Semperoper Dresden 3 March 2021 - Carmen | GoComGo.com

Carmen

Semperoper Dresden, Dresden, Germany
All photos (22)
Select date and time
7 PM
Important Info
Type: Opera
City: Dresden, Germany
Starts at: 19:00
Acts: 3
Intervals: 1
Duration:
Sung in: French
Titles in: German,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

For the Semperoper, director Axel Köhler has created an austere staging of "Carmen", in which the drudgery of the cigarette workers is contrasted with the colourful world of bullfighting. 

The brave soldier Don José falls for the beautiful and exotic Carmen, who works in Seville’s infamous cigarette factory. Seduced by Carmen, Don José puts at risk his rank of corporal, deserts from the army, and joins a gang of smugglers. But Carmen’s craving for freedom and her thirst for life and love is too much for the soldier from northern Spain. Soon Carmen abandons him, amusing herself with the acclaimed toreador Escamillo. Then, while Escamillo kills an animal in the bullring, José kills the woman he loves. Georges Bizet’s "Carmen", which premiered in 1875, is one of the most popular of all operas. This is due in no small part to Bizet’s brilliant score: Carmen’s "Habanera" or the Toreador Song have greatly influenced our notion of Spanish music. 

History
Premiere of this production: 03 March 1875, Opéra-Comique, Paris

Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences.

Synopsis

Act one

In front of the cigarette factory, Corporal Maralès and a group of soldiers are passing the time with boredom. Micaëla arrives, looking for her childhood sweetheart Don José, and becomes the victim of their suggestive jokes and advances. A crowd of children also distracts the soldiers by boisterously mixing with them during the changing of the guard. Right after a new group of soldiers, commanded by Lieutenant Zuniga and Corporal Don José, has mounted guard, the entrance of the cigarette factory opens and the female workers emerge for their break. Amongst them is Carmen, eagerly expected by the men, making them drool with her provocative habanera. She finally gets José’s attention by throwing a flower to him. Whilst still being mesmerised by the tempting woman, Micaëla surprises José with a message and a kiss from his mother. Reminiscing about his home, his thoughts are interrupted by agitated screaming. Carmen has started a fight inside the factory, she attacked and injured another woman with a knife. José is told to arrest her. Left alone with José, Carmen uses the moment to beguile him completely. Hoping to spend the night with her, José lets Carmen go and is arrested himself for letting her escape.

Act two

In Lillas Pastia’s tavern Zuniga and his soldiers are enjoying the dancing and singing of Carmen and her friends Frasquita and Mercédès. The arrival of Escamillo, a torero idolized  by the women and admired by the men, causes a sensation. He is immediately attracted to Carmen. After the soldiers have left, the smugglers and their leaders Dancaïre and Remendado appear. They try to convince the women to help them with their latest scheme, but Carmen refuses to go with them. She waits for José, who has been released from jail earlier that day. Carmen dances just for him, but she is interrupted by the sounding of the last post. Carmen does not understand why José wants to leave once. Meanwhile Zuniga returns to the tavern, hoping to find Carmen alone. After recognising José and attacking him, he is restrained by the smugglers. José now has no choice but to join them.

Act three

Carmen, Frasquita and Mercédès return to the smugglers camp with Dancaïre and Remendado, where José is already waiting for them. Carmen, who has grown tired of José, rejects him rudely despite his threats. Frasquita and Mercédès try to cheer her up by reading their fortune in the cards. The cards predict a happy future with love and wealth for booth of her friends; whereas for Carmen, the cards are only foretelling her own and José’s death. Reconciling to her fate, Carmen accepts the prediction and goes on with her next task: to distract three customs officers. A little later Micaëla, who followed José, encourages herself and enters the camp. She goes into hiding when she hears Escamillo arrive. After being welcomed by José, he declares his infatuation with Carmen. A fight breaks out and is stopped by Carmen and the smugglers. As Escamillo leaves, he invites everyone to his next bullfight in Seville. Micaëla is discovered and begs José to come with her to visit his dying mother for one last time. Carmen also insists that he should leave her. He reluctantly agrees to leave with Micaëla.
The whole Seville watches as the cuadrillas enter the arena on a parade. Escamillo, being the last torero to pass by, is cheered enthusiastically by the crowd. Frasquita and Mercédès spot José in crowd and warn Carmen. But Carmen does not want to escape her own and José’s fate. During the bullfight they meet one last time. He begs her to come with him, but she refuses staunchly. In the same moment as Escamillo triumphs over the bull, José kills Carmen.

