Weinberg, near Vienna
Act 1
The maid Adele has received an invitation to Prince Orlofsky’s ball from her sister Ida (No. 1). She would like to accept the invitation and tries in vain to ask her mistress Rosalinde von Eisenstein for permission to go (No. 1a).
Alfred, tenor and Rosalinde’s former lover, succeeds in blackmailing her into a rendezvous. And so she now gives Adele the evening off.
Gabriel von Eisenstein, condemnned to go to prison for having insulted a tax-collector, returns from his trial with his lawyer Dr. Blind, blaming him for the longer sentence he has received (No. 2).
Dr. Falke now enters and persuades Eisenstein to accompany him secretly to the ball being given by the Russian Prince Orlofsky and amuse himself before he goes to prison. — And this is where Dr. Falke’s plan of revenge on Eisenstein starts to unfold. Eisenstein had left him in a park three years ago after a masked ball, drunk and dressed as a bat, so that he was made a laughing stock the next morning when he returned home (No. 3).
When they say goodbye, Eisenstein, Rosalinde and Adele affect sadness for none of them recounts what they really plan (No. 4).
Alfred appears for the agreed tête-à-tête. Frank, the prison governor, enters and arrests the tenor, truly believing that he is Gabriel von Eisenstein who has to be arrested (No. 5).
Act 2
The masked ball at Orlofsky’s (No. 6/7). Gabriel von Eisenstein is introduced to society under the assumed name Marquis Renard, and thinks he recognises one of the masked ladies to be his maid Adele. She denies it (No. 8).
Eisenstein meets Chevalier Chagrin who is actually the prison governor Frank; both outdo each other as French impostors.
A masked Hungarian countess draws everybody’s attention to herself with a csardas (No. 10). Eisenstein flirts outrageously with her. His well-tested trick of making conquests with the help of a lady’s watch fails this time (No. 9). His wife is concealed behind the mask of the Hungarian countess, and she steals the watch as corpus delicti.
Falke and Orlofsky make all the guests at the ball fraternise with each other (No. 11).
The clock strikes six and Eisenstein and Frank have to flee the party.
Act 3
At the prison, Frosch, the court usher, is trying to keep law and order. Prison governor Frank arrives for work still under the influence of the ball (No. 13).
Adele and her sister Ida have followed him. They want to persuade him to finance Adele‘s artistic training. Uninhibited, she presents her artistic talents (No. 14).
Gabriel von Eisenstein is then announced. He is astonished to meet the »Chevalier« here. He too learns that he cannot be taken into custody because there is already a »von Eisenstein« in the cell.
Lawyer Dr. Blind — whom Eisenstein supposedly asked to come — enters. Eisenstein suspects Rosalinde of adultery and dresses as Blind to interrogate his Rosalinde and Alfred. Full of jealous anger, he reveals himself to them (No. 15).
Dr. Falke now arrives and calls all the guests from the ball to enter. They tell Eisenstein that they were all party to the »bat’s revenge«.
The champagne song becomes a cynical justification of Falke’s passion for infidelities (No. 16).
Act 1
Eisenstein's apartment
Gabriel von Eisenstein, a Viennese man-about-town, has been sentenced to eight days in prison for insulting an official, partially due to the incompetence of his attorney, Dr. Blind. Adele, Eisenstein's maid, receives a forged letter, allegedly from her sister who is in the company of the ballet, but actually written by Falke, inviting her to Prince Orlofsky's ball. She pretends the letter says that her aunt is very sick, and asks her mistress Rosalinde (Eisenstein's wife) for an evening off ("Da schreibt meine Schwester Ida"/"My sister Ida writes to me"). Falke, Eisenstein's friend, arrives to invite him to the ball (Duet: "Komm mit mir zum Souper"/"Come with me to the souper"). Together, they recall a practical joke which Eisenstein played on Falke a few years ago, for which Falke is secretly planning a light-hearted revenge in kind. Eisenstein bids farewell to Adele and his wife Rosalinde, pretending he is going to prison (Trio: "O Gott, wie rührt mich dies!"/"Oh dear, oh dear, how sorry I am") but really intending to postpone jail for one day and have fun at the ball.
After Eisenstein leaves, Rosalinde is visited by her former lover, the singing teacher Alfred, who serenades her ("Täubchen, das entflattert ist"/"Dove that has escaped"). Frank, the governor of the prison, arrives to take Eisenstein to jail, and finds Alfred instead. In order not to compromise Rosalinde, Alfred agrees to pretend to be Eisenstein and to accompany Frank. (Finale, drinking song: "Glücklich ist, wer vergisst"/"Happy is he who forgets" followed by Rosalinde's defence when Frank arrives: "Mit mir so spät im tête-à-tête"/"In tête-à-tête with me so late," and Frank's invitation: "Mein schönes, großes Vogelhaus"/"My beautiful, large bird-cage.")
