L’enfant et les sortilèges Tickets

Semperoper Dresden, Dresden, Germany

Scene 1 from the opera "L'enfant et les sortilèges"

Scene 2 from the opera "L'enfant et les sortilèges"

Scene 3 from the opera "L'enfant et les sortilèges"

Scene 4 from the opera "L'enfant et les sortilèges"

Scene 5 from the opera "L'enfant et les sortilèges"

Scene 6 from the opera "L'enfant et les sortilèges"

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Available Dates: 16 Feb - 9 Mar, 2025 (2 events)

Important Info

Type: Opera

City: Dresden, Germany

Sung in: German

Titles in: German,English

Ticket delivery: E-Tickets

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

Can I choose my seats?

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast

Performers

Choose the date to see the peformers

Creators

Composer: Maurice Ravel

Director: James Bonas

Author: Sidonie-Gabrielle Colette

Overview

This acclaimed production by James Bonas and Grégoire Pont takes us on a magical journey, with the music providing the impetus for a fantastic world and the child’s imagination brought to life using exciting and delightful video projections. A love letter to the power of the imagination and the magic of opera! For all those who are (still) children at heart.

What would a child’s room say if it could talk? A boy goes on the rampage because he doesn’t want to do his homework; his mother, of course, blows her top. When the child vandalises his room and even torments his beloved cat, things take a surprising turn: suddenly, the mistreated furniture, cups, books and animals start to speak! And the child finds himself in a world in which he is forced to think about others.

The one-hour opera doesn’t just tell the story of a child: it is also movingly told from a child’s perspective. This means that anything can happen, as the power of imagination is boundless. And so the story also makes the case for mindfulness and empathy: the child hurts the cat at the beginning of the story, but by the end he is playing doctor to a squirrel.

History

Premiere of this production: 21 March 1925, Monte Carlo Opera

L'enfant et les sortilèges: Fantaisie lyrique en deux parties (The Child and the Spells: A Lyric Fantasy in Two Parts) is an opera in one act, with music by Maurice Ravel to a libretto by Colette. It is Ravel's second opera, his first being L'heure espagnole. Written from 1917 to 1925, L'enfant et les sortilèges was first performed in Monte Carlo in 1925 under the baton of Victor de Sabata. After being offered the opportunity to write a musical work, Colette wrote the text in eight days. Several composers were proposed to Colette to write the music, but she was only excited by the prospect of Ravel.

Synopsis

Part 1

This is the story of a rude child who is reprimanded by the objects in his room, which he has been destroying. After being scolded by his mother in the beginning of the opera, the child throws a tantrum, destroying the room around him and harming the animals nearby. He is then surprised to find that the unhappy objects in his room come to life. The furniture and decorations begin to talk; even his homework takes shape as it becomes an old man and a chorus of numbers. They all sing out the pain and misery that the child inflicts on them and their wishes to punish him for his misdeeds.

Part 2

The bedroom becomes a garden filled with singing animals and plants which have been tortured by the child. The child attempts to make friends with the animals and plants, but they shun him because of the injuries he did to them earlier, before they could talk. They leave him aside, and in his loneliness, he eventually cries out "Maman". At this, the animals turn on him and attack him in an act of vengeance, but they wind up jostling among each other as the child is tossed aside. At the culmination, a squirrel is hurt, which causes the other animals to stop fighting. The child bandages the squirrel's wound and collapses exhausted. Seeing this act of kindness, the animals have a change of heart toward the child, and decide to try to help him home. They mimic the cry of "Maman", carry the child back to his house, and sing in praise of the child. The opera ends with the child singing "Maman", as he greets his mother, in the very last bar of the score.

Venue Info

Semperoper Dresden - Dresden
Theaterplatz 2

Not only one of the most beautiful opera houses in the world, the Semperoper is renowned both in Germany and abroad for the brilliant star-studded performances by Saxon State Opera as well as numerous international guest artists.

This is the home of the Staatskapelle Dresden, an orchestra which looks back on 460 years of uninterrupted music-making. The State Opera Chorus was founded by Carl Maria von Weber in 1817. Operatic history has been written here, with the Semperoper playing host to numerous important premieres, such as Richard Wagner’s "Rienzi", "Der fliegende Holländer" and "Tannhäuser". There is also an indissoluble link to Richard Strauss, nine of whose 15 operas were premiered in Dresden, including "Salome", "Der Rosenkavalier" and "Elektra". The small venue Semper Zwei provides space for diverse forms of music theatre as well as theatrical experiments, and is also the venue for performances of Semperoper Junge Szene.

The magnificent Semperoper dominates the Theaterplatz be-side the river Elbe, forming the centrepiece of the historic old city. The original building opened its doors in 1841, constructed to a design by Gottfried Semper which combined a late Classical style with Renaissance elements. Following a devastating fire in 1869, the citizens of Dresden immediately set about rebuilding their beloved opera house. This was completed in 1878, also to a design by Semper. In 1945, during the final months of World War II, the Semperoper was once again razed to the ground.

After a second reconstruction was successfully completed in 1985, the reopening of one of Europe’s most beautiful opera houses was celebrated with a performance of Carl Maria von Weber’s "Freischütz".
The dazzling interiors were painstakingly reconstructed by local craftsmen and artists according to original plans, with state-of-the art stage machinery and technical fittings in the auditorium. A modern annex was added to house the administrative offices and rehearsal rooms. Internationally renowned for its brilliant acoustics and incomparable performances, audiences from around the world continue to flock here to enjoy unforgettable experiences at the Semperoper Dresden.