shakespeare cares more about his plays than his family. She breaks his quill, meaning that neither of them can make any further changes to the story.

May grows angry at Francois for ignoring his feelings for them and for intending to marry Juliet ("Whataya Want From Me"), while Juliet complains to May that Romeo lied to her. Francois grows worried, as he hasn't told Juliet about his feelings for May.

Romeo reflects that he only ever felt valued for his looks but Juliet made him want to be a better person; Juliet nonetheless decides to be with Francois ("One More Try"). Despite this, she remains unsure of her feelings towards Romeo as she loves him but feels like she shouldn't ("Problem/Can't Feel My Face"). Francois' brother (in fact Shakespeare in disguise) invites Romeo to join his band, which is due to play at Juliet and Francois' wedding. May also joins the band. Angelique, in the meantime, proposes to Lance.

Anne discovers that Juliet is still in love with Romeo and recounts her own romance with Shakespeare ("That's the Way It Is"). At the wedding, Shakespeare, May, Francois, Lance and Romeo perform ("Everybody (Backstreet's Back)"). Juliet walks down the aisle as Francois sings "As Long as You Love Me" as his vows, but they both object to the marriage, with Francois singing "It's Gonna Be Me" to May. Romeo confesses his love to Juliet while her parents insist she returns to Verona with them, stating that they know what's best for her, which Juliet refutes ("Stronger").

Lance accepts Francois and his true love ("Shape of My Heart"), while Juliet worries that she is an obstacle to their relationship. Angelique reassures Juliet that she will never leave her ("Fuckin' Perfect") but Juliet insists Angelique goes with Lance, before deciding to be confident and take charge of her destiny ("Roar").

Shakespeare complains that Anne ruined his play, which she refutes, and he agrees as he realises that he does not want to lose her ("I Want It That Way – Reprise").

Romeo apologises to Juliet and tells her that what he wants doesn't matter; what she wants is what counts. They decide to go on a first date, as a new beginning for Juliet and Romeo. Angelique and Lance get married and the company sing "Can't Stop the Feeling!".

Venue Info

Shaftesbury Theatre - London
Location   210 Shaftesbury Avenue

The Shaftesbury Theatre is a West End theatre, located on Shaftesbury Avenue, in the London Borough of Camden. Opened in 1911 as the New Prince's Theatre, it was the last theatre to be built in Shaftesbury Avenue.

The Theatre was designed for the Melville Brothers by Bertie Crewe and opened on 26 December 1911 with a production of The Three Musketeers. It was originally named the New Prince's Theatre, becoming the Prince's Theatre in 1914. The original capacity of the auditorium is unknown, but with standing room in the Stalls it is possible that over 3000 people were able to attend performances. The current capacity is between 1300 and 1400.

The Prince's was the last theatre to be built in Shaftesbury Avenue, and is located on the junction between Shaftesbury Avenue and High Holborn.

During the First World War, the Prince's advertised itself as ‘The Laughter House where you can forget the War.’

In September 1919, the Theatre had considerable success with a season of Gilbert and Sullivan operas, presented by the D'Oyly Carte Opera Company. The success of these revivals led to a number of similar seasons over the next few decades, with the Theatre selling out every time. Other productions during this time included The Return of Sherlock Holmes starring Eille Norwood and a season of classical plays, including Medea and Macbeth, starring Sybil Thorndike. In 1928, Fred and Adele Astaire starred in Funny Face with Leslie Henson. The musical was a great success, but was cut short by a gas explosion on High Holborn outside the Theatre.

Despite heavy bombing in the West End, and several periods of forced closure, the Shaftesbury was able to continue a programme of shows during the Second World War. Many of these were presented by and named for Firth Shepherd, such as Shepherd’s Pie. Shepherd’s Pie was a comedic and musical revue of the kind that was popular in London theatres during the war, and was heralded as one of the most successful of its kind.

In 1948, Jack Hylton presented Burlesque starring Majorie Reynolds at the Prince's. Hylton was also the producer for Buoyant Billions (1949), a play written by George Bernard Shaw when he was 93. In 1953, Hylton and Sam Wannamaker presented The Shrike by Joseph Kramm, and in 1955 Pat Kirkwood appeared at the theatre in Wonderful Town.