Act 2
A summer house in the Villa Orlofsky
It transpires that Falke, with Prince Orlofsky's permission, is using the ball as a way of getting revenge on Eisenstein. Some time before, after a costume-party, Eisenstein had abandoned Falke, very drunk and dressed in a bat-costume, in the center of town, exposing him to ridicule the next day. As part of his scheme, Falke has invited Frank, Adele, and Rosalinde to come the ball, all concealing their identities as well. Rosalinde pretends to be a masked Hungarian countess, Eisenstein goes by the name "Marquis Renard," Frank is "Chevalier Chagrin," and Adele, who has borrowed one of Rosalinde's dresses without permission, pretends she is an actress.
The ball is in progress (Chorus: "Ein Souper heut' uns winkt"/"A souper is before us") and the Prince welcomes his guests ("Ich lade gern mir Gäste ein"/"I love to invite my friends"). Eisenstein is introduced to Adele, but is confused as to who she really is because of her striking resemblance to his maid. ("Mein Herr Marquis"/"My lord marquis," sometimes referred to as "Adele's Laughing Song"). Frank arrives. He and Eisenstein, who are both posing as Frenchmen, attempt to conceal their identities by repeating common French phrases to each other, to Orlofsky's great amusement. Since neither actually knows French, both are fooled. As the party progresses, they both experience alcohol-induced good-feeling and manly camaraderie for each other.
Then Falke introduces the masked Rosalinde to the company. She convinces everyone that she is Hungarian by singing the "Czardas", a sentimental dancing-song ("Klänge der Heimat"/"Sounds from home"). During an amorous tête-à-tête, Eisenstein tries unsuccessfully to persuade the mystery-woman to unmask. She succeeds in extracting a valuable watch from her husband's pocket, something which she can use in the future as evidence of his impropriety. (Watch duet: "Dieser Anstand, so manierlich"/"Her bearing, so well-mannered"). In a rousing finale, Orlofsky makes a toast to champagne, and the company celebrates (The Champagne song: "Im Feuerstrom der Reben"/"In the fire stream of the grape"; followed by the canon: "Brüderlein, Brüderlein und Schwesterlein"/"Brothers, brothers and sisters" and the waltz finale, "Ha, welch ein Fest, welche Nacht voll Freud'!"/"Ha, what joy, what a night of delight.") Eisenstein and Frank dash off as the clock strikes six in the morning.
(Note: The "Champagne song", which is sung by the entire ensemble, should not be confused with the baritone aria "Fin ch' han dal vino" from Don Giovanni, which is often called the "Champagne aria".)
Act 3
In the prison offices of Warden Frank
The next morning they all find themselves at the prison where the confusion increases and is compounded by the jailer, Frosch, who has profited by Warden Frank's absence to become gloriously drunk. Alfred, still in jail in Eisenstein's place, irritates the other prisoners by singing operatic arias.
Adele arrives to ask the Chevalier Chagrin (actually Frank) to sponsor her career as an actress, but Frank is not wealthy enough to do this (Melodrama; Couplet of Adele: "Spiel' ich die Unschuld vom Lande"/"If I play the innocent peasant maid"). Meanwhile, Alfred asks Frosch to summon Dr. Blind to help get him released; Frank agrees to allow this and Dr. Blind arrives. Eisenstein enters and says he has come to serve his sentence. He is surprised when Frank tells him that his cell is already occupied by a man who claims to be Eisenstein and whom Frank had arrested in Eisenstein's apartment. Frank further tells Eisenstein that the man he arrested was singing amorous songs to Rosalinde at the time of his arrest, and warmly kissed her goodbye. Enraged, Eisenstein takes Dr. Blind's wig and glasses in order to disguise himself and confront the impersonator Alfred, whom Eisenstein now believes has cuckolded him. Rosalinde enters. Eisenstein takes off his disguise and accuses her of being unfaithful to him with Alfred. Eisenstein, Rosalinde, and Alfred sing a trio in which Eisenstein angrily claims the right of vengeance (Trio: "Ja, ich bin's, den ihr betrogen...Ra-ra-ra-ra-Rache will ich!"/"I'm the one who was mistreated....Ve-ve-ve-ve-vengeance is mine!"). However, Rosalinde produces his watch, and he realizes that the Hungarian mystery-woman he tried to seduce at Orlofsky's party was actually Rosalinde in disguise and that he, not she, is at fault.
Falke enters with all the guests from the party and explains that the whole thing was payback for Eisenstein's practical joke on him three years before. Eisenstein is delighted by the prank, and he begs Rosalinde to forgive him for his attempted infidelity. Rosalinde refuses at first, and threatens to divorce him, but Eisenstein tells her that his misbehavior was caused by the champagne. She accepts this explanation and immediately forgives him unconditionally. Orlofsky promises to finance Adele's acting career, and the company joyfully reprises the "Champagne song" from Act 2.
Theaterplatz 2