Royal Theatre Carré 23 November 2019 - Jevgeni Onjegin | GoComGo.com

Jevgeni Onjegin

Royal Theatre Carré, Amsterdam, Netherlands
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Important Info
Type: Opera
City: Amsterdam, Netherlands
Starts at: 13:00
Duration:

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Overview

This ‘pocket opera’ distils the essence of Tchaikovsky’s opera into an intimate, captivating performance of 1 hour and 20 minutes. Director Kai Anne Schuhmacher places the decisive moments in the lives of Tatiana and Olga under the magnifying glass, showing how a single decision in your youth can have dramatic consequences for the rest of your life. Eugene Onegin is a moving, in-depth psychological drama full of emotional conflicts and with lyrical, passionate music. The most well-known aria is the Letter scene, in which Tatiana writes a desperate love letter to Onegin.

This production centres around the destiny of Tatiana. We see the story through the eyes of the older Tatiana, who looks back at her life and re-examines her decisions. In her old age she is alone, without a man, and only has her sister Olga. In her youth Olga was Tatiana’s cheerful opposite, but now – in contrast to Tatiana – she is a bitter and broken woman. Tatiana is able to look back with peace and acceptance at each of the doors that opened for her because she stands behind the decisions she made, even though as a young woman she was not yet aware of where the paths she took would lead her. 

History
Premiere of this production: 29 March 1879, Maly Theatre, Moscow

Eugene Onegin is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's novel in verse, retaining much of his poetry.

Synopsis

Time: The 1820s

Place: St Petersburg and surrounding countryside

Act 1

Scene 1: The garden of the Larin country estate

Madame Larina and the nurse Filippyevna are sitting outside in the garden. They can hear Madame Larina's two daughters, Tatyana and her younger sister Olga, singing a love song. Madame Larina begins to reminisce about her own courtship and marriage. A group of peasants enter, and celebrate the harvest with songs and dances. Tatyana and Olga watch. Tatyana has been reading a romantic novel and is absorbed by the story; her carefree sister, on the other hand, wants to join in the celebrations. Madame Larina tells Tatyana that real life is very different from her novels. Filippyevna announces that visitors have arrived: Olga's fiancé Lensky, a young poet, and his friend Eugene Onegin, visiting the area from St Petersburg. The pair are shown in and Lensky introduces Onegin to the Larin family. Onegin is initially surprised that Lensky has chosen the extrovert Olga rather than her more subtle elder sister as his fiancée. Tatyana for her part is immediately and strongly attracted to Onegin. Lensky expresses his delight at seeing Olga and she responds flirtatiously. Onegin tells Tatyana of his boredom in the country and describes the death of his uncle and his subsequent inheritance of a nearby estate. Filippyevna recognizes that Onegin has had a profound effect on Tatyana.

Scene 2: Tatyana's room

Tatyana is dressed for bed. Restless and unable to sleep, she asks her nurse Filippyevna to tell her about her youth and early marriage. Tatyana confesses that she is in love. Left alone, Tatyana pours out her feelings in a letter to Onegin. She tells him that she loves him and believes that she will never feel this way about anyone else, and begs him to understand and help her. She finishes writing the letter at dawn. A shepherd's pipe is heard in the distance. Filippyevna enters the room to wake Tatyana. Tatyana persuades her to send her grandson to deliver the letter to Onegin.

Scene 3: Another part of the estate

Servant girls pick fruit and sing as they work. Tatyana waits anxiously for Onegin's arrival. Onegin enters to see Tatyana and give her his answer to her letter. He explains, not unkindly, that he is not a man who loves easily and is unsuited to marriage. He is unworthy of her love and can only offer her brotherly affection. He warns Tatyana to be less emotionally open in the future. The voices of the servant girls singing are heard again. Tatyana is crushed and unable to reply.