Place: Seville, Spain, and surrounding hills
Time: Around 1820

Act 1

A square, in Seville. On the right, a door to the tobacco factory. At the back, a bridge. On the left, a guardhouse.

A group of soldiers relaxes in the square, waiting for the changing of the guard and commenting on the passers-by ("Sur la place, chacun passe"). Micaëla appears, seeking José. Moralès tells her that "José is not yet on duty" and invites her to wait with them. She declines, saying she will return later. José arrives with the new guard, who is greeted and imitated by a crowd of urchins ("Avec la garde montante").

As the factory bell rings, the cigarette girls emerge and exchange banter with young men in the crowd ("La cloche a sonné"). Carmen enters and sings her provocative habanera on the untameable nature of love ("L'amour est un oiseau rebelle"). The men plead with her to choose a lover, and after some teasing she throws a flower to Don José, who thus far has been ignoring her but is now annoyed by her insolence.

As the women go back to the factory, Micaëla returns and gives José a letter and a kiss from his mother ("Parle-moi de ma mère!"). He reads that his mother wants him to return home and marry Micaëla, who retreats in shy embarrassment on learning this. Just as José declares that he is ready to heed his mother's wishes, the women stream from the factory in great agitation. Zuniga, the officer of the guard, learns that Carmen has attacked a woman with a knife. When challenged, Carmen answers with mocking defiance ("Tra la la... Coupe-moi, brûle-moi"); Zuniga orders José to tie her hands while he prepares the prison warrant. Left alone with José, Carmen beguiles him with a seguidilla, in which she sings of a night of dancing and passion with her lover—whoever that may be—in Lillas Pastia's tavern. Confused yet mesmerised, José agrees to free her hands; as she is led away she pushes her escort to the ground and runs off laughing. José is arrested for dereliction of duty.

Act 2

Lillas Pastia's Inn

Two months have passed. Carmen and her friends Frasquita and Mercédès are entertaining Zuniga and other officers ("Les tringles des sistres tintaient") in Pastia's inn. Carmen is delighted to learn of José's release from two months' detention. Outside, a chorus and procession announces the arrival of the toreador Escamillo ("Vivat, vivat le Toréro"). Invited inside, he introduces himself with the "Toreador Song" ("Votre toast, je peux vous le rendre") and sets his sights on Carmen, who brushes him aside. Lillas Pastia hustles the crowds and the soldiers away.

When only Carmen, Frasquita and Mercédès remain, smugglers Dancaïre and Remendado arrive and reveal their plans to dispose of some recently acquired contraband ("Nous avons en tête une affaire"). Frasquita and Mercédès are keen to help them, but Carmen refuses, since she wishes to wait for José. After the smugglers leave, José arrives. Carmen treats him to a private exotic dance ("Je vais danser en votre honneur ... La la la"), but her song is joined by a distant bugle call from the barracks. When José says he must return to duty, she mocks him, and he answers by showing her the flower that she threw to him in the square ("La fleur que tu m'avais jetée"). Unconvinced, Carmen demands he show his love by leaving with her. José refuses to desert, but as he prepares to depart, Zuniga enters looking for Carmen. He and José fight, and are separated by the returning smugglers, who restrain Zuniga. Having attacked a superior officer, José now has no choice but to join Carmen and the smugglers ("Suis-nous à travers la campagne").