After a period of years presenting plays and musicals at the Shaftesbury, Hylton was reported to have bought the Theatre in 1961, but this was later corrected in the press. Hylton had been the lessee of the Theatre in June 1961 and had negotiated the sale of the building to Television Wales and West. Two months later, TWW sold it on to Charles Clore and EMI, which changed the name of the theatre in 1962.

The programme in the 1960s under the ownership of EMI included a number of long running musicals, such as Broadway transfer How to Succeed in Business Without Really Trying (1963) and Our Man Crichton (1964), based on a book by JM Barrie. The Theatre experienced a much less successful run with Lionel Bart’s Twang!! – a musical based on the story of Robin Hood which was plagued with creative and financial issues. Twang!! starred Ronnie Corbett and Barbara Windsor, and ran at the Shaftesbury for only a few weeks between December 1965 and January 1966. It was one of the most expensive musicals that had ever been produced.

From 1968 to 1973 the Shaftesbury was host to the controversial musical Hair. The opening of the show coincided deliberately with the removal of the Lord Chamberlains powers of censorship over theatre in England, which allowed for the nude scene. While Hair was still running, the theatre was sold to a property development company called Peureula Investments. On 20 July 1973 the production was forced to close because a small section of the ceiling collapsed in the auditorium. There were allegedly plans to redevelop the theatre and the surrounding areas, and a campaign to save the Theatre was begun. This included an occupation of the site. The Save London Theatres Campaign eventually succeeded in securing protected status for the Shaftesbury. In 1976, the Theatres Trust was formed by an Act of Parliament to promote the protection of theatres.

The theatre reopened with West Side Story in December 1974. Other productions in the following decades included a musical staged version of Dad’s Army, starring Arthur Lowe, John le Mesurier and Clive Dunn, and Dracula starring Terrence Stamp, with scenic designs by Edward Gorey.

They’re Playing Our Song (1980 – 1982) starring Tom Conti and Gemma Craven was produced by actor and writer Ray Cooney. After a nine month period of closure, Cooney presented Run For Your Wife with Richard Briers, Bernard Cribbins and Bill Pertwee. This was the first play under the banner of the Theatre of Comedy, then called the Theatre of Laughter. The Theatre of Comedy became the lessee of the Shaftesbury, and later purchased the building. The Company was jointly founded and financially backed by a group of distinguished actors, playwrights and producers including Tom Conti, Ray Cooney, Tom Courtenay, Bernard Cribbins, Judi Dench, Liza Goddard, Sheila Hancock, Nigel Hawthorne, Maureen Lipman, Derek Nimmo, Geoffrey Palmer, Donald Sinden, Eric Sykes and Michael Williams. The intention was for the Shaftesbury to have a programme of British comedy showcasing existing and new talent.

Notable runs in the 1980s included Pygmalion (1984) with Peter O’Toole, Two Into One (1984 – 1986), a revue by Rowan Atkinson (1986), The Entertainer starring Peter Bowles (1986) and Stephen Sondheim’s Follies (1987 – 1989). From April 1989 there was a production of M. Butterfly starring Anthony Hopkins.

In 1986 Don Taffner became a significant shareholder in the Theatre of Comedy. Taffner went on to become the majority shareholder and Chairman in 1992. Shows in the 1990s included Kiss of the Spiderwoman (1992 – 1993) with Chita Rivera, Eddie Izzard in Definite Article and Tommy, the musical by Pete Townshend and Des McAnuff (1996 – 1997). From May 1998 the Shaftesbury was host to Rent, starring original Broadway cast members Anthony Rapp and Adam Pascal.

The venue is currently owned by the Theatre of Comedy Company. Successful shows in the 21st Century have included the European premiere of Hairspray, which opened in October 2007 and ran for almost three years, winning multiple awards. Rock of Ages opened in August 2011 and From Here to Eternity, by Tim Rice, in September 2013. Beverly Knight starred in the West End premiere of Tony Award-winner Memphis in 2014.

Motown, which told the story of the Motown record label founder Berry Gordy, broke box office records and ran from 2013 to 2019. The show was both preceded and followed by short seasons of The Illusionists.

In November 2019, brand new musical & Juliet will open at the Shaftesbury Theatre. & Juliet retells the story of Romeo and Juliet using the pop anthems of Swedish songwriter and producer Max Martin.

Important Info
Type: Musical
City: London, Great Britain
Starts at: 14:30
Duration: 2h 30min
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