Salzburg State Theatre 9 September 2023 - Hair | GoComGo.com

Hair

Salzburg State Theatre, Salzburger Landestheater, Salzburg, Austria
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7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Musical
City: Salzburg, Austria
Starts at: 19:00
Sung in: German
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

”Hair” is an energising experience full of powerful rock music and psychedelic trips. Its wild rawness, experimental narrative form and political explosiveness produced a scandal at its world premiere on Broadway in 1968, but the play soon became a lasting global success. For the first time ever, large theatres opened their stages to the peace movement and the counterculture of the youth. Songs such as “Let The Sunshine In” and “Ain’t Got No” became global hits.

Welcome to the “Age of Aquarius”, a period of radical change, an era without racism and war. The members of the “tribe”, a group of young alternative thinkers surrounding the three friends Berger, Sheila and Claude, are gallivanting through life, defying all norms and conventions imposed by traditional social roles. Their maxims are equality, free love and peace, but the illusive harmony in which they live is repeatedly threatened by the conflict between their own bourgeois background and their urge to practice civil disobedience.

Like no other musical, “Hair” makes a strong statement against war and captures the zeitgeist of the young generation – not only of the 1960s, but through the decades from the hippie movement to Fridays for Future. To this day, the rock musical about the yearning for a better and more peaceful future has lost none of its power and relevance.

“Hair” was developed by the actors Gerome Ragni (1942–1991) and James Rado (*1932) as a small, autobiographically inspired off-Broadway musical. Galt MacDermot’s (1928–2018) music blends American rock music with African rhythms to create its own individual style. The musical’s 1979 film adaptation was directed by Miloš Forman.

As a stage director and artistic director of the musical division, Andreas Gergen has put the Salzburg State Theatre on the map in the musical theatre scene. He also staged productions for the Thunerseespiele Festival and the Vereinigte Bühnen Wien. Wolfgang Götz, who for instance conducted “The Sound of Music” for the Salzburg State Theatre, will act as musical director.

History
Premiere of this production: 17 October 1967, Joseph Papp's Public Theater, New York City

Hair: The American Tribal Love-Rock Musical is a rock musical with a book and lyrics by Gerome Ragni and James Rado and music by Galt MacDermot. A product of the hippie counterculture and sexual revolution of the late 1960s, several of its songs became anthems of the anti-Vietnam War peace movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of "rock musical", using a racially integrated cast, and inviting the audience onstage for a "Be-In" finale.

Synopsis

Act I
Claude, the nominal leader of the "tribe", sits center stage as the tribe mingles with the audience. Tribe members Sheila, a New York University student who is a determined political activist, and Berger, an irreverent free spirit, cut a lock of Claude's hair and burn it in a receptacle. After the tribe converges in slow-motion toward the stage, through the audience, they begin their celebration as children of the Age of Aquarius ("Aquarius"). Berger removes his trousers to reveal a loincloth. Interacting with the audience, he introduces himself as a "psychedelic teddy bear" and reveals that he is "looking for my Donna" ("Donna").

The tribe recites a list of pharmaceuticals, legal and illegal ("Hashish"). Woof, a gentle soul, extols several sexual practices ("Sodomy") and says, "I grow things." He loves plants, his family and the audience, telling the audience, "We are all one." Hud, a militant African-American, is carried in upside down on a pole. He declares himself "president of the United States of Love" ("Colored Spade"). In a fake English accent, Claude says that he is "the most beautiful beast in the forest" from "Manchester, England". A tribe member reminds him that he's really from Flushing, New York ("Manchester England"). Hud, Woof and Berger declare what color they are ("I'm Black"), while Claude says that he's "invisible". The tribe recites a list of things they lack ("Ain't Got No"). Four African-American tribe members recite street signs in symbolic sequence ("Dead End").

Sheila is carried onstage ("I Believe in Love") and leads the tribe in a protest chant. Jeanie, an eccentric young woman, appears wearing a gas mask, satirizing pollution ("Air"). She is pregnant and in love with Claude. Although she wishes it was Claude's baby, she was "knocked up by some crazy speed freak". The tribe link together LBJ (President Lyndon B. Johnson), FBI (the Federal Bureau of Investigation), CIA (the Central Intelligence Agency) and LSD ("Initials"). Six members of the tribe appear dressed as Claude's parents, berating him for his various transgressions – he does not have a job, and he collects "mountains of paper" clippings and notes. They say that they will not give him any more money, and "the army'll make a man out of you", presenting him with his draft notice. In defiance, Claude leads the tribe in celebrating their vitality ("I Got Life").

