Salzburg State Theatre 25 October 2022 - Der Rosenkavalier | GoComGo.com

Der Rosenkavalier

Salzburg State Theatre, Felsenreitschule, Salzburg, Austria
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6 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Salzburg, Austria
Starts at: 18:00
Sung in: German
Titles in: German,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

“Der Rosenkavalier” by Richard Strauss and Hugo von Hofmannsthal combines a turbulent comedy about romantic trials and errors with much Viennese flair, buoyant waltzes and deep insights. All these elements blend to create one of the most profoundly human and deeply moving narratives in opera history. The opera also draws a lively portrait of society in the last days of the Habsburg empire.

“Time is a curious thing. As we live day by day it means nothing at all. But suddenly, it is all we feel.” The notion of inexorable change and a new beginning is pervading everything. This is how the field marshal’s wife is feeling one morning as she is in bed with her lover Octavian. When Baron Ochs interrupts the intimate tête-à-tête, the plot picks up steam. He unexpectedly chooses Octavian as his matchmaker and instructs him to deliver a silver rose to young Sophie Faninal as a symbol of her engagement to the baron. When Octavian visits Sophie to present the rose, the matchmaker and the bride fall in love.

With “Der Rosenkavalier”, Richard Strauss created a musical and theatrical masterpiece that represents a tour de force for any theatre. To mark the 75th anniversary of the founding of the Salzburg Cultural Association (Salzburger Kulturvereinigung), the Salzburg State Theatre cooperates with this institution to present the unique opera on the stage of the Felsenreitschule.

”Der Rosenkavalier” was the second collaboration of Richard Strauss (1864–1949) and Hugo von Hofmannsthal (1874–1929), both co-founders of the Salzburg Festival. The opera became an instant success with its world premiere in Dresden in 1911: Special trains had to be scheduled to accommodate the crowds. The work is still considered a highlight of the comic opera genre.

Musical Director Leslie Suganandarajah realises this comic opera together with director Roland Schwab, who has staged productions at the Bavarian State Opera and the Deutsche Oper Berlin. Once more, they collaborate with Piero Vinciguerra and Gabriele Rupprecht. The team previously thrilled audiences at the Felsenreitschule with their successful production of “Lohengrin”.

History
Premiere of this production: 26 January 1911, Königliches Opernhaus, Dresden

Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer) is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière's comedy Monsieur de Pourceaugnac. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere the working title was Ochs auf Lerchenau. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox," which describes the character of the Baron throughout the opera.)

Synopsis

Time: 1740s, in the first years of the reign of Empress Maria Theresa
Place: Vienna

Act 1

The Marschallin's bedroom

Princess Marie Therese von Werdenberg (known as the Marschallin, the title given to a Field Marshal's wife) and her much younger lover, Count Octavian Rofrano, are lounging in bed together just before daybreak ("Wie du warst! Wie du bist"). Loud voices are soon heard outside, and the Marschallin has Octavian hide, believing that her husband has returned early from a hunting trip. Octavian emerges in a skirt and bonnet ("Befehl'n fürstli' Gnad'n, i bin halt noch nit recht...") and tries to sneak away, but the Marschallin's country cousin, Baron Ochs auf Lerchenau, bursts in through the same door.

The Baron is newly engaged to Sophie Faninal ("Selbstverständlich empfängt mich Ihro Gnaden"), the daughter of a wealthy merchant, though this does not keep him from making lewd comments at the disguised Octavian. Ochs has come to ask two favors: he wants to borrow his cousin's notary to write the marriage contract, and he wants her recommendation of a young nobleman to serve as his Rosenkavalier ("Knight of the Rose"), who will deliver the traditional silver engagement rose to Sophie. The Marschallin instructs "Mariandel" to fetch Octavian's miniature portrait and present it to the Baron. Ochs easily accepts Octavian as his Rosenkavalier, deciding that the "maid" must be that young count's "bastard sister", then insists that the Marschallin allow "Mariandel" to come and work for his new bride. She refuses as politely as possible and finally dismisses the "maid".

A busy reception scene ensues as the room fills with vendors and supplicants to the Marschallin ("Drei arme adelige Waisen"), who ignores the former and aids the latter. A tenor sent by the Portuguese ambassador serenades her ("Di rigori armato") while Ochs sits down with the notary. Two Italian intriguers, Valzacchi and Annina, present scandal sheets for sale, which the Marschallin coldly declines. Ochs tries to stipulate a gift from Sophie's family consisting of all their properties, free from mortgages, and quickly loses patience with the notary's attempts to explain that this is illegal. Amidst all the activity, the Marschallin remarks to her hairdresser: "My dear Hippolyte, today you have made me look like an old woman." ("Mein lieber Hippolyte"). This so disturbs her that she orders the room to be emptied. As the people file out, Valzacchi and Annina offer Baron Ochs their spying services. He asks whether they know anything about "Mariandel"; they promptly lie and claim to know all about her.