Act 3

A wild spot in the mountains

Carmen and José enter with the smugglers and their booty ("Écoute, écoute, compagnons"); Carmen has now become bored with José and tells him scornfully that he should go back to his mother. Frasquita and Mercédès amuse themselves by reading their fortunes from the cards; Carmen joins them and finds that the cards are foretelling her death, and José's. The women depart to suborn the customs officers who are watching the locality. José is placed on guard duty.

Micaëla enters with a guide, seeking José and determined to rescue him from Carmen ("Je dis que rien ne m'épouvante"). On hearing a gunshot she hides in fear; it is José, who has fired at an intruder who proves to be Escamillo. José's pleasure at meeting the bullfighter turns to anger when Escamillo declares his infatuation with Carmen. The pair fight ("Je suis Escamillo, toréro de Grenade"), but are interrupted by the returning smugglers and girls ("Holà, holà José"). As Escamillo leaves he invites everyone to his next bullfight in Seville. Micaëla is discovered; at first, José will not leave with her despite Carmen's mockery, but he agrees to go when told that his mother is dying. As he departs, vowing he will return, Escamillo is heard in the distance, singing the toreador's song.

Act 4

A square in Seville. At the back, the walls of an ancient amphitheatre

Zuniga, Frasquita and Mercédès are among the crowd awaiting the arrival of the bullfighters ("Les voici ! Voici la quadrille!"). Escamillo enters with Carmen, and they express their mutual love ("Si tu m'aimes, Carmen"). As Escamillo goes into the arena, Frasquita and Mercedes warn Carmen that José is nearby, but Carmen is unafraid and willing to speak to him. Alone, she is confronted by the desperate José ("C'est toi ! C'est moi !"). While he pleads vainly for her to return to him, cheers are heard from the arena. As José makes his last entreaty, Carmen contemptuously throws down the ring he gave her and attempts to enter the arena. He then stabs her, and as Escamillo is acclaimed by the crowds, Carmen dies. José kneels and sings "Ah! Carmen! ma Carmen adorée!"; as the crowd exits the arena, José confesses to killing the woman he loved.

Venue Info

Semperoper Dresden - Dresden
Location   Theaterplatz 2

Not only one of the most beautiful opera houses in the world, the Semperoper is renowned both in Germany and abroad for the brilliant star-studded performances by Saxon State Opera as well as numerous international guest artists.

This is the home of the Staatskapelle Dresden, an orchestra which looks back on 460 years of uninterrupted music-making. The State Opera Chorus was founded by Carl Maria von Weber in 1817. Operatic history has been written here, with the Semperoper playing host to numerous important premieres, such as Richard Wagner’s "Rienzi", "Der fliegende Holländer" and "Tannhäuser". There is also an indissoluble link to Richard Strauss, nine of whose 15 operas were premiered in Dresden, including "Salome", "Der Rosenkavalier" and "Elektra". The small venue Semper Zwei provides space for diverse forms of music theatre as well as theatrical experiments, and is also the venue for performances of Semperoper Junge Szene.

The magnificent Semperoper dominates the Theaterplatz be-side the river Elbe, forming the centrepiece of the historic old city. The original building opened its doors in 1841, constructed to a design by Gottfried Semper which combined a late Classical style with Renaissance elements. Following a devastating fire in 1869, the citizens of Dresden immediately set about rebuilding their beloved opera house. This was completed in 1878, also to a design by Semper. In 1945, during the final months of World War II, the Semperoper was once again razed to the ground.

After a second reconstruction was successfully completed in 1985, the reopening of one of Europe’s most beautiful opera houses was celebrated with a performance of Carl Maria von Weber’s "Freischütz".
The dazzling interiors were painstakingly reconstructed by local craftsmen and artists according to original plans, with state-of-the art stage machinery and technical fittings in the auditorium. A modern annex was added to house the administrative offices and rehearsal rooms. Internationally renowned for its brilliant acoustics and incomparable performances, audiences from around the world continue to flock here to enjoy unforgettable experiences at the Semperoper Dresden.

Important Info
Type: Opera
City: Dresden, Germany
Starts at: 19:00
Acts: 3
Intervals: 1
Duration:
Sung in: French
Titles in: German,English
Top of page