After handing out imaginary pills to the tribe members, saying the pills are for high-profile people such as Richard Nixon, the Pope, and "Alabama Wallace", Berger relates how he was expelled from high school. Three tribe members dress up as principals in Hitler mustaches and swastika arm bands, mocking the American education system. Berger and the tribe defy them, singing "Going Down". Claude returns from his draft board physical, which he passed. He pretends to burn his Vietnam War draft card, which Berger reveals as a library card. Claude agonizes about what to do about being drafted.

Two tribe members dressed as tourists come down the aisle to ask the tribe why they have such long hair. In answer, Claude and Berger lead the tribe in explaining the significance of their locks ("Hair"). The woman states that kids should "be free, no guilt" and should "do whatever you want, just so long as you don't hurt anyone." She observes that long hair is natural, like the "elegant plumage" of male birds ("My Conviction"). She opens her coat to reveal that she's a man in drag. As the couple leaves, the tribe calls her Margaret Mead.

Sheila gives Berger a yellow shirt. He goofs around and ends up tearing it in two. Sheila voices her distress that Berger seems to care more about the "bleeding crowd" than about her ("Easy to Be Hard"). Jeanie summarizes everyone's romantic entanglements: "I'm hung up on Claude, Sheila's hung up on Berger, Berger is hung up everywhere. Claude is hung up on a cross over Sheila and Berger." Berger, Woof and another tribe member pay satiric tribute to the American flag as they fold it ("Don't Put it Down"). The tribe runs out to the audience, inviting them to a Be-In. After young and innocent Crissy describes "Frank Mills", a boy she's looking for, the tribe participates in the "Be-In". The men of the tribe burn their draft cards. Claude puts his card in the fire, then changes his mind and pulls it out. He asks, "where is the something, where is the someone, that tells me why I live and die?" ("Where Do I Go"). The tribe emerges naked, intoning "beads, flowers, freedom, happiness."

Act II
Four tribe members have the "Electric Blues". After a black-out, the tribe enters worshiping in an attempt to summon Claude ("Oh Great God of Power"). Claude returns from the induction center, and tribe members act out an imagined conversation from Claude's draft interview, with Hud saying "the draft is white people sending black people to make war on the yellow people to defend the land they stole from the red people". Claude gives Woof a Mick Jagger poster, and Woof is excited about the gift, as he has said he's hung up on Jagger. Three white women of the tribe tell why they like "Black Boys" ("black boys are delicious ..."), and three black women of the tribe, dressed like The Supremes, explain why they like "White Boys" ("white boys are so pretty ...").

Berger gives a joint to Claude that is laced with a hallucinogen. Claude starts to trip as the tribe acts out his visions ("Walking in Space"). He hallucinates that he is skydiving from a plane into the jungles of Vietnam. Berger appears as General George Washington and is told to retreat because of an Indian attack. The Indians shoot all of Washington's men. General Ulysses S. Grant appears and begins a roll call: Abraham Lincoln (played by a black female tribe member), John Wilkes Booth, Calvin Coolidge, Clark Gable, Scarlett O'Hara, Aretha Franklin, Colonel George Custer. Claude Bukowski is called in the roll call, but Clark Gable says "he couldn't make it". They all dance a minuet until three African witch doctors kill them – all except for Abraham Lincoln who says, "I'm one of you". Lincoln, after the three Africans sing his praises, recites an alternate version of the Gettysburg Address ("Abie Baby"). Booth shoots Lincoln, but Lincoln says to him, "I ain't dying for no white man".