The Marschallin, now alone, ponders her waning youth and the unhappiness of her forced marriage, perceiving the same in store for Sophie Faninal ("Da geht er hin..."). Octavian returns, dressed again in men's clothes ("Ach, du bist wieder da"). When he sees that the Marschallin is out of sorts, he assumes it is from her earlier fear that he might have been discovered. But she is still thinking of the passage of time (a clock is heard chiming thirteen times) and tells him that, very soon, he will leave her for someone younger and prettier. Octavian reacts with frustration, and the Marschallin turns him away. Too late, she realizes that she has neglected to kiss him goodbye. With nothing else to be done, she summons her young page, Mohammed, to take the silver rose to Octavian, then stares pensively into her hand mirror (or similar) as the curtain falls.

Act 2

The von Faninals' palace

The next day, Herr von Faninal and Sophie exultantly await the arrival of the Rosenkavalier ("Ein ernster Tag, ein grosser Tag!"). Following tradition, Faninal departs before the Knight appears, saying that he will return with the bridegroom. Sophie prays to keep her sense of humility through all the rapid changes happening in her life, but she is repeatedly interrupted by her duenna, Marianne, who reports from the window on the Rosenkavalier's elaborate entourage ("In dieser feierlichen Stunde der Prüfung"). Octavian arrives with great pomp, dressed all in silver, and presents the silver rose to Sophie ("Mir ist die Ehre widerfahren..."). She smells it, saying it is as sweet as a greeting from Heaven itself. Octavian, instantly smitten, joins her avowal that they will remember this moment until death.

They settle into a chaperoned conversation. Sophie reveals that she already knows Octavian's full name – Octavian Maria Ehrenreich Bonaventura Fernand Hyacinth Rofrano – from studying the catalogue of Austrian nobility to prepare for her marriage. She even knows his nickname: Quinquin, which only intimate friends (including the Marschallin) call him. She adds that she likes him very much. Ochs then enters with Faninal ("Jetzt aber kommt mein Herr Zukünftiger") and wastes no time revealing his character to the bride, loudly examining Sophie's body and comparing her to "an unbroken filly" when she protests. Once he leaves the room with Faninal to finalize the marriage contract, Sophie and Octavian quickly agree that she will not marry the Baron under any circumstances.

The young lovers' rapturous duet ("Mit Ihren Augen voll Tränen") is soon interrupted by Valzacchi and Annina, who surprise them and call for Ochs. Octavian challenges the Baron to a duel. Ochs runs forward, scratches his arm on the point of Octavian's drawn sword, and screams so that Faninal and the rest of the household come rushing in. Sophie begs her father to call off the wedding, to no avail: Octavian is asked to leave, and Sophie is sent to her room. Ochs is left on the divan, his arm in a sling, nursing a bottle of port and fantasies of revenge against Octavian. But Annina brings him something that raises his spirits much more quickly: a letter signed by "Mariandel," the "chambermaid" from Act 1, asking for a tryst. At this, Ochs forgets his sling and waltzes across the stage, ignoring Annina's hints for a tip - and missing her quiet promise to get even ("Da lieg' ich!").

Act 3

A private room in a shabby inn

Valzacchi and Annina, fed up with the Baron, help Octavian prepare a trap the following evening. Elaborate preparations are seen in pantomime before Ochs arrives with "Mariandel," ready for a cozy dinner at a table set for two.

In spite of himself, Ochs is disturbed by "Mariandel's" uncanny resemblance to his nemesis Octavian, and he keeps catching glimpses of strange apparitions in the room. A disguised Annina bursts in, calling Ochs her husband and the father of her (numerous) children, who crowd around him crying "Papa! Papa!" The Baron calls for the police; to his unpleasant surprise, the vice squad treats him with suspicion, and Valzacchi is suddenly claiming not to know him. The police inspector asks about the "woman" accompanying him, and Ochs lies that "she" is his fiancée, Sophie Faninal - just in time for Herr von Faninal to arrive, demanding to know why Ochs' messenger (presumably Valzacchi) has summoned him to this disreputable place. When asked if "Mariandel" is his daughter, Faninal retorts in a rage that his daughter is outside. The real Sophie enters and announces once and for all that she does not consider Baron Ochs her bridegroom. Her apoplectic father staggers out, leaning on her shoulder.

