Seoul Arts Center 17 October 2024 - Adriana Lecouvreur | GoComGo.com

Adriana Lecouvreur

Seoul Arts Center, Opera House, Seoul, South Korea
All photos (7)
Thursday 17 October 2024
7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Seoul, South Korea
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Details to be announced later

History
Premiere of this production: 06 November 1902, Teatro Lirico, Milan

Adriana Lecouvreur is an opera in four acts by Francesco Cilea to an Italian libretto by Arturo Colautti, based on the 1849 play Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé. It was first performed on 6 November 1902 at the Teatro Lirico in Milan.

Synopsis

Place: Paris, France
Time: 1730

Act 1
Backstage at the Comédie-Française

The company is preparing for a performance and bustling around Michonnet, the stage manager. The Prince de Bouillon, admirer and patron of the actress Duclos, is also seen backstage with his companion, the Abbé. Adriana enters, reciting, and replies to the others' praise with 'Io son l'umile ancella' ("I am the humble servant of the creative spirit"). Left alone with Adriana, Michonnet wants to express his love for her. However, Adriana explains that she already has a lover: Maurizio, a soldier of the Count of Saxony. Maurizio enters and declares his love for Adriana, 'La dolcissima effigie.' They agree to meet that night, and Adriana gives him some violets to put in his buttonhole. The Prince and the Abbé return. They have intercepted a letter from Duclos, in which she requests a meeting with Maurizio later that evening at the Prince's villa. The Prince, hoping to expose the tryst, decides to invite the entire troupe there after the performance. On receiving Duclos's letter, Maurizio cancels his appointment with Adriana, who in turn opts to join the Prince's party.

Act 2
A villa by the Seine

The Princess de Bouillon, not the actress Duclos (who was only acting as her proxy), is anxiously waiting for Maurizio ("Acerba voluttà, dolce tortura"). When Maurizio enters, she sees the violets and asks how he came by them. Maurizio presents them to her, but confesses that he no longer loves her. She deduces that he loves someone else, but soon she's forced to hide when the Prince and the Abbé suddenly arrive. Maurizio realizes that they think he is with Duclos. Adriana enters and learns that Maurizio isn't a soldier at all, but the disguised Count of Saxony himself. He tells Adriana the assignation was political, and that they must arrange the escape of a woman who is in hiding nearby. Adriana trusts him and agrees to help. During the intermezzo that follows, the house is darkened, and Adriana tells the Princess that this is her opportunity to escape. However, the two women are mutually suspicious, and the rescue attempt turns into a blazing quarrel before the Princess finally leaves. Michonnet, the stage manager, discovers a bracelet dropped by the Princess, which he gives to Adriana.

Act 3
The Hôtel de Bouillon

The Princess is desperate to discover the identity of her rival. The Prince, who has an interest in chemistry, is storing a powerful poison that the government has asked him to analyze. The couple host a reception, at which guests note the arrival of Michonnet and Adriana. The Princess thinks she recognizes the latter's voice, and announces that Maurizio has been wounded in a duel. Adriana faints. Soon afterwards, however, when Maurizio enters uninjured, Adriana is ecstatic. He sings of his war exploits ("Il russo Mencikoff"). A ballet is performed: the 'Judgement of Paris.' Adriana learns that the bracelet Michonnet found belongs to the Princess. Realizing that they are rivals for Maurizio's affection, the Princess and Adriana challenge each other. When the former pointedly suggests that Adriana should recite a scene from 'Ariadne Abandoned', the Prince asks instead for a scene from 'Phèdre'. Adriana uses the final lines of the text to make a headstrong attack on the Princess, who swears to have her revenge.

Act 4
A room in Adriana's house

It's Adriana's name day, and Michonnet is waiting in her home for her to awaken. Adriana is consumed with anger and jealousy. Her colleagues come to visit, bringing her gifts and trying to persuade her to return to the stage. One of these gifts is a diamond necklace, recovered by Michonnet, which Adriana had pawned to help pay off Maurizio's debts. A small casket arrives. It contains a note from Maurizio, along with the violets Adriana had given him at the theater. Adriana, hurt, kisses the flowers ("Poveri fiori") and throws them into the fire. Maurizio enters, hoping to marry her. They embrace, and he notices that she's shaking. She quickly becomes deranged, and Michonnet and Maurizio - who'd presented the violets to the Princess - realize that Adriana has been poisoned. For a moment, she becomes lucid again ("Ecco la luce"), then dies.

Venue Info

Seoul Arts Center - Seoul
Location   2406 Nambusunhwan-ro, Seocho-gu

The Seoul Arts Center is an arts complex in the Seocho-gu district of Seoul, in South Korea. It consists of five main buildings: the Opera House, with three auditoriums; the Music Hall, with two concert halls; the Hangaram Art Museum; the Hangaram Design Museum; and the Seoul Calligraphy Art Museum. The Opera House is built in a shape that resembles the traditional Korean bamboo hat called gat.

In January 1982, the government decided to build a Seoul Arts Center, which would be in charge of the overall function of artistic activities, and began to select a site. This announcement was aimed at the 1986 Asian Games and the 1988 Seoul Olympics. The final site was decided in September of the same year at the foot of the mountain between Nambu Beltway and Mt. Umyeon (area: 231,000m²), and on November 14 , 1984, a groundbreaking ceremony was held with the National Gugak Center.

The construction of the Seoul Arts Center was divided into Phase 1 (1984 ~ 1988) and Phase 2 (1988 ~ In February 1988, the first phase of construction, the Music Hall and Calligraphy Hall, was completed and opened. In October 1990, the Hangaram Art Museum and the Seoul Art Archives opened, and on February 15 , 1993 , the Seoul Opera Theater (currently the Opera House) opened and was completed.

Music hall
It opened in 1988, the first among the buildings belonging to the hall, and has a 2523-seat concert hall, the first concert hall in Korea, and a 354-seat recital hall where small-scale performances such as recitals and chamber music are held. It is adjacent to the right side of the Opera House and opposite the Seoul Calligraphy Museum.

Opera House
It is a cylindrical building with a roof in the shape of a lampshade. At the time of its design and construction, it was called "Festival Theater", but when it opened in 1993, the official name of Seoul Opera Theater (Opera House) was changed. The 2,305-seat Opera Theater for large-scale opera, ballet, and musical performances, the 710-seat Towol Theater for plays, small-scale musicals and operas, and a 300-600-seat flexible small theater for small experimental performances are located. It forms the central axis of the entire Seoul Arts Center.

Important Info
Type: Opera
City: Seoul, South Korea
Starts at: 19:30
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