As the visions continue, four Buddhist monks enter. One monk pours a can of gasoline over another monk, who is set afire (reminiscent of the self-immolation of Thích Quảng Đức) and runs off screaming. Three Catholic nuns strangle the three remaining Buddhist monks. Three astronauts shoot the nuns with ray guns. Three Chinese people stab the astronauts with knives. Three Native Americans kill the Chinese with bows and tomahawks. Three green berets kill the Native Americans with machine guns and then kill each other. A Sergeant and two parents appear holding up a suit on a hanger. The parents talk to the suit as if it is their son and they are very proud of him. The bodies rise and play like children. The play escalates to violence until they are all dead again. They rise again and comment about the casualties in Vietnam: "It's a dirty little war" ("Three-Five-Zero-Zero"). At the end of the trip sequence, two tribe members sing, over the dead bodies, a melody set to a Shakespeare speech about the nobility of Man ("What A Piece of Work Is Man").

After the trip, Claude says "I can't take this moment to moment living on the streets. ... I know what I want to be ... invisible". As they "look at the moon," Sheila and the others enjoy a light moment ("Good Morning Starshine"). The tribe pays tribute to an old mattress ("The Bed"). Claude is left alone with his doubts. He leaves as the tribe enters wrapped in blankets in the midst of a snow storm. They start a protest chant and then wonder where Claude has gone. Berger calls out "Claude! Claude!" Claude enters dressed in a military uniform, his hair short, but they do not see him because he is an invisible spirit. Claude says, "like it or not, they got me."

Claude and everyone sing "Flesh Failures". The tribe moves in front of Claude as Sheila and Dionne take up the lyric. The whole tribe launches into "Let the Sun Shine In", and as they exit, they reveal Claude lying down center stage on a black cloth. During the curtain call, the tribe reprises "Let the Sun Shine In" and brings audience members up on stage to dance.

(Note: This plot summary is based on the original Broadway script. The script has varied in subsequent productions.)

Venue Info

Salzburg State Theatre - Salzburg
Location   Schwarzstrasse 22

The Salzburg State Theatre (Salzburger Landestheater) is a theatre situated in Salzburg, Austria, a venue for opera, theatre, and dance, contemporary and older works, with resident companies of actors, singers, and dancers.

The theatre presents approximately 400 performances each season, from September to June. The main theatre building is located next to the Mirabell Gardens and seats an audience of 707. The staff consists of 340 people originating from 35 different countries.

The theatre is a listed building and part of the Altstadt, a UNESCO World Heritage Site.

In 1775, Prince-Archbishop Colloredo built the 'Prince-Archbishop Court Theatre' on the site of the former ballroom of 1625. The official opening of the building was celebrated with Christian Heinrich Schmid’s Die Gunst des Fürsten which, beholden to enlightenment, was soon followed by Schiller’s dramas. Emmanuel Schikaneder was engaged as director of the Court Theatre for several years. During this time, he became acquainted with the Mozart family, whom he regularly invited to his box. Mozart's music was performed there for the first time in 1776. With the staging of Die Entführung aus dem Serail in 1784, regular performances of Mozart’s repertoire began.

The present building was constructed between 1892 and 1893, designed by the architect duo Fellner & Helmer. The building was opened on October 1, 1893 with the overture from Mozart’s La clemenza di Tito. In this year, Max Reinhardt had been engaged as an actor in the company, and later co-founded the Salzburg Festival. Because of the Second World War, the theatre was closed in 1944. In 1945, American forces used the theatre as a radio studio. After the war, the theatre was opened to the public again.

With the introduction of the Studio Theatre in the former Mirabell Casino building in October 1971, the theatre acquired a new stage. Since 2010, there has been close cooperation between the Salzburger State Theatre and the Salzburger Marionette Theatre. Besides joint productions, the theatre company also performs new productions in the Marionette Theatre’s space, now known as Bühne 24.

Additionally, Salzburg’s Festival Theatres serve as performance locations for State Theatre productions throughout the year while the State Theatre building is used for Salzburg Festival productions during the festival season in the summer months. Another close partnership affiliates the State Theatre with the Mozarteum Orchestra Salzburg which takes on the role of the resident orchestra for the Theatre's musical productions.

Lutz Hochstraate, Intendant of the theatre from 1986 to 2004, introduced the program for young audiences. From 2004 to 2009, Peter Dolder was Intendant and had a particular focus on the works of Thomas Bernhard. The current Intendant of the theatre is Carl Philip von Maldeghem, since 2009. The current director of opera is Katrin König, and the theatre's music director is Adrian Kelly.

Important Info
Type: Musical
City: Salzburg, Austria
Starts at: 19:00
Sung in: German
Titles in: English
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