Teatro Regio Torino: La damnation de Faust Tickets | Event Dates & Schedule | GoComGo.com

La damnation de Faust Tickets

Teatro Regio Torino, Turin, Italy
Important Info
Type: Opera
City: Turin, Italy
Duration: 2h 30min
Sung in: Italian
Titles in: French,Italian

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
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History
Premiere of this production: 06 December 1846, Opéra-Comique in Paris

La damnation de Faust (English: The Damnation of Faust) is a work for four solo voices, full seven-part chorus, a large children's chorus and orchestra by the French composer Hector Berlioz. He called it a "légende dramatique" (dramatic legend). It was first performed at the Opéra-Comique in Paris on 6 December 1846.

Synopsis

Part I

The aging scholar Faust contemplates the renewal of nature. Hearing peasants sing and dance, he realizes that their simple happiness is something he will never experience. An army marches past in the distance (Hungarian March). Faust doesn't understand why the soldiers are so enthusiastic about glory and fame.

Part II
Depressed, Faust has returned to his study. Even the search for wisdom can no longer inspire him. Tired of life, he is about to commit suicide when the sound of church bells and an Easter hymn remind him of his youth, when he still had faith in religion. Suddenly Méphistophélès appears, ironically commenting on Faust's apparent conversion. He offers to take him on a journey, promising him the restoration of his youth, knowledge, and the fulfillment of all his wishes. Faust accepts.

Méphistophélès and Faust arrive at Auerbach's tavern in Leipzig, where Brander, a student, sings a song about a rat whose high life in a kitchen is ended by a dose of poison. The other guests offer an ironic "Amen", and Méphistophélès continues with another song about a flea that brings his relatives to infest a whole royal court (Song of the Flea). Disgusted by the vulgarity of it all, Faust demands to be taken somewhere else.

On a meadow by the Elbe, Méphistophélès shows Faust a dream vision of a beautiful woman named Marguerite, causing Faust to fall in love with her. He calls out her name, and Méphistophélès promises to lead Faust to her. Together with a group of students and soldiers, they enter the town where she lives.

Part III

Faust and Méphistophélès hide in Marguerite's room. Faust feels that he will find in her, his ideal of a pure and innocent woman ("Merci, doux crépuscule!"). Marguerite enters and sings a ballad about the King of Thule, who always remained sadly faithful to his lost love ("Autrefois, un roi de Thulé"). Méphistophélès summons spirits to enchant and deceive the girl and sings a sarcastic serenade outside her window, predicting her loss of innocence. When the spirits have vanished, Faust steps forward. Marguerite admits that she has dreamed of him, just as he has dreamed of her, and they declare their love for each other. Just then, Méphistophélès bursts in, warning them that the girl's reputation must be saved: the neighbors have learned that there is a man in Marguerite's room and have called her mother to the scene. After a hasty goodbye, Faust and Méphistophélès escape.

Part IV

Faust has seduced, then abandoned Marguerite, who still awaits his return ("D'amour l'ardente flamme"). She can hear soldiers and students in the distance, which reminds her of the night Faust first came to her house. But this time he is not among them.

Faust calls upon nature to cure him of his world-weariness ("Nature immense, impénétrable et fière"). Méphistophélès appears and tells him that Marguerite is in prison. While awaiting Faust's return, she has given her mother the sleeping potion Faust had previously provided to calm her mother during their nights of love, and used it so often that she has killed the old woman, and now is to be hanged the next day. Faust panics, but Méphistophélès claims he can save her—if Faust relinquishes his soul to him. Unable to think of anything but saving Marguerite, Faust agrees. The two ride off on a pair of black horses.

Thinking they are on their way to Marguerite, Faust becomes terrified when he sees demonic apparitions. The landscape becomes more and more horrible and grotesque, and Faust finally realizes that Méphistophélès has taken him directly into hell. Demons and damned spirits greet Méphistophélès in a mysterious infernal language and welcome Faust among them.

Hell has fallen silent after Faust's arrival—the torment he suffers is unspeakable. Marguerite is saved and welcomed into heaven.

Venue Info

Teatro Regio Torino - Turin
Location   Piazza Castello, 215

The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each.

Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed.

Teatro Regio, 1740 to 1936
The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's Arsace. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery.

However, the theatre was closed on royal order in 1792 and it became a warehouse. With the French occupation of Turin during the Napoleonic War the theatre was renamed the Teatro Nazionale and finally, after Napoleon's ascent to Emperor, renamed again as the Teatro Imperiale. Napoleon's fall in 1814 saw the theatre returned to its original name, the Regio. In the following years the opera house went through several periods of financial crisis and it was taken over by the city in 1870.

Other theatres were built and presented seasons of opera in Turin. Among them was the restored Teatro Carignano in 1824. It too was acquired by the municipality in 1932 and, after the destruction by fire of the Teatro Regio in 1936, the Carignano was to serve as the main venue for opera in the city until the Regio reopened in 1973.

Even before it burnt down, discussions about whether to rebuild the Regio or create a brand new theatre preoccupied Turin in the early twentieth century. Two plans were presented and the one selected expanded the seating capacity to 2,415 by removing the fourth and fifth levels of boxes and creating a huge amphitheatre. Work was completed in 1905 but the theatre closed during the First World War and re-opened in 1919. Until February 1936, seasons of opera were presented until fire destroyed all but the facade of the Teatro Regio. It remained closed for thirty-seven years. Arturo Toscanini was the conductor of the Turin Opera from 1895 to 1898, during which time several productions of the works of Wagner were given Italian premieres.

Rebuilt Teatro Regio after 1973
Following the fire, a national competition was launched to find an architect. However, due to the war and the overall financial situation, the foundation stone was laid on 25 September 1963. Even then, work did not start until September 1967 under architect Carlo Mollino.

The rebuilt theatre, with its striking contemporary interior design but hidden behind the original facade, was inaugurated on 10 April 1973 with a production of Verdi's I vespri siciliani directed by Maria Callas and Giuseppe Di Stefano.

The new house seats 1,750 and is elliptical in shape with a large orchestra level and 37 boxes around its perimeter. An acoustic shell was added to improve its sound.

The house presents a wide range of operas during its seasons, including contemporary works, although in the first years of the new century financial pressures have made the programming somewhat more conservative and favoring more 19th-century operas.

Important Info
Type: Opera
City: Turin, Italy
Duration: 2h 30min
Sung in: Italian
Titles in: French,Italian

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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