"Mariandel" now offers to make a statement in private, and retires behind a screen with the Police Inspector. Soon Ochs sees articles of women's clothing coming into view. He rages against the vice squad, but is interrupted by the arrival of the Marschallin. The Police Inspector greets her before clearing the room, and she explains to the Baron that he has been had. Sophie returns, and Octavian emerges, to confirm that they set up a "masquerade" together to break his engagement. Ochs, glancing back and forth between Octavian and the Marschallin, now grasps the nature of their relationship and asks for hush money. But he is cowed by the Marschallin's force of will (if not the sight of Octavian's sword) and ingloriously departs, pursued by children and bill collectors.

The Marschallin, Sophie, and Octavian are left alone, and Octavian does not know what to do. The Marschallin introduces herself to Sophie, recognizing that the day she feared has come (Trio: "Marie Theres'!" / "Hab' mir's gelobt"), and releases Octavian to be with the woman he truly loves. She then withdraws, with a promise to Sophie that she will offer Faninal a face-saving ride home in her carriage. As soon as she is gone, Sophie and Octavian run to each other's arms. Faninal and the Marschallin return to find them locked in an embrace. With a last, bittersweet look toward her lost lover, the Marschallin heads for the carriage with Faninal. Sophie and Octavian follow after another brief but ecstatic love duet ("Ist ein Traum" / "Spür' nur dich"). The opera ends with little Mohammed trotting in to retrieve Sophie's dropped handkerchief, then racing out again after the others.

Venue Info

Salzburg State Theatre - Salzburg
Location   Schwarzstrasse 22

The Salzburg State Theatre (Salzburger Landestheater) is a theatre situated in Salzburg, Austria, a venue for opera, theatre, and dance, contemporary and older works, with resident companies of actors, singers, and dancers.

The theatre presents approximately 400 performances each season, from September to June. The main theatre building is located next to the Mirabell Gardens and seats an audience of 707. The staff consists of 340 people originating from 35 different countries.

The theatre is a listed building and part of the Altstadt, a UNESCO World Heritage Site.

In 1775, Prince-Archbishop Colloredo built the 'Prince-Archbishop Court Theatre' on the site of the former ballroom of 1625. The official opening of the building was celebrated with Christian Heinrich Schmid’s Die Gunst des Fürsten which, beholden to enlightenment, was soon followed by Schiller’s dramas. Emmanuel Schikaneder was engaged as director of the Court Theatre for several years. During this time, he became acquainted with the Mozart family, whom he regularly invited to his box. Mozart's music was performed there for the first time in 1776. With the staging of Die Entführung aus dem Serail in 1784, regular performances of Mozart’s repertoire began.

The present building was constructed between 1892 and 1893, designed by the architect duo Fellner & Helmer. The building was opened on October 1, 1893 with the overture from Mozart’s La clemenza di Tito. In this year, Max Reinhardt had been engaged as an actor in the company, and later co-founded the Salzburg Festival. Because of the Second World War, the theatre was closed in 1944. In 1945, American forces used the theatre as a radio studio. After the war, the theatre was opened to the public again.

With the introduction of the Studio Theatre in the former Mirabell Casino building in October 1971, the theatre acquired a new stage. Since 2010, there has been close cooperation between the Salzburger State Theatre and the Salzburger Marionette Theatre. Besides joint productions, the theatre company also performs new productions in the Marionette Theatre’s space, now known as Bühne 24.

Additionally, Salzburg’s Festival Theatres serve as performance locations for State Theatre productions throughout the year while the State Theatre building is used for Salzburg Festival productions during the festival season in the summer months. Another close partnership affiliates the State Theatre with the Mozarteum Orchestra Salzburg which takes on the role of the resident orchestra for the Theatre's musical productions.

Lutz Hochstraate, Intendant of the theatre from 1986 to 2004, introduced the program for young audiences. From 2004 to 2009, Peter Dolder was Intendant and had a particular focus on the works of Thomas Bernhard. The current Intendant of the theatre is Carl Philip von Maldeghem, since 2009. The current director of opera is Katrin König, and the theatre's music director is Adrian Kelly.

Important Info
Type: Opera
City: Salzburg, Austria
Starts at: 18:00
Sung in: German
Titles in: German,English
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