Act 2

Scene 1: The ballroom of the Larin house

A ball is being given in honour of Tatyana, whose name day it is. Onegin is dancing with her. He grows irritated with a group of neighbours who gossip about him and Tatyana, and with Lensky for persuading him to come to the ball. He decides to avenge himself by dancing and flirting with Olga. Lensky is astounded and becomes extremely jealous. He confronts Olga but she cannot see that she has done anything wrong and tells Lensky not to be ridiculous. Onegin asks Olga to dance with him again and she agrees, as "punishment" for Lensky's jealousy. The elderly French tutor Monsieur Triquet sings some couplets in honour of Tatyana, after which the quarrel between Lensky and Onegin becomes more intense. Lensky renounces his friendship with Onegin in front of all the guests, and challenges Onegin to a duel, which the latter is forced, with many misgivings, to accept. Tatyana collapses and the ball ends in confusion.

Scene 2: On the banks of a wooded stream, early morning

Lensky is waiting for Onegin with his second Zaretsky. Lensky reflects on his life, his fear of death and his love for Olga. Onegin arrives with his manservant Guillot. Both Lensky and Onegin are reluctant to go ahead with the duel, reflecting on the senselessness of their sudden enmity. But it is too late; neither man has the courage to stop the duel. Zaretsky gives them the signal and Onegin shoots Lensky dead.

Act 3

Scene 1: The house of a rich nobleman in St Petersburg

Five years have passed, during which Onegin has travelled extensively around Europe. Standing alone at a ball, he reflects on the emptiness of his life and his remorse over the death of Lensky. Prince Gremin enters with Tatyana, his wife, now a grand, aristocratic beauty. She is greeted by many of the guests with great deference. Onegin is taken aback when he sees Tatyana, and deeply impressed by her beauty and noble bearing. Tatyana, in turn, is overwhelmed with emotion when she recognizes him, but tries to suppress it. Gremin tells Onegin about his great happiness and love for Tatyana, and re-introduces Onegin to his wife. Onegin, suddenly injected with new life, realizes that he is in love with Tatyana. He determines to write to her and arrange a meeting.

Scene 2: A room in Prince Gremin's house

Tatyana has received Onegin's letter, which has stirred up the passion she felt for him as a young girl and disturbed her. Onegin enters. Tatyana recalls her earlier feelings and asks why Onegin is pursuing her now. Is it because of her social position? Onegin denies any cynical motivation: his passion is real and overwhelming. Tatyana, moved to tears, reflects how near they once were to happiness but nevertheless asks him to leave. He asks her to have pity. Tatyana admits she still loves Onegin, but asserts that their union can never be realized, as she is now married, and determined to remain faithful to her husband despite her true feelings. Onegin implores her to relent, but she bids him farewell forever, leaving him alone and in despair.

Venue Info

Royal Theatre Carré - Amsterdam
Location   Amstel 115-125

The Royal Theatre Carré (Dutch: Koninklijk Theater Carré) is a Neo-Renaissance theatre in Amsterdam, located near the river Amstel. When the theatre was founded in 1887, it was originally meant as a permanent circus building. Currently, it is mainly used for musicals, cabaret performances and pop concerts.

German circus director Oscar Carré, looking for a location for circus performances in the winter, opened Circus Carré on 3 December 1887. In the beginning, it was just a wooden building with a stone façade. In the first years, it was only in use in the winter, but from 1893 on, Dutch theatre producer Frits van Haarlem brought vaudeville shows in the summer months. The shows became very successful, thus changing the circus building to a theatre for all forms of popular entertainment. In 1920, it changed its name to Theater Carré.

In the early 20th century the building was mainly used for vaudeville and revue shows, occasionally Italian operas and operettas. Dutch stars like Lou Bandy and Louis Davids and international celebrities like Josephine Baker and the clown Grock performed here.

After the Second World War, revues and winter circuses remained popular. In 1956, Carré introduced musical theatre to the Netherlands with Porgy and Bess. The one-man show followed in 1963, when Toon Hermans gave his first solo cabaret show. At the end of the 1960s, the theatre was in danger of being demolished. After protests from artists, the municipality of Amsterdam finally refused permission for demolition. In 1977 the municipality bought the building. In 1987, at the centenary, the Royal Predicate was granted and the name was changed to Koninklijk Theater Carré. In 2004, the theatre was completely renovated. The historic façade and interior design have been retained.

Important Info
Type: Opera
City: Amsterdam, Netherlands
Starts at: 13:00
Duration:
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